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0311romanticeratechniques PDF
0311romanticeratechniques PDF
rush
2000
1800
1900
1600
1500
1700
early 20th
renaissance baroque classical romantic century
contemporary
? b˙ ˙˙
b˙
another technique that is unique to the romantic era is
the resolution of an augmented sixth chord to a
dominant seventh chord rather than a dominant triad,
causing the interval of the augmented sixth to resolve
obliquely instead of moving outward to the octave. Ger.6 V7
finally, romantic era composers would sometimes use a particular type of chord
progression that had the effect of suspending tonality for a portion of the
piece. By temporarily removing the feeling of being in a certain key, the composer
could easily modulate to a distant key!
if you think of ...
t
tonality like ar hird
of e l r
this technique is called being in a f ike ela
room... in the tur tion
third relations because it t
fo he gra ning s
involves moving by root r r v
a oo ity
movements of a major or bit m
...
minor third without respect
to key signature.
for example...
œœœ
here, we’re
œœœ
...here, we’re just
# ˙˙˙
moving down by thirds...
b n ˙˙˙
F: I IV V I DM Bb M
...which obscures any
*whump*
# œ # œœ
...and then turning
# n œœ œ
the gravity back
on... but in a
different
F #M E bM
direction!
B: I IV V I
and then we land
in b major!
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