How would you describe the FOH job?

What do you like and hate the most about it?

How did you choose this? Do you have moments when you wish you did some other job?

How does someone becomes a FOH? Is there a special school or some classes?

Once the skills are there, how do you go about finding jobs? How important is “luck”, mostly
developed in the form of networking?

Why choose to go on tour rather than be an engineer in a local studio?

What do you have to set up before a show? How is the work different for a club show, a
festival, or an arena tour?

How do you handle a tour that has a show every day?

How do you approach differently an act that wants to sound “like on the CD” or one who
wants to go the extra mile live? What is for you that extra mile?

What makes a show to remember, in your opinion?

What must an act (artist, tour, show) do for you to consider it to stand out in terms of sound?