NE PLAYING * VOICE-LEADING * CHROMATICISM * BEBOP SCALES FOR ALL INSTRUMENTS a advance musicCD Track List TRACK TUNE CCINSTRUMERTS PAGE ‘Tuning Notes (A Concert} Tuning Notes (Bb Concert} Progression 1A. 13 Progression 1B 13 Progression 2A. 18 Progression 2B 18 Alice (version 1) 21 Alice (version 2) : eee Spring Joy (version 1) 25 Spring Joy (version 2) 25 Afternoon In Strasbourg (version 1) 38 Afternoon In Strasbourg (version 2) 38 Hazy Birg (version 1) sod Hazy Birg (version 2) 44 Fall Foliage 50 Is This Thing Called Love? (version V) «156 Is This Thing Called Love? (version 2) v0.56 Have You Met Miss Miller? (version 1) ..u.60 Have You Met Miss Miller? (version 2} .u...60 Great Moments (version 1) 8 Great Moments (version 2} 69 Herman ‘n You (version 1) one 9B Herman ‘n You (version 2} 98 Very Late : 100 Demonstration 1 Demonstration 2 Demonstration 3 Demonstration 4 Demonstration 5 Demonstration 6 Demonstration 7 Demonstration 8 Demonstration 9 Demonstration 10 INSTRUMENTS PAGE INSTRUMENTS PGEIntroduction Adding chromatic passing tones between specific tones of the diatonic ggale is a device that musi- Je sound harmonically right or consistent with cians often use. This technique helps to make the sea the chord. These scales are sometimes called bebop scales. [ think of them as jazz scales because many of my favorite jazz players use them. Bebop, hard bop, swing, cool, avant garde, rhythm and blues and many other jazz styles incorporate bebop scales. This book presents a clear and practical proach to chromaticism, line playing, voice leading, and to learning and integrating bop scales into one’s playing,