ISSN 1614-4600 - JAN - FEB £1250 - USS2450 - €18 English Edition DETAIL Review of Architecture and Construction Details - Concrete, Brick, Stone Vol. 2012-1DETAIL Review of Architecture ‘Vol 1, 2012 Conerste, Brik and Stone alt cnachocestl da. al +40 () e038 162057 Chvstar Sonic feces ‘Sabine Dray, Arcreas Gaye Frank Katerbac, ka Les, Thomas Mace th Was, Heide Weasehy Chita Schicker teelance aston) Menaala Linco, Pots Pope Mav Greve, Erase M.Kosze9 Neola Kalan Simon Kramer rings) Pret edt axe Pagina Weber jctern-hieh Katja Reta, Hager Wage, Tin Westphal, Joanne wi Christan Sehitich, Keiko Arima 42 Massinllan Fiksas Tals about Architecture and the Architect's Obligation io Saciety Frank Kaltenbach, Chratian Schitich Reports 16 A Tessolltion of Guure and Nature Tho Harpa Coricer Hal ana Gonforenco Cont in Roya NicLehoux 20° Boiss Fxbintions anon Eke ‘p12 eo Foaringer Documentation 22. Wine Museum in Corsica Perraudin Archiectes, Lyon 27 Resicace ia Gamal, Titus Bernard Arctitekten, Augsburg Eager tarsaters) 92 Natural Park Gente, lsmantary Senoo! and Kinderaaton in St Maadatenn. Advetaing Burger Fudacs Acton, Munich ent 98 Schaol Expansion n Marburg. Hees /TaPto/Kusmierz Architekten und Stzotplaner, Munich Tal -19 20-8 162240 Uc Fepiesninve Advertsing Syrergy Grose Mein Eva Tal ata )200255212) 44° Student Dommfery in Paris LAN architecture, Paris 48 Coty Hollin Broncehors: Atelier Pro, Den Haag 54 Simming Poolin Toro. Vier Arqutectos, & Goran 58 MuttiEamtiy Hausa in Zucch La prontoldon, Regenstorg 62, STWSiadtfonumin innsheue Heinz Tesar, Vienna Disrbuton animating Evel causa. Tol: 40 ) 00-88 16200, Subcorotin contact ard custo sare Verkicsueion Moyne Grosse Hob 10 aL Ele, Darny Evnalt dealsbogiticheuniende Tal 49,0) 61-2892:38211 Fox 490) 81-2802 38-212 blr and ators fee ‘ttt itaatonsls Aros Somerton GoW co. Technology Aackereructe © — 28 MUTI 68 Tharmo.Aciive Building Systems: Operaonal Exuerience Pract a Doreen Kalz, Rolanc Koenigsdort, Jens Piaferot Germany el 43 (0) 20:99 16 200 Fo 4) 80-9 06 7D Products 78 Concrete. Feickand Slane Construction. 84 Giadising 8 Surface. 88 (nfodor Walls. Calings ana Acoustos. (94 Walls. and Floor Tes. 102 Sanion 108 Persons and organizations imojved inthe planning ~ Ganlracices anc supaliets. 110 Progeamme Phota cecits = Ecitoral and publishing data, vor dtal denanslation.Editorial ‘Sharp-edged exposed concrete, rough surlaces made of natural stone or rarmed earth, rendered or clad building envelopes, vividly structured brick facades - solid construction materials exist in a mul fitude of forms. The selection of building examples inthis edtionre- flects this dversity. Concrete In various forms plays a decisive role Boyond it, city nal in tho Netherlands shows wnich vivid kind ot improssion light can cast on a brick facade. A residential housa in Murich is characterised by the contrast belween its sensvally rough ‘exterior and its hard and clear glazed surfaces. And, an indoor pool ‘draws its almost archaic appearance trom its brown walls made ct rammed earth, At present and in general, said construction ma- torials euch a6 concrete or masonry brick aro typically and in most ‘casos concealed, due to thermal insulation considerations ~ and ‘often clad inthe compcsite systems with rendered surface that, rather lack popularity among architects. However, the fact that these systems can be part of appealing designs of buldings is exempl fied by the muit-family building in Zurich or the facades of the BTV ‘Stadtforum in Innsbruck, This bank bulding features an exterir that ‘was designed wit’ deliberate clay and resiraint and an Impressive {over that surprises its vistors with a sculptwally famed root - here, ‘concrete surfaces remain exposad and display ther invinsic qua Ities. Today, exposed concrete in all ts possible variations and structures has once more regained its postion as an almost natural ‘design choice of architects. However, this was not always the ca ‘About tnree decades ago, when this construction material symbo! ised society's viscomort with @ breed of modernism that had de generated into monotony, it also fell rom grace among planners. Cempletely unrestrained by such inhibitions, Tadao Ando, a master (of spaces that inspire people, appeared in the spotight and con= tributed to the renaissance of exposed concrete witn ris concrete surfaces that wore dotalied to porfectin. In out anniversary sores "A sacond lock", we not only ask the question what happened to his key project, the litte Church of Light in Ibaraki, but also how the architect and the tend that he helped launch back then have de veloped futher. Givistian Schittich