was created has been omitted. The rest of the planning for this archway is as fol- lows: The sacred cut divides the basic square into nine quadratic areas: five squares and four rectangles. Four of the squares are in the four corners of the diagram, the fifth in the centre. Weare interested in the square in the lower right corner of the basic square, i.e. three corners of which are numbered 44-3-40. At the point where the upper hori- zontal sacred cut of this square (51-54) intersects line 35-36 (produced) we have the centre of the circle on which the two side arches were created. Just as the lowe?" horizontal sacred cut in the basic square indicated the ledge of the main archway, so the upper horizon- tal sacred cut in the two small squares in- dicate the corresponding projecting ledge in the two side arches. Thus we see that the same factor, the sacred cut, was responsible for the curve of all three arches. The curve of the side arch, at its inter- section with 51-54, indicates the width of ##331 ##the side gateway, one side of which is indi- cated by the vertical sacred cut (39-40) in the basic square. The other side has been shown by broken line 52-53. This more or less rounds off our search for the main dimensions in the Arch of Constantine. Once again we have satisfied ourselves that they stem from one single proportion, i.e. the size of the basic square. Once this has been located it is virtually a matter of routine to the exponent of ancient geometry to trace the remaining dimensions. And it is interesting in this case to note how closely the analysis just completed corresponds to analytical dia- grams of temple-planning in Greece. Simply because space (or the lack of it) so dictates, the analysis of the Arch of Constantine in Rome must serve as a re- presentative for other triumphal arches of its period. It is perhaps the one best- known to the world and the one most often the subject of discussion. But I can assure my reader that I have applied the strict rules of ancient geo- metry to several others arches of that per- iod, and have traced an overwhelming number of similar points between their planning and the stipulations of geometry. ##