EXTENDED TECHNIQUES FOR THE HORN 4% A Practical Handbook for Students, Performers and Composers Reus by DOUGLAS HILLEXTENDED TECHNIQUES FOR THE HORN A Practical Handbook for Students, Performers and Composers by DOUGLAS HILL Professor of Music-Horn University of Wisconsin-Madison Dedicated to Karen Zaczek Hill, my loving wife and musical companion. Horns on front and back covers courtesy of the G. LEBLANC CORPORATION Covers: Odalis Soto and Jorge Paredes © 1983, 1996 STUDIO 224 (ASCAP) All Rights Administered by WARNER BROS. PUBLICATIONS U.S. INC. ‘All Rights Reserved Including Public Performance for ProfitEXAMPLE TRACK NUMBER BLBRASBSVSSLERNS 2SSSUSRSBRISRBVBRVERNBSS EXTENDED TECHNIQUES FOR THE HORN CD TRACKING CHART OF EXAMPLES EXAMPLE NAME ‘COMMON PLAYING RANGE POSSIBLE PLAYING RANGE (EXTREME) ‘STRAIGHT MUTE BRASS MUTE PLUNGER MUTE, (CUP MUTE WisPER MUTE GLASS MUTE (CLOTH MUTE MUTE SOUNDS, DEGREES MUTE SOUNDS, GRADUAL CHANGES: LUNMEASURED RAPID MUTE CHANGES LUNMEASURED RAPID MUTE CHANGES \WITH MULTIPLE TONGUING ‘BRASS MUTE VARIATIONS ‘STOPPED HORN 11270 3/4 STOPPED HORN, OR ECHO “12 STEP HAND GLISSANDO GREATER THAN 1/2 STEP HAND GLISSANDO APIO HAND CHANGES WITH MULTIPLE TONGUING. ‘SCOOP UP, SCOOP DOWN ‘TONGUING, PUNCTUATED, AGGRESSIVE ‘TONGUING, SMOOTHER, SOFTER TTONGUING, MISCELLANEOUS, SPLIT TONGUE RELEASES, ABRUPT AND ACCENTED TTONGUING, DOUBLE (O1DL) TTONGUING, RAPID IRREGULAR ‘TONGUING, FLUTTER, TRILS TTILLS, FLEXIBLE SPEED TRILLS, IRREGULAR, VALVE TREMOLO VALVE TREMOLO, FLEXIBLE SPEED, IRREGULAR ‘TREMOLO, LIKE FINGERINGS “TREMOLO, UNLIKE FINGERINGS GUSSANDO GUSSANDO, HARMONIC, CHROMATIC GUSSANDO, VALVE FLUTTER, CONTOUR GUSSANDO, OSCILLATING: GUSSANDO, INTERRUPTED BENDIDIP, DOINK/DOMT, FALL-OFFIDROP, SPILL. FUP, RIPISMEAR, LIFT/FLAIR, PLOP HALF-VALVE, DEFINITE PITCH EXAMPLE NUMBER agee2gessaare TRACK NUMBER NUSSBVSRLSRWS SLSRLBRABSSASSLE EXAMPLE NAME HALF-VALVE, INDEFINITE PITCH GHOST TONES HALF-VALVE, GLISSANDOS HALF-VALVE, OSCILLATION, TREMOLO, HARMONIC WHITE NOISE/STATIC, BREATHY TONE. SUCKED PITCH, BUZZ TONE, KISSING SOUNDS ‘VOWEL SOUND PRODUCTION ENHARMONIC FINGERINGS. DESCRIPTIVE SOUNDS (DOG, BIRD, SIREN, ETC) VIBRATO, VARIOUS SPEEDS. VIBRATO, VARIOUS WIDTHS VIBRATO, VARIOUS INTENSITY VIBRATO, TREMBLING, MACHINE-LIKE, WANA ‘QUARTER TONES, SCALE ‘QUARTER TONES, VARIOUS HORN-CHORDS MELODY AND PEDAL POINT UNISON SINGING AND PLAYING, ‘STATIONARY AND VARIABLE BEATS. ‘AIR SOUNDS ‘AIR FLUTTER, ARTICULATED AIR SOUNDS MOUTHPIECE EFFECTS: HAND POPS, GLISSANDO MOUTHPIECE, KISSING, MUTED MOUTHPIECE, SIREN, WHISTLE, POP, WHOOSH ‘TUBULAR TONES, TRILLS, TREMOLOS, THOP SYMPATHETIC VIBRATIONS IN THE PIANO ‘SYMPATHETIC VIBRATIONS, DRUM, CYMBAL, BOW FLUTTER TONGUE GLISSANDO FLUTTER TONGUE TRILLS AND TREMOLOS TRILLED GLISSANDO FLUTTER WITH ALTERNATING MUTED EFFECTS FLUTTER WITH VOCALIZED GUISS. OR VIBRATO