NEW - REVISED AND AUTHENTIC EDITION ARBAN’ S COMPLETE CELEBRATED METHOD FOR THE CORNET Eb ALTO-:Bb TENOR:-: BARITONE EUPHONIUM AND Bb BASS IN TREBLE CLEF NEWLY REVISED AND EDITED BY EDWIN FRANKO GOLDMAN ENGLISH - GERMAN AND FRENCH TEXT CONTAINING ARBAN’S ORIGINAL AND COMPLETE METHOD THE ART OF PHRASING (150 SONGS AND OPERATIC AIRS) SIXTY-EIGHT DUETS FOR TWO CORNETS FOURTEEN CHARACTERISTIC STUDIES NUMEROUS FANTASIES AND OTHER SOLOS PRICES cLoTHt PAPER $350 NET S75 NET. [ieee FISCHER coorer sovare NEW YORKA LIST OF THE PRINGIPAL WORDS USED IN MODERN MUSIC. WITH THEIR ABBREVIATIONS AND EXPLANATIONS. a A tn ~ i le stow time. ee With animation, Wakes ora 7 cgre essai, very rapidly. {Ian he original movement. ‘Commence the next movessent at once. ‘A Venetian bostman’s song. Sil Bom mareto wel Backed. ice repent the pismaze. Brian, bold, aprtel ‘Showy, sparkling, briliaat, ‘Wit adh spines TA passage ntrodced asa embellishment Decreasing in power and spced. Tnasiogiag sole A coampnitn of regular construction, ‘Ae pleasure, ‘A‘dovemest in voesl style. (sounds, SIILIIIIILIIA Niumitination of tieor more “nasil Gada III dieing movement Glee on Swit Green reo Graialy Yoder Beer Da Capo (5. rom the begions Dal Stems (D580)... Brom the Site Pecreatonde eres). Delicatersa, con Diminuend> (din) “Decreasing fo strength, Daley retned i te, ‘Gradually citer. Bent BI Rant be pga by «see Bote! SCBante amen foes, Bekins Sey sect tad at, Bontaiae TH ee ror minor ve Bese Roped i ee peloton att “Accentuate the sound. Mee wt er ‘Panota ay ai Hea a ee ie, very aidw ead setts ‘Graefaly. "Smoothly, the reverse of Staccato, ‘tll edded line above or below the staff, s Jonger Sra. he pee ‘Bat not too much, ‘Bed: With aiatinctaen and empbasis, esses Meno motto, Lese quickly. Morerately ‘Moderately soft ‘IMinor Key. ‘Moderately. Allegro moderato, moderately “Muchy very, Tine SoGradaly ster. UiMoved. "Pia mss, qsicker. “Motion. “Com not with animation, Not {fiteart of representing inal sounds By claractes Hable to the pe ‘An todiepensable part, ‘A'teries of 8 conscuive diatonic tones, ‘A work, (Ors or else. Generally indicating en easier ‘To'be played aa octave higher. method. ‘The ie indenting pus or ish “Beavliyt gle arm acd vigorous exeeation, aad Boe Nant (Bp) veos ss Nery ste Pana ih: af Pie More, Pi Auegro, More quickly, Pees 6 i jota! A iitie, Poco @ poco! «-Greduaty, by degrees. Poco ple mosio, UR ate taner- Poco mene. SCAM tomer. a hoch Eee PE aa ange Ae realm, td slower: Sis, PSI Emre Rime Bearding the tise rand ‘Playtlly; sportively. The second time (or pet.) ‘Follow on in starstyle, ‘Siniply; atlectedly ‘Always; cogtineally. ‘Without. "Senza sordine, Without mute, “Crorebly; with sudden eniphasl, Tr ike manner. "Diminishing the sound. {Ser one performer only, TA Mote.” Com Sordi, With the Mate, ‘Phe 4th tone tn the diatonic sone beoge of accent from a str best tow Sie alent. 7 wea ones Keynote of any scale, “A embiing,Sattering movement, (A Bie of sa or thee perme, Rigroup of S notes tobe performed ix fief eae a it alt ee iautrimeats, "00 Bette asformation and embellishment of @ ‘A ary fone chect which should ae “Avrary toneatiect - vik vay bikie Tyco, ely “The woe; a certain part 222 Raion or fone aobge Vat bio (7. BSc cRoen one gupoiuettouehing pen 4 P ) REPORT of the Conservatory's Committee on Musle ‘Study regarding Mr. Arban’s Cornet Method. ‘The Committee ou Music Study has ex amined and testea the Method submitted to ‘them by Mr. Arhan, “This work Is Tich im instructive advieo, is based upon the bere of fundamental pFln- ‘iples, and omits not a single. instructive polat’ which might be needed for the de Yelopment and gradual techies) perfection of « player. ‘Tue work might be classed as a general resuné of the abdity and knoylodge ac quired by the author during his long ex Derience as a teacher of and performer| ‘upon his instrument, and in a cortain sense ‘embodies the remarkable results achieved Dy him during bis long carver a» @ soloist. ‘Brery variety of artieslation, tonguing, staccat, ete, 1s thoroughly treated, tn genionsiy analyzed and clearly explained ‘Tho plentiful exercising material provided for euch of these various dlmeulties ia de- serving of particular mention. Thetractive possible musi ‘questions are treated at length and throu fout the work we have observed a profound appreciation of all dicutties and masterly ability to overcome them on tho part of the author, The latter part of the work containg a long succession of studles, ag in teresting in subject as in form, and on ‘cludes with a collection of solos, which are, fas it were, the embodiment oF application fof the previous lessons. "These studies and solot give jleptife? evidences of all those brillant and thorough qualifications of whieh the author Ins so often given proot Jn his public performances. ‘In consequence the committee feels no hesitation in expressing ite appreciating and approval of Mir. Area's Method and recom: fends that same bo asopted unreservedly for inatruction at the Conservatory. BERICHT des Comités des Conservatorinms fiir muy kalische Studien itber die Cornet i Pistons-Sehule des Hern Arban, ‘Das Comité for musikalische Studien hat die Faethode goprift, welche ihm Herr Arba engerbretot hat, Dieses Werk enthalt reichliche Aufkld- frungen, borubt auf susgezcichneten Leb sitzen nd Iiest Keine Belohrungen bel Seite, dio goolgnet sind, einen guton Cornettisten 20, biden. Es it gewissormascen das Résumé der vom. Vertaser erlangten Kenntniss, die ein einer angen Praxis ls Lehrer und austbender canstler gewounen, und cine schriftliche Be rnserordentlichen Revultat, Die verschiedenen Arten der Articulation, deg Zungenstassea, ie Verzierungenoten, di Stageati, sind grinlich abgebandelt, gelst- oich gnalysirt und glocklich gelist, Die ahlreichen Lectionen, dio ihnen der Autor ‘wide, haben ely Recht auf ganz besondere| Erwatmung. Th der reichen Folge von Belehrungen, in| Jdenen auch alle sonstigen mwsikalichen [Fragen behandelt sind, bemerkt man gleich: 2sitig eine cbensotiofe Binsicht in di Shwe Figkeiten ale einen. vollendeten ‘Tak, ihrer Herr m werden. Der letrte Theil des Werkes| fenthalt eine lange Bethe von Btuden, ebenso| {interessant durch ihren Inhalt aly durch ihre Form, und schlicast mit der Sammlung von Solosicken, die die practischo Anwendung desra, owas vorher gelebrt wurde, enthalten Aus diesen Etaden wna Solos louchten alle die| snzenden und soliden Higenschaften hervor, von denen der Verfamcr 30 oft Proben geguben hat Tn Polge desson steht das Comité nicht an, jin getwohter Anorkennung des Verdienstes lund der Notalichkeit der Methode, deren Autor Her Arhan ist, doselbo fir den Unterricht Jim Conservatorium einzufahren. Wie At we AGEY 1a RAPPORT Hau Comité des tudes musicales dx Com servatore, sur a Méthode de Cornet & pistons et de Saxhorn do. Arban, Le Comiét des études musicales a exaraind a Méthode qui Tul a été soumise par M. Arban, Get ouvrage, comportant des développements considérables, repose sur dexcallentes doc- frines ot nlomot aucun dar “emeignements propres a former un bon comnettiste, Cest, en quelque sorts, le résumé des con- naisancesacquisespar Tauteus, aa moyend'ine Tongue pratiyue comme profeswuretexioutant, et une consécration cto den résultats ex ‘ceptionnels dont a été marquee aa carrie do ‘Les différenta genres d'erticulations, los divers coups de langue, les notes dagrément, eg staccuti sont aérieusement abordés, in génieusement analyatheareusementréeolaa; es nombrousoslogons uy contacre F auteur Ont aroit dune mention toute particulite, Dans la riche série denselgnementa 02 som traitées toutes les autres question musiealeg, Jon remarque éaloment ane intelligence appro- Hondie des difcultés et un tact parfait en triompher. Ta dernitre partin de Youvrage jrenferme une longue suite dudes. wuss Interesantes par le fond que far la forme, ev s® termine yar une collection de aolos gui sont Jcomme la mise en asuvre de 8 qui a été en- soigné procédemment: dans ces études et dans ex sols brillent Tes qualitésSolatantes et solide la fois dont Vamteur a al souvent fit preuve. En consiquence, le Comité, rendant home aye au mévito et a Tutiité do la Méthode dont M- Arban est Tautou, white pas & approwver, ainsi qu'a ‘adopter pour Venasigaee met eu Conservatoire, AUBER, METERGKER, KASTNER, A. THOMAS, REBER, AMAZIN, BENOIST, DAUVERNG, VOGT, PRUMIER, EMILE PERRIN, EDOUARD MONNAIS, A. DE BEAUCHESNE,