Professional Documents
Culture Documents
PRACTICE TEST
Task One
Name: ..................................................................
(b)
During the next stage of your project, you listen to a radio programme in which a music producer is being Leave
interviewed about an all-girl band called Bond. Listen to the interview and complete the statements. The first blank
one is an example.
You will hear the interview twice. Do as much as you can the first time and finish your work the second time.
10. The band’s plans for the future include being ............................................................................................... .
Article A
Article B
Article C
A B C
2. Employment opportunities
3. An adrenalin rush
4. Illegal activities
5. Media coverage
6. Festival objectives
7. Financial support
8. Ecological concerns
9. Types of participants
R.E.M.
Sunday, 12th June at 10.30 pm
Lead singer Michael Stipe with his trademark mask of blue make-up will head the band
with his flamboyant showmanship in this much-demanded return visit to the festival.
R.E.M. is a sought-after rock band of long standing. Doing the rounds since the early
1980s, R.E.M. has travelled the world many times and produced hits like I Took Your
Name, Kenneth and The One I Love. At this concert, they will reminisce with classics
like Orange Crush and Nightswimming. Fans will be invited to sing along with old
favourites like Everybody Hurts. A night not to be missed! A huge fireworks display will
mark the end of the band’s set and signal the finale of the festival.
1. Children in an East Harlem elementary school line up in front of their teacher, holding their violins under
their chins and trying not to squirm while they arch their arms shakily over the strings. They are waiting for the
sign to commence playing. Eventually, notes rise, echoing off the bare cement walls.
“Stop!” screams Roberta Guaspari-Tzavaras. “What’s wrong?”
“Somebody’s off,” says a small voice.
“More than somebody’s off,” responds Guaspari.
With their eyes trained on their teacher as she bangs out the rhythm with her foot, the children once again pick
up the chords of the national anthem they will perform at the New York Knicks’ basketball game in Madison
Square Garden the following day. With stops and starts, the lesson continues, as Guaspari corrects their posture
and polishes their technique.
2. Roberta Guaspari-Tzavaras has been teaching violin to underprivileged children in East Harlem for over 20
years. She believes that early musical instruction enhances academic achievement. Mastering the violin gives
children a taste of success, builds their confidence and teaches them self-restraint and perseverance. “If they
develop self-discipline, they won’t give up on other things,” she says. For Guaspari, music is an investment in
the future. When he heard about the programme, world-renowned violinist Isaac Stern agreed. “The greatest
wealth this country has is not the free market, it’s the free kids. This is our real wealth, our future. We should
know how to invest in it wisely.”
3. Roberta Guaspari grew up near New York, the daughter of a factory worker who was killed in an industrial
accident. Her mother raised the family single-handed. For Roberta, who loved music, the public school system
provided the only means of getting violin lessons. Later, as a music graduate and divorced mother with two
young sons, Roberta moved to East Harlem and found herself unemployed with limited skills. She was
persuaded to teach violin in three local elementary schools to children who would otherwise never have been
exposed to such enrichment. The resulting strings programme flourished until 1991, when her position was
eliminated as a result of budget cuts.
4. Refusing to take this blow lying down, Guaspari rallied support to keep the programme alive and founded
the Opus 118 Music Centre – a non-profit organisation dedicated to bringing music to disadvantaged children.
Today, being accepted into the programme is a burning ambition for local children and they anxiously wait to
hear their names among the 165 youngsters who are chosen by lottery every year. Instruments and lessons are
funded by Opus 118, on condition that these budding musicians make the maximum commitment to their music.
5. When Guaspari first started the programme, she lacked teaching experience and had little idea how to cope
with mainly black and Latino pupils who were so disorderly that they used their bows to sword fight and their
violin cases as machine guns. Working at three different locations, she personally transported the violins and
music from place to place, collecting parking tickets on the way. Teachers and school administrators were
doubtful about the value of her work. Some even resented it. Some parents also put up resistance, wondering
why their kids had to learn the music of “dead white men”.
6. Ironically, when her position was abruptly terminated, backing came from an unexpected source – the same
parents, teachers and administrators. They were joined by prominent artists and musicians. Articles in the
national press aroused the attention of the general public, and following a performance on TV, master violinist
Itzhak Perlman agreed to attend her school’s concert, where he made a public plea to authorities to extend her
funding. Two years later, he appeared with leading musicians Quincy Jones, Mark O’Connor and Arnold
Steinhardt in the first Fiddlefest – a benefit concert in Carnegie Hall which included young Opus 118 pupils,
most of whom were not yet five feet tall.
7. Since then, Opus 118 violinists have played in Fiddlefests, on radio and on television. The success of
Guaspari’s programme can be gauged by the tremendous public response when, in 1995, the Opus 118
storeroom was flooded during a heavy storm and all the instruments were lost. The Fiddle Rescue Mission raised
$75,000 to purchase new violins and more than 150 were donated to ensure that the children would not be
deprived of a musical education.
8. Guaspari’s story inspired the film Music of the Heart, starring Meryl Streep, which captures the
extraordinary commitment of this remarkable teacher. Yet, it is the documentary Small Wonders which is used in
teachers’ graduate courses to show how dedication can accomplish goals. Guaspari’s determination, belief in her
pupils and the power of music win the day. For her, music “empowers children with the ability to make
something beautiful that allows them to believe in themselves and know they’re special”.
Choose the best title for each of the numbered paragraphs in the text. Write the appropriate number in
the box next to the paragraph title.
The first one is an example.
Be careful! There are more titles than you need. Do not use a number more than once.
A permanent obstacle
Flood of support
3. According to the article, why did parents oppose the musical programme?
(a) They disliked her rigid discipline and teaching methods.
(b) They could not afford the instruments or lessons.
(c) They felt European classical music was inappropriate.
Either:
A Famous musicians should use their talent and celebrity status to help raise money for humanitarian causes.
Do you agree with this statement?
Your discussion must include the following points:
• a short introduction
• your opinion and reasons to support it
• examples
• conclusion
You may refer to information and ideas from other parts of the test but do not copy exact phrases.
Or:
B Here are the opening lines of a story:
The chances of being discovered as a musician were so remote as to be almost impossible. Yet there
I was, playing with my band in a local coffee bar and sitting right opposite me was one of the most famous
musicians around ... He wasn’t just listening, he was smiling and really enjoying the music ... .
Continue the story. Your story should include a description of:
• the music you played
• his reaction and how you felt
• what happened next
You may refer to information and ideas from other parts of the test but do not copy exact phrases.
Put a cross ( ) in the box next to the task you have chosen. A B Write 140-170 words.
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