A int4 CD Track List TRACK TUNE INSTRUMENTS - PAGE Bb INSTRUMENTS - PAGE Eb INSTRUMENTS - PAGE Tuning Notes (A Concert) Tuning Notes (Bb Concert) Progression LA ...cescceseeescsesusseseesrsersssereees LB ceeeeeeceececeeeeeseeeeeeeees Ld cee eeeeeeeeeee 15 Progression 1B ......ccscssssssssessesssiecssieeesseees VD eect eeteeeeee V4 tee 15 Progression 2A vo... esse eestecseeseessessessees VS ieee eerie VD ees teees eee 20 Progression 2B v.....scecesscsecssesesstesecsessesesess VB eee ee eee V9 ees ecseeeeeseeeeeee 20 Alice (version 1) ...cccccssssssesssesseeessserssseerseeee QD eee eereeeeeee 22 reece eset eereeeeee 22 Allice (version 2) ..ccccssssssessssesssseesssessseeessnees QD iceecceeeeteseereetsresteneees 22 eee 22 Spring Joy (version 1) vecccceesecseceesseene 25... 226... pring Spring Joy (version 2) .... 22S eecctesteesteseeeteeteseenees QO eee eeceeeeeeee teense 27 Afternoon In Strasbourg (version 1) cesses BB occ cceeeetseeeres BY eects teececeneee 40 Afternoon In Strasbourg (version 2) veces BB oeeececsseseeseeee cesses BO cocecceecccesceceeeenneneee 40 Hazy Birg (version 1) ecceseccseseeeseesesseesees FA i ccceeeeee reer cence FO oles neteeteneee 46 Hazy Birg (version 2) voecccceceescenesteseeseeese A cece eeteresneeee AD aocceeesecsreetneneeneereans 46 Fall Foliage v.cceecsssesssessesesssessssesssscssseesesseees BO leececstesseeteeeeeeeeeenee SD cece cee eesseeeesneeneee 52 Is This Thing Called Love? (version 1) .......... BO oieeceececeececs recesses neeeees D7 cececeeteetesetesteeeneeeee 58 Is This Thing Called Love? (version 2) .......... 56 eects tees DD cecceescseeeseeetsseesetens 58 Have You Met Miss Miller? (version 1) ........ 60 oeececeeeeesereeeeeetieeees 61 Have You Met Miss Miller? (version 2) ........ CO lc ceeeenessneseseeeneeeees 61 Great Moments (version 1) .eeccccccccssuusees 69 eects teteteteeeeeeee 70 Great Moments (version 2) ...cccccccccccscesssseeee 69 iecceeereetereeecteeeeneens 70. Herman 'n You (version 1) ..c.c... 95 o.. 96 DS ceccceccesccscteseseeeeeeeeees 96 Herman ‘n You (version 2) .... Very Late .... Demonstration 1 Demonstration 2 Demonstration 3 Demonstration 4 Demonstration 5 Demonstration 6 Demonstration 7 Demonstration 8 Demonstration 9 Demonstration 10Introduction Adding chromatic passing tones between specific tones of the diatonic scale is a device that musi- cians often use. This technique helps to make the scale sound harmonically right or consistent with the chord, These scales are sometimes called bebop scales. I think of them as jazz scales because many of my favorite jazz players use them. Bebop, hard bop, swing, cool, avant garde, rhythm and blues and many other jazz styles incorporate bebop scales. This book presents a clear and practical approach to chromaticism, line playing, voice leading, and to learning and integrating bop scales into one’s playing. playing