A int4
CD Track List
TRACK
TUNE INSTRUMENTS - PAGE Bb INSTRUMENTS - PAGE Eb INSTRUMENTS - PAGE
Tuning Notes (A Concert)
Tuning Notes (Bb Concert)
Progression LA ...cescceseeescsesusseseesrsersssereees LB ceeeeeeceececeeeeeseeeeeeeees Ld cee eeeeeeeeeee 15
Progression 1B ......ccscssssssssessesssiecssieeesseees VD eect eeteeeeee V4 tee 15
Progression 2A vo... esse eestecseeseessessessees VS ieee eerie VD ees teees eee 20
Progression 2B v.....scecesscsecssesesstesecsessesesess VB eee ee eee V9 ees ecseeeeeseeeeeee 20
Alice (version 1) ...cccccssssssesssesseeessserssseerseeee QD eee eereeeeeee 22 reece eset eereeeeee 22
Allice (version 2) ..ccccssssssessssesssseesssessseeessnees QD iceecceeeeteseereetsresteneees 22 eee 22
Spring Joy (version 1) vecccceesecseceesseene 25... 226...
pring
Spring Joy (version 2) .... 22S eecctesteesteseeeteeteseenees QO eee eeceeeeeeee teense 27
Afternoon In Strasbourg (version 1) cesses BB occ cceeeetseeeres BY eects teececeneee 40
Afternoon In Strasbourg (version 2) veces BB oeeececsseseeseeee cesses BO cocecceecccesceceeeenneneee 40
Hazy Birg (version 1) ecceseccseseeeseesesseesees FA i ccceeeeee reer cence FO oles neteeteneee 46
Hazy Birg (version 2) voecccceceescenesteseeseeese A cece eeteresneeee AD aocceeesecsreetneneeneereans 46
Fall Foliage v.cceecsssesssessesesssessssesssscssseesesseees BO leececstesseeteeeeeeeeeenee SD cece cee eesseeeesneeneee 52
Is This Thing Called Love? (version 1) .......... BO oieeceececeececs recesses neeeees D7 cececeeteetesetesteeeneeeee 58
Is This Thing Called Love? (version 2) .......... 56 eects tees DD cecceescseeeseeetsseesetens 58
Have You Met Miss Miller? (version 1) ........ 60 oeececeeeeesereeeeeetieeees 61
Have You Met Miss Miller? (version 2) ........ CO lc ceeeenessneseseeeneeeees 61
Great Moments (version 1) .eeccccccccssuusees 69 eects teteteteeeeeeee 70
Great Moments (version 2) ...cccccccccccscesssseeee 69 iecceeereetereeecteeeeneens 70.
Herman 'n You (version 1) ..c.c... 95 o.. 96
DS ceccceccesccscteseseeeeeeeeees 96
Herman ‘n You (version 2) ....
Very Late ....
Demonstration 1
Demonstration 2
Demonstration 3
Demonstration 4
Demonstration 5
Demonstration 6
Demonstration 7
Demonstration 8
Demonstration 9
Demonstration 10Introduction
Adding chromatic passing tones between specific tones of the diatonic scale is a device that musi-
cians often use. This technique helps to make the scale sound harmonically right or consistent with
the chord, These scales are sometimes called bebop scales. I think of them as jazz scales because
many of my favorite jazz players use them. Bebop, hard bop, swing, cool, avant garde, rhythm and
blues and many other jazz styles incorporate bebop scales. This book presents a clear and practical
approach to chromaticism, line playing, voice leading, and to learning and integrating bop scales
into one’s playing.
playing