Professional Documents
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-Background Knowledge-
Students have been introduced to movements of different rhythms (walk, skip) and fast and slow
speed/tempos (walk, jog) before doing this activity. Knowledge of and ability to use their body
to make different body shapes of wide, narrow, curved, etc. would also be helpful in conducting
this lesson. Having some experience in talking about art would be helpful, although this lesson
could be used for the introduction of such an experience.
Objective-
Students will use visual art as the inspiration in developing their creating their own body
people rhythms and exploring different ways to "act out" shapes and emotions within the
paintings.
This activity will further students understanding of their body’s movements and abilities.
This activity will make the connections between the visual art and movement skills
inspiring the students to think creatively and connect the arts to other areas of endeavor.
Essential Question(s)
Describe the lines in the paintings. Use your finger to trace over the lines in each
painting. If you had to make those lines with your body, what could you do? Would you
What kinds of shapes do you see? Trace some of the shapes with your finger. What
shapes do they make? Using your arms, try to make the shape of the cypress tree in
Starry Night.
Does the work make you think of movement? How does the artist show movement?
What sounds would you hear if you were in one of the paintings?
Starry Night, c. 1889 Art Styles Poster Print by Vincent van Gogh, 36x24
Number 1, 1950 (Lavender Mist) by Jackson Pollock 34"x46" Art Print Poster
Introduction: (Why do I HAVE to learn this? How does this relate to my life?)
Looking at Art: Students will gather around the three selected paintings. The teacher will guide
the students in looking at different elements of the paintings and talking about the movement,
emotions and expressive qualities of the images. Some suggested questions and introductory
1. Guided activity. In the gym, or another large open space, students will spread out and
find their own personal space in the room. At this point, there will be no interaction
between the children; each will independently create their own interpretation of the
paintings. The teacher will guide the students in exploring the elements within the
paintings. Directions such as, "Pretend your body is a paintbrush, full of paint. Are you
heavy or light? Try to paint a straight line. If you were one of the drip lines in Jackson
Pollock’s painting, how would paintbrush body move over the canvas? Your body is
now one of the stars in Van Gogh’s Starry Night. Show me what they would look like.
Now, pretend you are a paintbrush making the lines and movements in the sky of The
Scream. Show me with your body, the shape of one of the cypress trees in Starry Night.
1. Students will share their experience: After the students are finished "painting" with their bodies, tell
them to share their experience with the class. Some possible questions:
How did you feel when you painted Van Gogh’s stars?
What movements did you make for the sky in The Scream?
Do you think the artist felt like you feel now, while they were painting the paintings?
Mood Painting: Students can use elements of line and color to create an image that creates a
mood or feeling.
Student Grouping:
Homework: