Ce ee ee sxvla envEepoats OP ONS AVAOCS i a Wit ebek . Tpwecned Zyvedp ley, , * 94,30 Necpyopt -4 pep igen 2002 (ea. Avex hozelen ; fi bs PB bppsoe OF @EQPHEEIE AOTOTEXNIKON KEIMENQN Ry & o: b0-6¢4 Aaoyeapia xar Aoyotexvic: ju oxSmpY TaLdaywyrxr Oxon M.T-. Megaxdric . ABSTRACT It’s true that many contemporary writers tend to search for and finally to incorporate, by. process, in their novels elements of the tradition or more specifically from the culture of an earlier time. This phenomenon has a grammatological but also a specific ped This is exactly what the following presentation tries to offer and substantiate,” Etva yraony n orev, ogyavu oxéom ts Maoyoacpias we mm hoyorexvla ms vids tov ’80, ms makapenrig yeveds. Aev efvar uaeoBohied va move, Gut n hoyotexvt ‘yenids xa n rQMToEUGAYILSueVN Téte haoyoapia veRjOXaV, n Hla Buvder mys Ad 94 mvevpaTixd mivtnara, Expgaon ms TOMTiOWLAs UNEgdOMYs OV OXNHG omwodtirote amogaa.oTixdteges weTaBohés xowerviayfs xa ovmovonwers pices, a om Baion, nareEoys ue nig noaToBovk(es tov Toveorinn nar Bewicéhov. Teg jovesiow €8 Eva omieio cand tov xgdhoyo tov Tlahayd ova «ToayouSua me mare Tov onotov €yganye ie axpoguri m Sevregn éxdo0n tov BiBhiov (1935): «Hl é0t ME, KQGTOVGE OTH OxEAN MS TY ROMOH Was. To Synod roayoust, n Sno Sorin yAciooa, o Snnowxds Bios, nas dvowye ts Bvges, HAS pavégave an any netoyoagta (mg (tag xévra enoyric), xagaxmmovoTees efvat 10 PrBALO eve qrhoksyou, tov Exapetveivba P. Maxahovyn, H errovoyia tov Aaoyoap' yo tov A. Kagxapitoa (1984). * Emuthéov éyen yiver oops xa avervefoonrm 1 KEN TS ong auniis ms yeveds, we m haoygagla. 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