on meet your gt tutor:This month we are looking at 10 applications for those distinctive bell-like tones you hear on Eric Johnson albums Ce come ‘uthrie’s ested gear farther listening LA mir Jargon buster pentane ‘ay fve-note ste The 10 expe o hs SACD demonsaten were ecordea Torhar‘rety hp hamanic ye stata ts mos ettectve ‘eapained on page 90 sng Ps Foner Sat Pus an trough the Ca¥ chanel ecko lye he et Duin an Ley ie It youre ofa Marshal JMP-1 oreamo, se flows Imore nivesed nthe pecusve applicators of spped chr armani youl ree 9 te 0 Ts Andes he, ol gam bass md teh pres shit yea Micha! Hedges Wie Soe segs ee Incomplete cantast play's ie Seve Ya and Oinebap Darl wear amoury of whan my-br anharmonic sound The stings of choris an eer came courts of Lexicon ‘ets as an intresting to the laying se Las fel a MPA1 ands Rocktron Ili respec {at ned to mention tat eff ect has used the odd armoncin Ws tine — yo fin same pens ones onthe hum Jet Bee Guta Shop ‘the harmonic series The sound you hea when you luk 2 sting or iow daw a tube may sound kes single rote but it’s actuay a coms of any fen notes ech 2 setinera rm the nate you perce the funder) Thus her yu oy te open Em, te Sound yu Nes 3 miture of ne funaertal noteand the evertone or 'uper partals ~ an Ean cciave hgh aB ft above tat. then ante E two octaves above re Fundameralflemed by 2 28 ad something close to Din the nest octave. and so on These ‘ets ae fess pronounce in Yue ran the fundamen, ut hey ‘uilmake teen In fet, hem eon guar onal sound the eae (or psc pt ol wen) ha each insure ‘wings aut aeterent mina the avecores erent reach bic note You can solute ths haymonie ses of notes ay78 an Ope ting flowed by mtu! Raman 3 he 12 seventh and ‘eur et Depending on now new your tings (he newer the et, deal, you seusbe ale ta ivan ihe hed upper arabs between he nut and te ourth Ft Aharrane mil ana have 3 eer move bli one than a fretted neo the same pil, because the tle conta he ete narmon series, whereas ne Former eesersa sgl oerent Beers who enjoy tary muse you never knw) mght wel late a ts the tf tues you cn lyon 8 Bunk Ts yas istanent wth no wales So ican oly play the tones of one fandarental note = hence the materi erate of al uoie ras ry mesg around thames at he seventh, ou an hi-res ay" ea what mes Be se at have Exercise | is an E minor pentatonic idea (with a couple of ninths thrown in for good measure) and it demonstrates natural hharmonics. To play the example, siart by resting your 1/H litle fingertip over the 12th fret on the A string. Apply just enough pressure so that you can feel the string, but not so that you're bringing it into contact with the fretwire iiself When you pluck the string you should feel a “tickling” sensation in your L/H fingertip and a clear, chime like note should sound out. Nore that you can remove your fingertip as soon as you've plucked the string Then use your L/H index finger to touch the E string ar the seventh fret in the same manner, trying not to damp the sound of the previous harmonic, but rather going for a ‘ringing’ effec. Places like the [21h seventh, ff, fourth and third second frets (you'll have to guess where that last one is!) are called nodes. You can get natural harmonics there because they divide the ‘speaking length’ of the string (ie the bit between the mut and the sauldle) into equal fractions. Thus, the 12th fret is a halfway point, and the seventh and 19th frets divide the string into three equal lengths, and so on. The distinctive pattern of intervals between the various harmonics you can set from one string is derived from a bit of science known as the harmonic series (see sound advice). In general, the more obscure nodes {the high-pitehed ones which lurk near the nut) are harder to use, Picking near the bridge eeeat harms mz or hom you car svar harmon te ones marked) wih stoped notes The shies something ofa Steve pastas 2 2 is * - é ie f ie - ci co " ty oe Wren youre bated of dong this on ‘alee sto ark the nde wt sen sng Yu can aly the sme tin 90 re non-tracete notes in ett wth he UM ad pout ne nodes heated ret number wth ne RI Tese ae at notes The nade moves us th sme amount of tes as the reed rote andthe rere with out RM index fnger and cen te string wih your poecnote (UH) @ tap node ere (UH) : 2 3 ea ae 8 406) rr ==