presents

The WoodShed
CWT
This Week:
2^ST
“BACK IN THE DAY” ^U
Excerpted from the book
The Code of Funk
by David Garibaldi
7n9Vk^Y<Vg^WVaY^
Photo by Tom Schwarz, LP Corp.

© 2006 Hudson Music LLC

International Copyright Secured. All Rights Reserved. No part of this publication may be reproduced
in any form or by any means without the prior permission of the publisher.

Garibaldi_bk_proof7.indd 1 5/9/06 8:40:20 AM

Excerpted from the Hudson Music book “The Code of Funk”, by David Garibaldi.
© 2006 Hudson Music LLC. International copyright secured.
All Rights Reserved.
May not be reproduced in any manner or by any means
without the prior permission of the publisher.

Visit HUDSONMUSIC.COM for educational resources, videos and more!

photo by Tom Schwartz, LP Corp.

photo by Andrew Lepley

• 80-page Book 124-page Book •
• Minus-Drums Audio CD 88-Track •
Play-Along Audio
• Two DVD-ROMs with
CD in MP3 format
digital looping,
tempo and mixing
features.

M aster drummer David Garibaldi explains

his legendary approach to drumming in this
T he play-along companion to Tommy Igoe’s
popular “Groove Essentials” DVD this book/
book/3-disc (CD and two DVD-ROMs) multi-pack. CD package is an encyclopedia of grooves
Read David’s transcriptions and performance from around the globe, featuring charts,
notes on 8 great tracks from Tower Of Power’s variations and play-along tracks. These beats
latest album. Then, using the special DVD-ROM will challenge and inspire players of all
features and standard computer software, you skill levels— allowing you to perfect
can loop the tracks, slow them down, and your time-keeping and coordination
sit in with the legendary band. while enhancing your versatility and
musicality.
“David Garibaldi is one of the
greatest drummers that I have ever Also Available: “Groove Essentials” combo-pack,
had the pleasure of listening to including book, CD, poster and full-length DVD
and “Code Of Funk” is one of the with 47 grooves— over 3 1/2 hours of performance
best books that I have checked out and instruction.
in a long while!”
—Dennis Chambers

Hudson Multi-Media is available at your favorite drumshop

or go online at hudsonmusic.com for information and free downloads.
 Techniques and Tips

E
Development of the Two Sound Levels with the Hands

T
he HH, SD and BD are the three basic drum set components used in the funk

L
drumming style. Understanding how these voices interact is an important key to
building a powerful vocabulary. This graph illustrates the dynamic distances among
these three voices.
fff

P O M
f Snare Drum Accent/Rim shot

. C
M
Bass Drum Accent

I C
HH Accent/Shoulder of Stick

A
mf Hi Hat Accent

U S
M
S O N
HH Non-accent
p SD Ghost Note/Tap

D S
U
ppp Graph by Roland Henkel.

H
These levels are always controlled by the overall dynamic level of the music being played.
In a normal playing situation, the rimshot may or may not be forte (f ). This is determined
by the situation. The graph illustrates the differences in the two levels and is not meant to
be interpreted literally. Most recordings will reflect what is seen in this graph.

Excerpted from the Hudson Music book “The Code of Funk”, by David Garibaldi.
8 © 2006 Hudson Music LLC. International copyright secured. All Rights Reserved.
May not be reproduced in any manner or by any means without the prior permission of the publisher.
Visit HUDSONMUSIC.COM for educational resources, videos and more!

Garibaldi_bk_proof7.indd 8 5/9/06 8:40:27 AM

 Practice and Performance Tips
• Two sound levels should be used in all exercises, grooves, and fills.

E
Accented notes = mf/f (8" – 12")
Non-accented notes (ghosted) = p/ppp (1/2")

L
• The rim shot is an important part of the funk sound. The stick strikes the rim
and center of the drumhead simultaneously. Striking the center of the drumhead
produces the biggest sound. Additional rim shot sounds can be produced by using
other areas of the drum.

P
• The dynamic contrast in these two sounds should be that of a whisper to a
shout.

M
• The LF/HH should be played with the heel up, as this produces a shorter and

O
much more defined “chick” sound than with the heel down on the footboard.

C
• To build endurance and “groovability”, you should strive to be able to play each

.
M
pattern, sustaining intensity for five minutes without stopping.

C
• In the initial stages of development, practice the patterns slowly. This technique

I
allows you to watch each note as it goes by and then make any adjustments neces-
sary for accurate execution.

A U S
M
S H U D S O

Photo by Deborah White

N

Excerpted from the Hudson Music book “The Code of Funk”, by David Garibaldi. 9
© 2006 Hudson Music LLC. International copyright secured. All Rights Reserved.
May not be reproduced in any manner or by any means without the prior permission of the publisher.
Visit HUDSONMUSIC.COM for educational resources, videos and more!
Garibaldi_bk_proof7.indd 9 5/9/06 8:40:27 AM
 David Garibaldi’s Drum Set - Tower of Power

E
Yamaha Recording Custom Drums • Sabian Cymbals • Latin Percussion
Remo Drumheads • Audix Microphones • Vic Firth Drumsticks • The Buttkicker • Finale

P L . C O M

Notation KeyM
U
A M S I C

H
SU D S O N
Crash Ride Cym.
Z z
Bell
t

q. = Metronome marking
1
Ride Cym. Cowbell
HH 1 or 2

( ) = Alternate note or accent

> v = Accents
x

Accents will appear above or below a note

T1
œ
T2
œ
Toms

L = Left
R = Right
F = Foot
B = Both
T3

Stickings
Snare Drum
œ

o
œ
Bass Drum
x
HH w/ LF

= Open Hi-Hat
+ = Closed Hi-Hat
HH 1 or 2
x

(* Unless otherwise noted)

Excerpted from the Hudson Music book “The Code of Funk”, by David Garibaldi.
© 2006 Hudson Music LLC. International copyright secured. All Rights Reserved.
May not be reproduced in any manner or by any means without the prior permission of the publisher.
Visit HUDSONMUSIC.COM for educational resources, videos and more!
11
 Back in the Day

E
Skip Mesquite, Steve Mesquite

This composition revolves around two basic grooves:

>> >> >> >>

L
Ex. 1-The verses:

// 4444 ... ...

Verses
xx x xx xx x xx x x
œœx œœ>x œœx œœx
Verses
œ œœ œœ
œœ> œ œœ> >>œœ >
> >

P
> > > >
M
Ex. 2-The choruses:
>>x xo o +
+>x >> >x >> >x
4
O
.. ..
Verses
x x x
/ 444 ..
œ œ
œxx> œœœ œx xx œ> œœxx x
œ xx
œ>x
œ>x xx x xœx œœx xœxœœx œœœ ..
Verses
Choruses
xx
// 44
Choruses
œ>
. >>œœ > >> >>œ .
œ

C
œœ> œ œ
œ
>>œœ >œ œœ>

.
M
> >

> o
o
+
+
> >
With the exception of the twists and turns of the arrangement, I stayed with these basic parts

> > o + > > > > > > x >> xo + >x >> x >>
4>x .. xx ox x+œ x xx >x >œxx > > xx> >Z fi
> o +
I C

A
S
throughout the song—a very simple approach with very little improvisation until the choruses

œxx xx xxœ xx œ xx ..
Choruses

/ 4xis an.œ œensemble > >

at the end.

œœ ..
Choruses
x eighth xxx on
xx note xx the
4œœ .œmeasure
ning//with œ>>œœ >>œ 89, œœœthis>>œœfigure œ >œœ four > œ and
x x x œ atx measure œ Z fi
œ

U
œ
œ œ œ >œ œ every
œ œ œ œ > > >
œ “and” ofœ beat
œœ œ4.œœBegin-
isœan œ œ
œmeasures œ>interpreted >
>> >> r l r >l >>rœ >
There figure 81, which
>>œ >>œ œ>>
œ
>> >>
œœ occurs œ œ is œ œ three ways:

M
S
Ex. 3-Preceded, or set up, by a fill:r l r l r

> o + > > > > > > > o + > >
>>x oox ++x x >>x
/ œxx œœ œxx >œœxx œœœxx œœ xœx
// >œœ œ >œœ >>œ œ>œ œ œœ>
>>> > >>>> >Zvv fi >x >> ox oo

O N
œ xx œ œ xx œ ZZZ œ fi x xx œ x xx
œœ œ œ œ œœ œ œœ œ œ >œœ œœ œ œœ œ œœ >œœ œ
r œ l r l œ r>>
xœ+++
>œxœœxx
>>>
x
xxx
>œœœœ
>x>> x >x>> x
œx>xx xxx >œxœœxx œxœx œœ
>> >>
>
œ œ œ

S
>r l l r l l >>f r >b l >>>œ >>> œ>œœ
>>> >> > >>r ll r >

D
r r l l f b l

> o + > > > ov > o + > >

U
Ex. 4-As part of the groove (with two variations): Variation 1:

>>x ox ++x x >>>x >>> x >>>x vvo vZ ‡ oo >x oo ox ++ x+

o + x >>>x x >>>x x
/
H
œxx> œœœ x>œx œœxx>œœx œœxxœœx œœœœ xxœx> œœœœ xx>œx œœ œœ œœxx œœx œ œœxx Z>œœœœ œœ xx x œœ œœ xx >œx œœxx >œœx
‡
xx œx xxœx xxx xœx>œœx œxx œ
// œœ> œœ> >>> œœ>œr> l >œœ>œr l l œœ >>œf >> >b l œœ >œ >>> œ>œ>>œ œœ>œ>> >>œ> œœ œœ
> > >r l >r l l > f b l > >
> > >

> o + >> > voo ‡ o o + > >

>x ox x+ x >x > x >x vx ‡ xo ox x+ x >x x >x x
/ œExcerpted
x œœ œx >œœx œœx œœ œx œœ œx œœ œœx œ œœ>x œœ x œœ œx >œœx œx œx x >œœx œœx œœ
/ ©œ>2006>œ Hudson
> from the>Hudson
>œ International
>œ book
> >œ secured.
> > Rights
>œ Allby >Reserved.
> > > >
May not be reproduced in any manner or by >
œ > > > œ
Music “The Code of Funk”, David Garibaldi.
14 Music LLC. copyright
any means without the prior permission of the publisher.
Visit HUDSONMUSIC.COM for educational resources, videos and more!

Garibaldi_bk_proof7.indd 14 5/9/06 8:40:36 AM

 x x x x x x x Z x x x x x x x x
/œ œ >
œ œ œ œ œ œ œ
>
œ œ œ >œ >
œ œ œ
> > >r l >r l l >f b l
œ œ œ >
œ > >
œ œ
Ex. 5-Variation 2

> o + >> > vo ‡ o o + > >

x x x x x x x x x x x x x x x x
/œ œ œ œ> œ œ œ œ œ
>
œ œ œ œ> >œ œ œ

E
> > œ> >œ
>
œ >œ œ> œ>

L
The concept here is to suspend the sound across the bar line, following the length of the figure,
while keeping the momentum of the groove going forward. The initial figure (meas. 81) is played
with crash cymbal and bass drum. After that (meas. 93 to end), either a snare drum with crash
4
/4
cymbal, or snare drum with open hi-hat is used.

P
Ex. 6-Choruses 7 and 8 include all three interpretations.

> > > > > o+ > > > o + >> > v

M
chorus 7

O
‚x xxxxxxx x xxxxxxx x xxx x x x Z
/ œ >œ œ œ >œ œ œ
œ œ>œ >œ >œ >œ œ> >œ œ œ ‘ œ>œ >œ >œ œ œ œ>œ >œ œ œ œ >œ œ
> >> >

. C
M
> > > > > o+ > > > o + >>>>>>
x xxxxxxx
/ œ œ >œ œ œ >œ œ œ
> >>
x xxxxxxx
œ> >œ > >œ œ> >
œ œ œ œœ ‘
I
x xxx x
C
œ >œ œ œ œ œ œ œ œ
> > > > r l r l >r
œ œ œ œ
Z
œ

A
> > > >
chorus 8

„x x x x x x x x
/ œ œ >œ œ œ >œ œ œ
> o+ > >
x xxxxxxx
œ> >œ > >œ œ> > ‘ U S
> o + > > > vo
x xxx x x x x
œ> >œ > œ> >œ œ >
M
œ œ œ œœ œ œ œœ œ œœ œœ

S
> >> >
o o+ > >
x xxxxxxx
/ œ œ >œ œ œ >œ œ œ
> o+ > >
x xxxxxxx
O
œ> >œ > >œ œ> >
N ‘
> o + > > > vo
x xxx x x x x
œ> >œ > œ> >œ œ >

S
œ œ œ œœ œ œ œœ œ œœ œœ
> >> >

U D
H
Excerpted from the Hudson Music book “The Code of Funk”, by David Garibaldi. 15
© 2006 Hudson Music LLC. International copyright secured. All Rights Reserved.
May not be reproduced in any manner or by any means without the prior permission of the publisher.
Visit HUDSONMUSIC.COM for educational resources, videos and more!
Garibaldi_bk_proof7.indd 15 5/9/06 8:40:37 AM
 Audio
CD
1
Back in the Day Skip Mesquite, Steve Mesquite
q
> > > > > > > o +> > > > > o + > >
= 108

E
Intro

>
4 Ó Œ >œjœ Z x œx x œ x œ x œx x x x œx x x œ x œ œ œ œ Z œ x œx x x x œx œx œ
/4 œ > >œ >œ > >œ œ> > >œ >œ x œ >œ > >œ œ> >
1> >

L
> o + > > > o + > >
2 3
l r l l r

x x x x x x x x x x x x x >j >j> > >

/ œ œ œ >œ œ œ >
œ œœ ‘ œ >œ œœ œœ œ œ
> > > > > >
œ œ > >
œ œ

P
> > > > > > > > > > > >>
4 5 6

M
Verse 1

O
ÿZ x x x x x x x x œ œx x œ x œx x œx œx œ x œ œx x œ x œx œx œ x œ x œ
/ œ œ œ >
œ œ œ œ œ œ œ
œ> œ> >œ > ‘ œ œ> >œ > œ>
> > > 10 >

. C
M
> > > > > > > o +
7 8 9

C
x x x x x x x x x x x x x x x x

I
/œ œ œ >
œ œ œ œ œ œ œ ‘ ‘ œ œ œ œ> œ œ >œ œ
11 > > > 14 >
œ œ> >œ >œ

A
> > > > > > > > > > > > >> > o +
S
12 13

Z x x x x x x x x x x x x x x x x x x x x x x x x x x >j> >j>
/ œ œ œ œ œ œ œ> œ œ œ œ œ œ œ œ œ œ> œ œ œ œ œ œ œ œ œ œ> œ œ œ œ œ œ œ œ œ Œ œ œ
15 > > > 16 > > > 17 > > > U > >18 >
M
S
> > >> > > >> > >o + > > > o +> > > >
Z œ œx x œ x œx x œx œœ
/ œ œ œ >
> > >
x x œ œx x œ x œx x œx œœ
œ> œ> >œ >
x

O ‘ N > > > > >

x œ œx x œ x >œjœ >œjœ >œjœ œ œ Z x œx x x œ x œ œ œ œ
œ> œ> >œ œ >>œ >œ x
>
> o + > > > o + > >
S
19 20 21 22 23
l r l l

D
Chorus 1

Ÿ
Z x x x x x x x x x x x x x x x

U
/ œ œ œ >œ œ œ >œ œ œ œ œ œ >œ œ œ >œ œ œ ‘ ‘
> > > > > > > >
> o + > >
H > o + > o +> > > >
24 25 26 27
r

x œ x œx x x x œx œx œ x œ x œx x x x œ œ œ œ
/œ œ > œ œ > ‘ ‘ œ> >œ > >œ œ> x
28
> > > > 29 30 31
l r l l
“Back In the Day” Mesquite/Mesquite
© 2003 Fat Back Music
Back in the Day - 4 - 1 Administered by Bob-A-Lew Songs (ASCAP)
Used by Permission·All Rights Reserved
16
Excerpted from the Hudson Music book “The Code of Funk”, by David Garibaldi.
© 2006 Hudson Music LLC. International copyright secured. All Rights Reserved.
May not be reproduced in any manner or by any means without the prior permission of the publisher.
Garibaldi_bk_proof7.indd 16 Visit HUDSONMUSIC.COM for educational resources, videos and more! 5/9/06 8:40:39 AM
 >
Verse 2
> > > > > > > > > > > > > > >>
⁄Z x x x xx x x x x x x x x x x x x x xx x xx x x x x x x x x x x
/ œ œ œ œ œ> œ œ œ œ œ œ œ œ œ œ> œ œ œ œ œ œ œ œ œ œ> œ œ œ œ œ œ œ œ œ œ> œ œ œ œ œ
œ œ
32 > > > 33 > > > 34 > > > 35 > > > >
> > > > > > > o +
r

E
x œ œx x œ x œx x œx œx œ x œ œx x œ x œx œx œ x œx œ
/œ œ œ > ‘ ‘ œ> œ> >œ > œ >
> > > >

L
> > > > > > > > > > > > >> > o +
36 37 38 39

Z x x x x x x x x x x x x x x x x x x x x x x x x x x x >j> j >j>
/ œ œ œ œ œ œ œ> œ œ œ œ œ œ œ œ œ œ> œ œ œ œ œ œ œ œ œ œ> œ œ œ œ œ œ œ œ œ ‰ œ œ œ œ ‰
40 > > > 41 > > > 42 > > > > > 43 > > >

P
> > > > > > > o + > > > > > > o >+ > > > > > o +> > > >
Z x x x x x x x x x x x x x x x x x x x x xx x x x x x x >j >j >j
/ œ œ œ>
44 >
œ œ
> >
œ œ œ œœ œ
45 > > >
œ
œ
œ
œ
œ >
œ œ œ œ œ
46 > > >
œ
œ
œ
œ
œ >
œ œ œœ œ
47 > > >
œ
œ
œ
œ
œ
œœœœœœ ‰
œ
OœM
Zx x x x x œ Z
>œ œ œœ
> 48 > >œ >œ xl r l >rœ
> o + > > > o + > >
. C
M
Chorus 2

C
¤Z x x x x x x x x x x x x x x x
/ œ œ > œ œ > œ >œ > ‘ ‘

I
œ œ œ œ œ œœ
>l > > > œ> > œ > >
œ œ

A
> o + > > > o +
S > >> >
49 50 51 52

> >

U
x œ x œx x x x œx œx œ xœx œ œ œ œ œ œ œ œœ œ œ œ
/œ œ >œœ > ‘ ‘
> > >> œ> >œ x
>f r l r l l
œ

M
S
> > > > > > > > > > > >o +
53 54 55 56
l r l l r l l

N
Solo - Guitar
‹
Z x x x xx x x x x x x xx x x x x x x x x x x
/ œ œ œ > > ‘ œ œ œ œ> œ œ œ

O
œ œ œ œ œ œ œ œ œ œ œ œ œ œ
> > > œ> >
œ >
œ >
œ œ> >œ >œ
> > > >
S > > o >+ > > > > >
58 59 60
57

D
x œ œx x œ x œx x œx œx œ x œ œx x œ x >œj œ œ œ œ œ œ
/œ œ œ > ‘ ‘
61 > > > 64 >
œ œ> >œ x
> > > >
U
> > > > > > > > >> > + o
62 63

H
rl r l r l l

Z œ œx x œ x œx x œx œx œ x œ œx x œ x œx x œx œx œ x œ œx x œ x œx œx œ x x œ x x œ x >œj>œ >
‰ œj œ œ œ ‰
>j
/ œ œ œ > > >
65 r
> > > 66
œ> > > œ œ œ> > >
67
œ œ > >68 >
œ œ œ > >

Back in the Day - 4 - 2

17
Excerpted from the Hudson Music book “The Code of Funk”, by David Garibaldi.
© 2006 Hudson Music LLC. International copyright secured. All Rights Reserved.
May not be reproduced in any manner or by any means without the prior permission of the publisher.
Garibaldi_bk_proof7.indd 17 Visit HUDSONMUSIC.COM for educational resources, videos and more! 5/9/06 8:40:40 AM
 > > >> > > > > > >o + > > > o +> > > >
Z x x x x x x x x x x x x xx x x x x x x >j> >j> >j> Z x x x x x œ Z
/ œ œ œ œ œ œ œ> œ œœ œ œ œ œ œ œ œ> œ œœ ‘ œ œ œ œ œ œ œ œ œ œ œ œ ‰ œ >œ œ œ œ œ œ œ
> > > > > > 72 > > >
œ > 73 > > > xl r l r>
> o + > > > o + > >
69 70 71
Chorus 3

E
›
Z x œx x x x œx œx œ x œ x œx x x x œx œx œ
/ œ œ > œ œ > œ> >œ > >œ œ> > ‘ ‘
> > > >

L
> o + > > > o + > >>>>>
74 75 76 77
l

x x x x x x x x x x x x x Z
/œ œ >œ œ >
œ œ œ œ œ ‘ ‘ œ >
œ œ œ œ œ œ œ œ
78 > > > > 81 > > > > r l r l >r
œ œ œ œ œ

P
> o + > > > o + > >
79 80

M
Chorus 4

fi x x x x x x x x x x x x x x x x
/ œ > œ œ > œ >œ > ‘ ‘

O
œ œ œ œ œ œ œœ
> > > >
œ >
œ >œ >
œ
> o + > > > o +
C > >>>>>
82 83 84 85

.
M
x x x x x x x x x x x x x Z
/œ œ >œ œ > ‘ ‘ >
C
œ œ œ œ œ œ œ œ œ œ œ œ œ œ

I
> > > > 89 >
œ
>
œ
> r l r l >r l
œ œ
> o + ...sax > solo > to end...> o + > > > o + >> > v

A
S
86 87 88
Chorus 5

U
fl x x x x x x x x x œ x œx x x x œx œx œ x œ x œx œx œ x œ x œ œx Zœ œ
/ œ >œœ >
œ œ œ œ œ
œ> >œ > >œ œ> > ‘ œ> >œ > œ> >œ œ >
> > > >

M > > > vo

S
> o + > > > o +
90 91 92 93
r l r l l f b l

N
x x x x x x x x x x x x x x x x
/ œ > œ œ >
œ œ œ œ œ ‘ ‘ œ >œ œ œ œ œ œ œ œ
œ> >œ œ >

O
> > > œ> >œ >
o o + > > > o + > > > o + > > > vo
S
94 95 96 97
Chorus 5
‡

D
x œ x œx x x x œx œx œ x œ x œx x x x œx œx œ x œ x œx œx œ x œ x œ œx œx œ
/ œ >œœ > œ> >œ > >œ œ> > ‘ œ œ > œ> >œ œ >
> > > 101 > > >
o o + > >
U
> o + > > > o + > > > vo
98 99 100

/ œ >œœ >
102 > > > H
x œ x œx x x x œx œx œ x œ x œx x x x œx œx œ
103
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Back in the Day - 4 - 3

18

Excerpted from the Hudson Music book “The Code of Funk”, by David Garibaldi.
© 2006 Hudson Music LLC. International copyright secured. All Rights Reserved.
May not be reproduced in any manner or by any means without the prior permission of the publisher.
Garibaldi_bk_proof7.indd 18 5/9/06 8:40:42 AM
Visit HUDSONMUSIC.COM for educational resources, videos and more!
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Chorus 6

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106 107 108 109

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110 111 112
Chorus 7

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118 119 120
Chorus 8

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122 123 124 125

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126 127 128 129
Chorus 9

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130 131 132 133

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Chorus 10 r l l f r l l r l

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{FI|NE}

Back in the Day - 4 - 4

19
Excerpted from the Hudson Music book “The Code of Funk”, by David Garibaldi.
© 2006 Hudson Music LLC. International copyright secured. All Rights Reserved.
May not be reproduced in any manner or by any means without the prior permission of the publisher.
Garibaldi_bk_proof7.indd 19 Visit HUDSONMUSIC.COM for educational resources, videos and more! 5/9/06 8:40:44 AM