F.J.Haydn: String Quartet in D Major

F.J.
Haydn
String Quartet in D major
Op. 64 No. 5
“The Lark”
PARTS
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Violin I
Op. 64 No. 5
"The Lark"
F. J. Haydn (1732-1809)
   
Allegro moderato
 
    
        
 
  



     mf
       
      

Vl. II
10
 
  
  

                
     
15
    

  
20              
          

cresc. f

         
27
          

               
32
                  
   
     

 
               

39
             
 
sf sf p
         3
  
47
    3
          
sf f
3
3 
  
         
52
           
    
                          
56
   
p
1
Violin I - F. J. Haydn - String Quartet Op. 64 No. 5
   
       
60
 
          
mf
     
66
  

          

  
p
71
        
       
  
           

 
f
76
            

     
       
     

  
    
   
   
         
81

         

            
        
85
            
     
mf
92
 
            
               
f p f p f
   

97

 
 
 
 
  
              
                    
     
100
 
                             
p

         
103
 
 
    
                
    
    
mf
  
     
108
 

    

2
 
113       
      
     



f
 
      
    
117
        
     
     
123
        
    
                

    
        
              
128
      
     

         
132
    
        
  
139                          
 

mf
       
     
145
        
 
    
                     
151
          
             
157
             
sf sf
        
           
165
           

p sf f
 
             
             
171
   
        
p
          
      
176
         
  

3
Adagio cantabile
       
                  
p sf
sf
      
5
                

sf sf
 
           
10
         
 
sf 10
sf
          
14
       
        
sf sf
                 

19
       
       
       
25
   
     
sf sf  pp
sf sf
   
30
         
       
f p
35
    
     
     
40

    
3
    
              

44
3 3
          
  
      

47
    
     
             
sf
4
                              
51
      
sf
sf
                  
55
        
sf sf 3 6
           

57
              

 

60 6
          
 
    
 
sf   
             
63
   
                    
      
      
6
                  
65 6

          
sf
3  
         
3
   
68
      
          
sf 3
6

                
71
     
3
 
                  
75
  3

      
 
6 sf 
6 sf
                      
79

 
pp sf 3 6
          

82
            
                
  
dim. p
5
MINUETTO

Allegretto
      
   
  
       

  
f
6              
         

sf p
 
12
      
    
         
 

f
      
         
19
     
  
      
25
     
  
 
   
    
   

               
30
  
   

p f
37
       

      
        
End
42 TRIO    
   
                 
 
p
50
                      

   
     
   
55                 
   
            
f p sf
61
          
 
  
          
Minuetto from
the beginning to End
6
FINALE
Vivace
       

         
p
 
5
   
              
              
8
      

          
        
13
             

  

                    
17
     
21
     
       
 
25
     
1.

2.
      
              

    
   
          
 
29
           
    
f sf sf
35
       
         
              

39
       

       
  
    
              

48
                      
    
sf sf sf
                      
56
         
    
sf sf sf sf sf
7
  
64
          
          
          
69
   
      
       p      
74
   
                    
p
    
78

           

      
83
                 
              
           
88
        
         

         
                    
93
  
           
       
98
  
            
103
     
  

108
                  
              
 
       
                                
113

ff
118   
 
                      
 
p
   
                           
123
       
f 
8
Violin II
Op. 64 No. 5
"The Lark"
F. J. Haydn (1732-1809)
Allegro moderato
       
              
    
 
p

            
5

                     
   

9
                   
          
13
     
                      

                     
17
  
       
cresc.
21
   
                  

    
f
         
28

               
   
  

32
          
   
        
                 
39
   

sf sf
        
      
46
   

       
p sf f

54
        
    
            
p
1
Violin II - F. J. Haydn - String Quartet Op. 64 No. 5
60
    
                       
p

mf
65
                  
   
   p
71

              
   f
78
            

      
           
   
  
83
 
                   
    mf
                   
89
  
f p f p
           
               
  
96
                 
 
f
      
99
            
                        
102
     
                  
  
          
p
105
       
                      

109
          
     
            

2
         
113
              
       
f
      
117
    
               
         
122
       
   
      

           
129
                  
 
             
133
    
 
                    
  
137
       
       
       
p
143

                                 
    
       
147

               
                   
   p
  
151
          
             

155
  
                     
sf sf
     
162
    
              
p sf
169
   
                  
f
175
           

 
            
p
3
Adagio cantabile
 
             
p    
sf

7
   
       
        

11
    
          
        
sf

17
          
       

22
        
   
      
sf
     
28
          

   
sf pp f p
35
          
     
  
42
   
                    

47
   
                 
sf
 

51
        
       
sf
57
   
          
        

sf
4

63
  
           
 
     

68
             
          

73
        
           
sf
 
78
           
   
sf pp sf  dim. p
MINUETTO
Allegretto
  
              
      
sf
f
  
7
            
    
 
     
   
 

p
15
     
      
       
   
f
        
22
       
          
              
29
 
        

 p f
37

                    

End
5
42 TRIO
                   
              
47 p

              
    

55
               
               
 f p
60
     
               
 
   
sf Minuetto from
FINALE
Vivace
      
         
      

p


7
                        
      

12
          

 

     
     
     
18
 
               
 

23
  
1.

2.
                  
        
29 f
                      
        sf
34
     
         

       
  
           
sf
40
               
             
    
6
46
        

                    
51
                            
sf
      
          
57
        
sf sf sf
66  
         
    
  
76
  
        
                  
p

84
   
                   
  

  
           
91
                    

  
96
                   
102

        
 
    
107

                
    
             
113
  
       
ff
118
    
     
  
p
123
     
                             
      
f 
7
Viola
Op. 64 No. 5
"The Lark"
F. J. Haydn (1732-1809)
Allegro moderato

                     
       
p

                 
5
     
   
    
 

   
                 
9
     

      
            
13
          

  
       
                     
17
       
 
cresc.
  
           
21
         
f
28
                     
    

33
                
        
  
40
         
  
         
  
sf sf p
    
     
 
47
    
     
sf f
     
     
54
        
  
p
1
Viola - F. J. Haydn - String Quartet Op. 64 No. 5
          
60
              
 
   
p mf

66             
   
     
p


73
            
       
             
f
     
     
77
 

         
 
   
   
84
          

   mf
        
   
90
       
f p p
f

96                            

               
     
f
            
99
                           

 
                       
102

    
p
106
    
    
    

             
 
 
    
   
                            
112
  
        
116
     
       
    
f
2
            
122
   
    
128
                  

    
   
  
134
           
 
 
140    
   
                      
   
p
145
            
           
  
           
  
 
149
                

                      
 
p
153
                 


           
159
        

sf sf

165       
         
   
p sf f
     
         
171 
      
p
   
176                  
3
Adagio cantabile

      
       
 
p sf

       
7
      
       
sf

                             
14
  

      
20
             
      
sf
     
          
28
       
sf pp f p
         
35
           
 
42
         
    
sf

          
48
  
          
sf

                      
54
   

                    
60
 
  
sf

     
66
               
       

              
71
 
        
sf
      
       
78
       
sf pp sf dim. p
4
MINUETTO
Allegretto
              
  
f
     
   
6
        
      
p
   sf 
     
        
11
    
f
        

      
18
       
   
        
24
       
p
32
                        

f
     
38
         
  
         
End
42 TRIO   
               
p
51
              
               

      
       

         
56
    
f p
61     
          
Minuetto from
5
FINALE
Vivace
               
 
         
p

 
                           
8
   
        
15
         
    
         
23 1. 2.
                 

      
  
          
29
  
      
  sf sf
Vl. II

46         
          
          
sf 
 
                      
51
 
                     
          
56
        
60
           
  
65  
          
   
6
        
76
               
p

                      
83
  
       
89
        
     

96
                  
     

100
         
      

105
   
       

                               
111
 

115
       
         
ff
                             
120
                
124
    
       
f
7
Cello
Op. 64 No. 5
"The Lark"
F. J. Haydn (1732-1809)
Allegro moderato

             
             
 
p
 
5
              
        
  
11
               
               
 
15
    
           
   
19
                    
  
    cresc. f
24
                     
  
      
30
      
         
 
36
            
      
sf sf
42     
              
    
p sf

   
49
         
   

f
   

      
                
56
       
p 
1
Cello - F. J. Haydn - String Quartet Op. 64 No. 5
 
 
60
        
   
p mf
 
 
66
      
     
p
 
       
73
 
            
      
f
      
77
                  

  
84
            
        

  
      
89
      
        
mf f p f p
   
                                  
96
     
f
99
    
           
                           
102
         
             
 
    
p
        
106
 
                 
 

              
110
            
  
2
114
     
               
   f
    
118
        

       
125
        
  
     
131
      
      

 
               
136
 
    

 
 
141
    
         
p  

                  
145
           
149
        
            
   
p
155
            
 
 
sf
160
    

        
       
sf p
  
166
     
      
   

sf f
   
   
173
               
p 
3
Adagio cantabile
 
         

p
        

7
      
 
         
14
                    


 
20
          
     

      
28
                 
sf pp
 p
f
35 
 
                      
 

44
         
     
 sf
  
 
51
         
     
 
58
        

            
66
                 


  
71
     
       

     
78
               
 
sf pp sf dim. p
4
MINUETTO
Allegretto
                    
f
sf
7
 
           
       
p 
       
14
             
f
   
             
20
       
27             
     
p
      
36
 
       
 
      
f End
TRIO  
   
       

                
42
 

p
53    

       
                 
sf
 
              
62
            
  
Minuetto from
5
FINALE
Vivace
               
 
      
    
p
7    
               
    

16
 
           
         
 
24
     
1. 2.
  
     
      

29          
   
             

sf
             

43
        
     
                  
47
    
  

           
        
52
     

58
          
         

sf
66 
 
        
6
        
76
                 
  
p

       
83
    
        

93
      
       
  
 
100
            
  

         
106
         
  
  
112 
       
     
117
            
  p
ff
124
   
         
         
f

7

F.J.Haydn: String Quartet in D Major

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