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  • Tristan Tzara - Seven Dada Manifestos PDF

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    Ştefan-Adrian Rusu
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    Tristan Tzara—poet, literary iconoclast, and catalyst—was the founder of the Dada movement that began in Zürich during World War I. His ideas were inspired by his contempt for the bourgeois values and traditional attitudes towards art that existed at the time. This volume contains the famous manifestos that first appeared between 1916 and 1921 that would become the basic texts upon which Dada was based. For Tzara, art was both deadly serious and a game. The playfulness of Dada is evident in the manifestos, both in Tzara's polemic—which often uses dadaist typography—as well as in the delightful doodles and drawings contributed by Francis Picabia. Also included are Tzara's Lampisteries, a series of articles that throw light on the various art forms contemporary to his own work. Post-war art had grown weary of the old certainties and the carnage they caused. Tzara was on the cutting edge at a time when art was becoming more subjective and abstract, and beginning to reject the reality of the mind for that of the senses.

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    Tristan Tzara—poet, literary iconoclast, and catalyst—was the founder of the Dada movement that began in Zürich during World War I. His ideas were inspired by his contempt for the bourgeois values and traditional attitudes towards art that existed at the time. This volume contains the famous manifestos that first appeared between 1916 and 1921 that would become the basic texts upon which Dada was based. For Tzara, art was both deadly serious and a game. The playfulness of Dada is evident in the manifestos, both in Tzara's polemic—which often uses dadaist typography—as well as in the delightful doodles and drawings contributed by Francis Picabia. Also included are Tzara's Lampisteries, a series of articles that throw light on the various art forms contemporary to his own work. Post-war art had grown weary of the old certainties and the carnage they caused. Tzara was on the cutting edge at a time when art was becoming more subjective and abstract, and beginning to reject the reality of the mind for that of the senses.

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    © All Rights Reserved
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    562 views27 pages

    Tristan Tzara - Seven Dada Manifestos PDF

    Uploaded by

    Ştefan-Adrian Rusu
    Tristan Tzara—poet, literary iconoclast, and catalyst—was the founder of the Dada movement that began in Zürich during World War I. His ideas were inspired by his contempt for the bourgeois values and traditional attitudes towards art that existed at the time. This volume contains the famous manifestos that first appeared between 1916 and 1921 that would become the basic texts upon which Dada was based. For Tzara, art was both deadly serious and a game. The playfulness of Dada is evident in the manifestos, both in Tzara's polemic—which often uses dadaist typography—as well as in the delightful doodles and drawings contributed by Francis Picabia. Also included are Tzara's Lampisteries, a series of articles that throw light on the various art forms contemporary to his own work. Post-war art had grown weary of the old certainties and the carnage they caused. Tzara was on the cutting edge at a time when art was becoming more subjective and abstract, and beginning to reject the reality of the mind for that of the senses.

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    MONSIEUR ANTIPYRINE’S MANIFESTO DADA ther does nor wider, moron, lok ame, dear Artusad io begun of usin Ma, cides would g etering ‘wor that had lig hen hey would ere: et ut the ‘ee, and resi p in dls boots, and the vesebecae 8 ‘use in eer oleae, st the cen Beene sardine, od ambassadors of felng, wbo yelled historiesly in chorus Prycology Psyehnogy he hue Scene Selec Senet and wearepestly capable an intligengncusion, Bus we. DADA, dont apes wth them, or at lt seca, 1 assice ou, andi we reve the bye 90 wo she Go Sp LE CoObTg bag °7? Le 92155 4812.3 T2410 - 0 DADA MANIFESTO 1918 ‘The mage ofa word — DADA wtih for Jouralits has opened fas for not thelist Importance Tolaunch 2 manfste you have 9 want: AB & Cilia ‘work yori ap and sharpen your wings o Conger and celte lower and upper ease As Bs & Cg, shot car, orate eve plu utc and maitin tht noes rseles in same aya he ates parton oa har pve the ence of Go. 1 enn aay ee pl ye eon ‘nd theefre repetabe Everyone doe i the fo Posing sn without hye rreneon. But th edo of ae {oo By ging atthe pts of spe snpiy nove) ns human and tee in fon Winnocem pease, Inui and want ort ceiy oredr Atte ghd nano and there's nothibg Last, and ye i things ann ping ar gan anf 3 st peices (guatyng menses he mal vale of rate — too sy: sporsimation wae tenes by the

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