Soprano Saxophone

GOOD MORNING LOVE

AS PLAYED BY NELSON RANGELL ON "LOOK AGAIN"
POP INSTRUMENTAL
Dma7 q = 106Gm/D Dma7 C13

          
   
      


Dma7 D7 D13 Ebma7 Dma7 C13

   
       
5
  
    

C13/Bb Bbma7 A7 Dma9 Cm9 B7(#11)

9
      A 
          
 
   

 

Bbma7/A G6/A Em11/A Dma9 Cm9 B7(#11)


  
12
  
               

  

Bbma7/A G6/A Em11/A G7sus4

  
16
      
       

      

             
C Gm9 Bbma7/C Ama7/B Abma7/Bb Gma7/A
19
       
   
   

    
Dma7 Em7 F#m7 Cma7
             
22

 

Gma7/A Em11/A Dma7 Em7 F#m7

                   
25  


V.S.
2 Soprano Saxophone

     
 
Bbma7/C Fma7 Gm7 Am7
     
     
27
   
  
6 3
G6/A Dma7 Gm/D Dma7 C13
       
 
29
      
   
   
Dma9 Cm9 B7(#11) Bbma7/A
34 B
  
               
         
 


G6/A Em11/A Dma9 Cm9 B7(#11)
           
37 
   
              
3

        
Bbma7/A G6/A Em11/A G7sus4
      
40
   
   


        
C Gm9 Bbma7/C Ama7/B Abma7/Bb Gma7/A

       
43
  
      

        
Dma7 Em7 F#m7 Cma7
46
              
 

Gma7/A Em11/A Dma7 Em7 F#m7
                     
49  



  
         
Bbma7/C Fma7 Gm7 Am7 C7sus4 F9
           
 
51


 Soprano Saxophone 3

      
             
Bbma7 Am7
Gm7 D/F# Gm Gm/C

  
54 C 
  
  

 
           
Gm/E A7(b9) Bbm7
Bbm7/F
Bbm11/Eb Fma9 A7(b9)
57
        
  
 Fma9  
Bm7/A


Dm7 A#m7 Abma7 Bbma7/C
60
                  
    
   

      
    
    
D Dma7 Em7 F#m7 Cma7
63
 

       

Gma7/A Em11/A Dma7 Em7F#m7 Bbma7/C
          
67

           
3
Fma7 Gm7 Am7 G/A
              
70
     
    
Dma7 Em7 F#m7
72
            
       
     

       
Cma7 Gma7/A Em11/A Dma7 Em7F#m7
 
        
74 3
           

       
Bbmaj7/C Fma7  Gm7 Am7
  
77
       
    
3 V.S.
4 Soprano Saxophone
G/A Dma7 Em7 F#m7
             3       
79

    
3 3 3 3 3
Cma7
          

         
81

   
3 3 6 3

Gma7/A Em11/A Dma7 Em7 F#m7

             
83
    
  


        
Bbma7/C Fma7 Gm7 Am7 Em11/A
           
        
85  
     


Dma7F#m/A Gm/D Dma7 C13

  
 
88
       
  


Dma7 C13 Dma7D7 D13 Gm13/D

92

E    

     
      


Dma7F#m/C# C13 Dma7D7 D13 Gm/D

 
                
98
  
  
3 3 3 3
GRADUAL FADE TO END
Dma7 C13 Dma7 D7 D13 Gm13/D Dma7 F#m/C# C13
           
102
 
   

3 3