lin TE FEENICHT's PLAYHOUSE MEDIA CHANGING TEMPO} 4 ORIENTATION OFVOLUME 2 Media as Art Forms Marshall McLuhan 1 Jung, Alchemy and Self DS. Savage 9 Ideal Cities and the City Ideal Jacqueline Tyrwhitt 33 Theoretical Anthropology Dorothy Lee 46 Eternal Life Edmund Carpenter 54 Here Comes Everybody Donald Theall 61 Social Classes Lord Raglan 3 Veblen’s System of Social Science 2 David Riesman 79 ‘The Pirate’s Wardroom Stanley Edgar Hyman 93 Self and Its Behavioural Environment A. Irving Hallowell 101 161 Notes on the Contributors‘ EVERYBODY st Can you not distinguish the sense, prain, from the sound, bray? . . . Get yourself psychoanolised! ‘The novel came of age with the development of Cartesian views of time and space; its death is implicit in the return to multi-dimensional think- ing. James Joyce, pringing into artistic perspective the multiverses of oder thought, provided key techniques that opened up the post- Newtonian world for artists. His contribution to esthetics, as Eliot ob- served, was analogous to the Einsteinian revolution in physics. In Ulysses ted as abstract guiding lines for the action of time and space are not trea! the whole novel, but as relations within @ structure. Finnegans Wake tends this method by treating language ‘phonoscopically’. with small space-time units—Ulysses with one day in one city, Finnegans Wake with one night in one house. At a theoretical Jevel he abandoned the pinch in time of the ideal’ in an attempt ‘to ‘roll away the reel world’, Man at a practical level he provided @ ‘verbivocovisual prese! eo centred his art within the bounds of ity—the ‘naked I’.