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17
DEC
91ST OSCARS
SHORTLISTS IN NINE
2018
11:54 pm
AWARD
CATEGORIES
ANNOUNCED
BY. ERIC YANG
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DOCUMENTARY FEATURE
Fifteen films will advance in the Documentary Feature
(https://twitter.com/theacademy)
SUNDAY category for the 91st Academy Awards. One hundred
(https://oscar.go.com) (https://instagram.com/theacademy/)
FEB 24 sixty-six films were originally submitted in the
(https://www.facebook.com/TheAcademy)
category. Members of the Documentary Branch vote to
determine the shortlist and the nominees.
The films, listed in alphabetical order by title, are:
CHARM CITY
COMMUNION
CRIME + PUNISHMENT
DARK MONEY
THE DISTANT BARKING OF DOGS
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carpet)
FREE SOLO
HALE COUNTY THIS MORNING, THIS
EVENING
MINDING THE CAP
OF FATHERS AND SONS
ON HER SHOULDERS
RBG
SHIRKERS
THE SILENCE OF OTHERS
Celebrate 90 Stories
(http://oscar.go.com/90th-
(http://oscar.go.com/90th-oscars)
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oscars)
THREE IDENTICAL STRANGERS
WON'T YOU BE MY NEIGHBOR?
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MARGUERITE
MAY DAY
MOTHER
SKIN
WALE
VISUAL EFFECTS
Ten films remain in the running in the Visual Effects
category for the 91st Academy Awards. The Visual
Effects Branch Executive Committee determined the
shortlist. All members of the Visual Effects Branch will
be invited to view 10-minute excerpts from each of the
shortlisted films on Saturday, January 5, 2019.
Following the screenings, members will vote to
nominate five films for final Oscar consideration.
The films, listed in alphabetical order by title, are:
ANT-MAN AND THE WASP
AVENGERS: INFINITY WAR
BLACK PANTHER
CHRISTOPHER ROBIN
FIRST MAN
JURASSIC WORLD: FALLEN KINGDOM
MARY POPPINS RETURNS
READY PLAYER ONE
SOLO: A STAR WARS STORY
WELCOME TO MARWEN
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ANNOUNCED (/NEWS/NOMINATIONS/91ST-OSCARS-
SHORTLIST-IN-NINE-AWARD-CATEGORIES-ANNOUNCED)
12
DEC
CURTIS CLARK TO
RECEIVE JOHN A.
2018
9:29 pm
BONNER AWARD
BY. ERIC YANG
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distributing media.
PIX System’s robust approach to secure media access has
enabled wide adoption of their remotely collaborative dailies-
review system by the motion picture industry.
To Per-Anders Edwards for the initial design and
development of the MoGraph toolset in Cinema 4D for
motion graphics.
MoGraph provides a fast, non-destructive and intuitive
workflow for motion designers to create animated 3D
graphics, as used for title design and fictional user interfaces
in motion pictures.
To Paul Miller for the software design, principal
engineering and continued innovation, and to Marco
Paolini for the efficient, artist-friendly workf low
design of the Silhouette rotoscope and paint system.
Silhouette provides a comprehensive solution for painting,
rotoscoping and image manipulation of high-resolution image
sequences. Its fast, scalable and extensible architecture has
resulted in wide adoption in motion picture post-production.
To Paul Debevec, Tim Hawkins and Wan-Chun
Ma for the invention of the Polarized Spherical
Gradient Illumination facial appearance capture
method, and to Xueming Yu for the design and
engineering of the Light Stage X capture system.
Polarized Spherical Gradient Illumination was a
breakthrough in facial capture technology allowing shape and
reflectance capture of an actor’s face with sub-millimeter
detail, enabling the faithful recreation of hero character faces.
The Light Stage X structure was the foundation for all
subsequent innovation and has been the keystone of the
method’s evolution into a production system.
To Thabo Beeler, Derek Bradley, Bernd Bickel
and Markus Gross for the conception, design and
engineering of the Medusa Performance Capture
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System.
Medusa captures exceptionally dense animated meshes
without markers or makeup, pushing the boundaries of visual
fidelity and productivity for character facial performances in
motion pictures.
To Charles Loop for his inf luential research on the
fundamental scientific properties of subdivision surfaces
as 3D geometric modeling primitives.
Loop’s 1987 master’s thesis, “Smooth Subdivision Surfaces
Based on Triangles,” together with his subsequent research
and publications, extended the theory of subdivision surfaces
and inspired further development of methods that
transformed the way digital artists represent 3D geometry
throughout the motion picture industry.
SCIENTIFIC AND ENGINEERING AWARDS
(ACADEMY PLAQUES)
To David Simons, Daniel Wilk, James Acquavella,
Michael Natkin and David Cotter for the design
and development of the Adobe After Effects software
for motion graphics.
After Effects’ pioneering use of consumer hardware to host an
application that is extensible, efficient and artist-focused has
made it the preeminent motion graphics tool in film
production, allowing motion designers to create complex
animated elements for title design, screen graphics and
fictional user interfaces.
To Thomas Knoll and John Knoll for the original
architecture, design and development, and to Mark
Hamburg for his continued development and
engineering of Adobe Photoshop.
Photoshop’s efficient, extensible architecture, innovative
virtual-memory design and powerful layering system
introduced a new level of user interactivity, which led to its
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AWARD-CATEGORIES-ANNOUNCED)
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