suthorized Edition With ii TABLATURE E INCLUDING SONGS FROM THE ALBUMS an. e7N ns [juan eesaely aS PSU ce CMa ages a Se al Rieueed hye ingest knw a asc R ZTSTEVE VA Transcribed by Andy Aledort (“Painted Lover” and “Amazing Grace” transcribed by Jeff Jacobson) (“Shy Boy” transcribed by Wolf Marshall Music Engraving by Fallstrom, Ltd. Copy Editor: Cathy Cassinos-Carr Production Manager: Daniel Rosenbaum Art Direction: Kerstin Fairbend, Alisa Hill ‘Administration: Monica Corton Edited by Wolf Marshall Color photography by Neil Zlozower ISBN: 0-89524-572-8 Copyright © 1991 Cherry Lane Music Company, Inc International Copyright Secured All Rights Reserved (CHERRY LANE MUSIC: THE PRINT COMPANY are eee PBieert, Kalieen A. Maloney, Direcior of Advertsing and Promotion: Rock tamberg, Assistant Directo of ad [en andies Creathe Services Manager, Monica Corto, Contacts Administrator Karen € vison Sec uary; Karen DeCrenza, Peecutve Secretary MUSIC. Mark Philips, Director of Msc: Jon Chappel, Stove Goresberg, Music tir: Key O'Belen, Music Editor ve wy a ant At Oy appa, At Assan = acento, Prodacion alberg, Computer Music Engraver ART: Kersin A Farbend, At Directo PRODUCTION: Daniel Rosenbaum.G@20..N? Tu,EQZN T_§ Introduction by Steve Vai 3* Tablature Explanation are from the albums Flex-Able and Flex-Able Leftovers: A Bit About Flex-Able 9 Notes On The Songs 12 Viv Woman 14 The Attitude Song 19 Call It Sleep 26 Burnin’ Down The Mountain ai from the album Disturbing The Peace: A Bit About Alkatrazz 36 Notes On Disturbing The Peace 37 Notes On The Songs 38 Notes On The Solos 68 God Blessed Video 39 Painted Lover 57 A Lighter Shade Of Green 66 Solo from Mercy 70 Solo from Wire And Wood 72 Solo from Desert Diamond. 73 from the album Eat ‘Em And Smile: Notes on Shy Boy 74 Shy Boy 75 from the motion picture Dudes: Notes on Amazing Grace 85 Amazing Grace 86 * Steve Vai's introduction and commentary are printed in their entirety. The opinions expressed do not necessarily reflect that of the publisher. ++ To best illustrate Steve Vai’s unique style of playing, special notational symbols are used in this folio. These symbols vary from those normally used in Cherry Lane publications, and are described in the Tablature Explanation