ESCOLA PE JAZZ DO PORTO Feinio do Magalies, 85 Tole!, begR6e — 4900 PORTO : £ GODTBIB, B0D360589 For the saxophone student beginning the serious study of jazz and confem- porary slyles, this book will help in many ways. Fist, phrasing and interpretation of rhythms is studied through exercises ond ofiginal pieces. It should be noted that the pieces contain mony phrasing markings that would not appearin jazz ensemble parts or “fake books” where it is assumed that the piayer already knows how to phrase in the jaz or rock idiom. Secondly, studies to teach both theoretical and technical skills in scoles and chords give basics necessary to study and develop improvisational skills. We hope that the student will enjoy cnd lear from this book. Tne student should listen to,as many recordings of jazz saxophonists as possib'e in order fo gain a concept of the principles tcught in this text (de Thanks to Rob Goldsmith for egiing this text. Bill Bay © Copyright 1979 Mel Bay Pubtications. Inc. Pacific, Mo. Injemetional Copyright Secured Allightsieseved. Pinted in USAContents poge Basic Rhythmic Concepts For Josz ‘and Contempeary Prrasng. eos Special Effects ae Heavy Accent oe) Standard Stoceato - ao Standard Legato . 7 The Shake! Be The Flip. 18 The Smear +48 The Dot “0 Up-Gliss oe Down-Gliss -20 Lifts 4 Spills 2 The Pl 23 Indefinite or Mutfied Sound Be-Bop Phasing Rock and Soul Phrasing . Latin Rock Blues... Jaz Tectinique . Jazz Articulation, Movab:s Pattems and Variations . Chord Studies Scale Building Chord Building Chart Order of Keys... Dominant 7th Choxd Blowin’ Dominant 7th Minor 7th Chord... Blowin’ Minor 7in through al! Keys. 7 flat § Chord ond Its Resciuton Blowin’ 7 fiat 5 Through A” Keys. Minor 7 fiat 5 Through Its Rez a Blowin’ minor 7 fiat § Trough A Keys. Augmented 7th ond Its Resciuton Blowin 7th #5 Through At Diminished Chord ond !s Rasciuton, Diminished Sccle Vibrato. Flexibility Studies High 070 Low Regsters .: Phrase #4 Doo Dit Doo Dit pee alse Basic Rhythmic Concepts ee x? = for Jazz zi 5 and Contemporary ‘his phi should be played as if one was reading: This phrase should be playe pAraeing 3 3 S Coral Riff = 3 Written Z. ee Sones 1 5 Jazz "Swing" style eight notes ~ Played = V7 [hg Sooo - ten Doo Di Phrase *24 zi 3 Easin’ Gn Up tempo