Professional Documents
Culture Documents
Josh Campos
Professor Granillo
English 103
19 January 2019
Love is Love
People love each other for all sorts of reasons, mainly because they contribute to
happiness and well-being. Sadly, despite loving someone for all the right reasons, if two people
of the same gender fall in love with one another, they are then subject to great amounts of
prejudice and harassment. Sam Smith is one of the world's most famous openly gay men and he
has no shame in his sexuality. Like most heterosexual music stars, he also is very passionate
about love, seen throughout his music. The only difference is that he loves other men, but if a
listener is unaware, his songs would sound just like if he were singing about a woman. In
viewing “Too Good at Goodbyes” through a gender studies lens, Sam Smith goes against
traditional gender norms and roles, portraying that love is love, even if it is between two men or
two women, and also show a very vulnerable and emotional side of him. It also tackles gender
studies concepts such as gay sensibility. The song fights against the social construct perpetuated
by influential figures and institutions with great power, that love is to be a relationship solely
between one man and one woman. Smith inspires people who feel too scared to be openly gay,
helping them know that it is okay to love who they want to.
“Too Good at Goodbyes” is a very emotional and relatable song, talking about Smith’s
struggles with relationships. In an interview with radio station Beats 1, Sam Smith discussed,
“about a relationship [he] was in and it’s basically about getting good at getting dumped”
(Genius). Most people have been in relationships and subsequently been dumped, showing that
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at its core, homosexual and heterosexual love are very similar in terms of feeling such affection,
passion and heartbreak over another person. However, many people do not share the same
sentiments.
Almost from the beginning of recorded history, it was a widely accepted belief and
henceforth was expected that both carnal and intimate relationships were to only take place
between a male and female. Plato, a philosopher born in the early third century, created a theory
on mimesis in the book Republic. Mimesis is an imitation or representation, and imitations are
inherently bad because they represent false realities and are removed from what is true (Granillo
00:01:15-00:01:25). Reflecting this theory onto homosexual love, Plato would argue that since it
is the norm for a man and a woman to be in a relationship, a relationship between two men or
two women would be an imitation of heterosexual love, and therefore the homosexual
relationships would be unacceptable. Gender theorist Judith Butler argued that Plato’s theory is
the basis by which society deemed gay relationships as wrong, while forcing the belief that only
straight relationships are right and that men and women should perform a certain way (Granillo).
This is why people tend to criticize homosexuality, it is indoctrinated early on in life if the
especially important for Sam Smith to be famous in this kind of world, it allows for the gay
community to look up to someone and feel hopeful about their future. It gives them
Powerful and influential institutions such as the U.S government has historically put anti-
LGBTQ laws into place, while the Catholic Church has generally condemned gay marriage and
sexual activities. For example, sitting President Donald Trump’s administration argued in the
Masterpiece Cakeshop Ltd. v. Colorado Civil Rights Commission court case that the First
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Amendment allows businesses to discriminate against gay couples (Lopez). Due to a court ruling
in favor of business owners against homosexuality, Smith and many others in the gay community
face undeserving discrimination and inequality in the eyes of the law. Homosexuals simply wish
to enjoy the same equality that straight individuals do but instead have endured years and years
of oppression. In the Catechism of the Catholic Church, which was written by Pope John Paul II,
it was stated that homosexual activities are “intrinsically immoral and contrary to the natural
law” (Paul). With the leader of the free world and a leader of one of the world’s most widespread
society as a gay man or woman. The Americans who agreed with President Trump’s views
outvoted those who do not, putting him into power. It is safe to say that a large amount of
Americans are anti-LGBTQ or at the least, put gay rights at the bottom of their priority list of
issues they care about. Not only that, some of the modern Republican stances have been known
as being against gay marriage, while promoting conservative and traditional Christian family
values. These traditional family values also include women being submissive to their husbands
and fathers, with the men being the strong, intellectual, breadwinners who act as the providers of
their families. Being a gay man as well as a man that deeply expresses his feelings, is explicitly
seen as downright wrong from the conservative viewpoint. These uninclusive and intolerant
beliefs have plagued a majority of society for centuries but recently, society is starting to become
more welcome to the idea of homosexual relationships. It all starts with defying traditional
Traditional gender norms and roles are what society deems acceptable for the way a man
or a woman acts socially and “Too Good at Goodbyes” goes against the grain of how someone is
supposed to perform their role as a man. Lois Tyson in Critical Theory Today, states that,
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“traditional gender roles cast men as rational, strong, protective, and decisive; they cast women
as [irrational], weak, nurturing and submissive" (Tyson 81). In the song, Smith sings, “I'm never
gonna let you close to me, even though you mean the most to me, ‘cause everytime I open up, it
hurts” (Smith 00:01:07-00:01:17). For a man, gender roles deem that he is supposed to be strong
and unemotional, but it is seen in the song that he is showing weakness in that he does have
sorrowful feelings, that he does cry over lovers and that he is scared to love again for fear of
getting hurt. It’s subconsciously ingrained in the heads of this generation that girls are the ones
who bawl their eyes out over boys, being a mess at home, wearing pajamas and indulging
themselves on tubs of ice cream after a breakup, but Smith explains that he too can feel the
excruciating pain of a breakup. Smith clearly shows that even as a man, he is very emotional and
scared of love.
The majority of society’s stance on men has almost always been that men should be
manly, tough as nails, and unable to shed a tear no matter what. Smith wrote the song to
“convince [himself that he] was tough, to protect [him]self. [He] was gearing up for what [he]
knew would happen” (Genius). As with a majority of men, it was subconsciously ingrained into
his head that he is supposed to be tough, both physically and mentally. His mental fortitude must
be absolutely impenetrable, and if it is compromised in any way, that makes him less of a man.
That to cry over another person and still call himself a man would be blasphemy. Despite this,
Smith embraces the emotional side of himself that is an innate quality of every human being. He
knows that it is completely normal to feel emotion and there is nothing wrong with men feeling
vulnerable, in contempt of social constructs against this sentiment. This is why he channels his
Through “Too Good at Goodbyes,” Smith also provides a good argument that
homosexual love and heterosexual love are one and the same, which ties in with the concept of
gay sensibility. On the marginalization of LGBTQ people, Lois Tyson explains that gay
sensibility resulted from heterosexist culture, which created an environment where homosexuals
have an “awareness of being different … from the members of the mainstream, dominant culture,
and the the complex feelings that result from … ongoing social oppression” (Tyson 315).
Smith’s love for another man shown through “Too Good at Goodbyes” demonstrates that
homosexuals do not deserve to have been oppressed to the point of thinking that gay love is
different and worth less than straight love. If people look deep down into why they fell in love
their significant other, there is a realization to be made. People fall in love with other people for a
multitude of things: being attracted to that person, because this person provides them great joy,
because this person cares immensely for their well-being and because having a partner to share
emotions and sexual intimacy with fulfills a natural desire for companionship. Not because so-
and-so has a penis or a vagina. Relationships, gay or straight, will also end for the same reasons:
because of diminishing attraction for one another, because one brings more pain than joy to the
other, and/or because one no longer cares for the other. Falling in and out of love are too similar
for straight and gay relationships to make the large disparity that has existed between the two for
centuries.
Sam Smith’s feelings about another man are the exact same feelings that any man or
woman would feel if they were in the same situation. Smith sings, “But every time you hurt me,
the less that I cry, and every time you leave me, the quicker these tears dry, and every time you
walk out, the less l love you, baby we don’t stand a chance, it’s sad but it’s true” (Smith
00:01:27-00:01:47). People who listen to “Too Good at Goodbyes” without the knowledge of
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Smith’s sexual orientation would just assume he’s had bad luck with women. But that’s the
beauty of it all, that people would not be able to tell that Smith loved another man. It proves that
love is love, and that straight love is almost indiscernible from gay love. That is, until the gender
of the two people involved are inspected of course, but that changes little. If a man leaves and
walks out on a woman constantly but comes back, the woman will instinctively care less the
more it goes on. By the same token, if a woman leaves and walks out constantly on another
woman but comes back each time, that woman will also instinctively care less each consecutive
time it happens.
For too long society has looked down upon men who aren’t “manly enough” and people
who love each other based on the content of their character for not adhering to the whole “one
man, one woman” belief. Sam Smith wrote “Too Good at Goodbyes” and in doing so, defied
society’s deeply rooted traditional norms and roles that view emotional men and homosexual
relationships as inappropriate and reprehensible. Smith embraces that an emotional gay man is
who he is and he’s proud of it. Him channeling such powerful emotional feelings through music
is proof of it. Smith believes what society deems right and wrong will not stop him from
achieving his dream and he will not hide his true self from the limelight. Men can cry and be
Works Cited
“Gay Criticism.” Critical Theory Today: a User-Friendly Guide, by Lois Tyson, Routledge,
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Granillo, Ashley J. “Plato's Mimetic Theory of Art.” YouTube, YouTube, 11 Feb. 2017,
www.youtube.com/watch?v=09sGzFjGZSY&feature=youtu.be.
Lopez, German. “Trump Promised to Be LGBTQ-Friendly. His First Year in Office Proved It
www.vox.com/identities/2018/1/22/16905658/trump-lgbtq-anniversary.
“Sam Smith – Too Good at Goodbyes.” Genius, Genius Media Group Inc., 8 Sept. 2017,
genius.com/Sam-smith-too-good-at-goodbyes-lyrics.
Smith, Sam. “Sam Smith - Too Good At Goodbyes (Official Video).” YouTube, YouTube, 18