Works Cited

Books, Journal Articles, Websites

Clément, Catherine. 1989. Opera, or the Undoing of Women translated by Betsy

Wing. London: VIRAGO Press.

Dahlhaus, Carl. 1989. Nineteenth-Century Music, translated by J. Bradford Robinson.

Berkeley: University of California Press.

Hara, Kunio. 2003. ‘Puccini’s Use of Japanese Melodies in Madama Butterfly’, Ph.D.
diss, University of Cincinnati.

Lacombe, Hervé . 2000. George Bizet Naissance d’une identité crèatrice. Paris:
Fayard.
Lock, Ralph, P. 2007. ‘A Broader View of Musical Exoticism’, Journal of
Musicology 24: 477-521.

Locke, Ralph, P. 1992. ‘What are these women doing in Opera?’, Opera News
57: 34-37.

McClary, Susan. 1992. Georges Bizet: Carmen. NY: Cambridge University Press.

Parakilas, James. 1993. ‘The Soldier and the Exotic: Operatic Variations on a Theme
of Racial Encounter’, The Opera Quarterly 10(2):33–56.

Scott, Derek. 2003. From the Erotic to the Demonic: On Critical Musicology. Oxford:
Oxford University Press.

Till, Nicholas. 2012. ‘An Exotic and Irrational Entertainment’: Opera and Our Others;
Opera as Other’ in The Cambridge Companion to Opera Studies ed. Nicholas Till.
Cambridge: Cambridge University Press, 298-324.

Wen, Songfeng. 2013. ‘The Subversion of the Oriental Stereotype in M. Butterfly’,

English Language and Literature Studies 3(2): 44-49.