Imperial Strut


Funk/Fusion q = 115 The Yellow Jackets


          
      
      
                
Piano f
   
      
 
            
         

Guitar       

    
Bass   

   
Drums  
1 2




  


Pno.
 


                 
Gtr.  
mf
   
Bass 

Dr.           
3 4mf
2


 

  

 
Pno.
 


 

Gtr.   

       
Bass 
       
                Simile
            
Fill
Dr.  
5 6 7 8


A

     
                
                
Pno.

    
                           
2x Left Hand Tacets

  
mf

Light Distortion
 
        
    
Gtr.    
f


         
Bass                     
mf

 
       
     
Simile
Dr.  
mf 9 10
 3



1.
  Simile
  


Pno.
   

        

    
Gtr.       

Bass
 
  

Dr.          
11 12


2. Ab(2)/C
   
   
Bbmi11 C#/B Db^7add6

  
Pno.
  
     
  
f
     
         
    
Gtr.     

        
               
  
Bass
f

   
Dr.         
13 f 14
4


  
D13(#11)


  

   
Pno.

 

            

          
     
  
Gtr.


D13(#11)
    
Bass 



   
Fill
Dr. 
15 16


$

        
      
      
                
Pno.
  
       
                       
            
 
mf

        
Gtr.   

     
          
Bass             
mf
     
       
   
simile
Dr.     
mf 17 18
 5



  Simile
 
Pno.


 

               
 
 
         
Gtr.     

Bass
 
 

Dr.         
19 20




  
Pno.


 



   
      
Gtr.        


 
Bass 

Dr.         
21 22
6




  
Pno.
   

 
        
 
Gtr.       

Bass
 
 

Dr.         
23 24




  
Pno.
   

  

    
Gtr.         


 
Bass 

Dr.         
25 26
 7


To Coda Ab(2)/C
   
          
Bbmi11 C#/B Db^7add6



Pno.
    
  
  
                
          
Gtr.     

         
               
  
Bass

   
Dr.         
27 28


    
   
D13(#11)

    

Pno.



        
f

  
           

Gtr.         

       
Bass 
f

Fill


Dr.
29 30
f
8


B

   

Guitar Solo

       
Amaj7 G#7sus4 Amaj7 G#7sus4

 


  
       
Pno.

 
mf


 start
                
Amaj7 G#7sus4 Amaj7 G#sus4
solo
Gtr. 

  
           
Amaj7 G#7sus4 Amaj7 G#7sus4

           

simile
Bass
mf

            simile

Dr.                   
mf 31 32 33 34


1. -3

  

             
Amaj7 G#7sus4 C#mi7 F#9

                
Pno.
 

  
 
              
Amaj7 G#7sus4 C#mi7 F#9
Gtr.

                
Amaj7 G#7sus4 C#mi7 F#9

Bass
 

Dr.                  
35 36 37 38
 9


4.

           
    
   
C#maj7 C7(#9#5) F7(#9#5)

 
   
           
   
   
Pno.
 
    

           
 C#maj7    
   
C7(#9#5) F7(#9#5)

 
Gtr.
   

  

     
 
   
C#maj7 C7(#9#5) F7(#9#5)
  
 
 
 
Bass

           
   
Dr.         
39 40


 
 

             
     
         
       
  
Pno.
  
     

            
        
Gtr.

      

      

 
Bass
     
                             
  
Dr.   
mp 41 42
10

C Simile
Piano solo

  
Pno.                     
B¨min7 E¨9 B¨min7 E¨9


Repeat Until Que

          
simile B¨min7

          
B¨min7 E¨9 E¨9

Gtr.

   
         

Bbmin7 Eb9 Bbmi7 Eb9

 
Bass        
f
   simile
 
       
            
fill last time

 
Dr.  
f 43 44 45 46


Repeat Until Que
   Guitar Trades 2's with Piano
                  
Bbmi7 Eb9 Bbmi7 Eb9

   
                 
Pno.

                     
Bbmi7 Eb9 Bbmi7 Eb9

Gtr.

   
                 
Bbmi7 Eb9 Bbmi7 Eb9
Simile
Bass

Dr.                   
47 48 49 50
 11


   
 
D13(#11) D.S. al Coda


   
Pno.

 

            
        
         
  
Gtr.

   
D13(#11)

Bass  



   
Fill
Dr. 
51 52


rit.

  
    Arppegiate
D13(#11)

     
Bbmin11 C#/B Ab(2)/C Dbmaj7add6


Pno.
   
    
  
f
  
             3/2

Gtr. 
 


 
Bbmi11 C#/B Ab(2)/C Db^7add6 D13(#11)
   
  
  
Bass


     Cymbal Swell Ad. lib.
f

Dr.     
f 53 54