— Tonight, He Comes —
Written by:
Vy Vincent Ngo
Creative Artists Agency
David Styne
,
BS"Tonight, He Comes"
FADE IN: CC
BLACK. It's everywhere. It swallows the screen. And so we stare
into a sea of BLACK.
NARRATOR (V.0.)
I saw a severed head once. Except for the
paleness, it looked healthy, well-fed,
The end came abruptly you could tell
cause the mouth froze in mid-sentence,
yShh.-.," the curled lips attempted. trike
at started saying "shucks" or "Shirley"
or... "shit happens." Your eyes don't
forget things like that. Like you don't
forget the sound animals make when
they're humping. Primal. Raw. They endure
jn You forever because the senses have a
(a pregnant beat)
Sometimes when it's dark out,’ 80 dark
it's black, I'll see HIM.
(beat)
And it starts all over again.
From this blackness, a streak of LIGHTNING splits the night sky, e
EXT. SKY - NIGHT
fe are in the eye of a STORM, an angry mass o:
across the black sky. It bri:
of a howling WIND,
f clouds raging
ngs RAIN and THUNDER and the swirl
An ENTITY emerges from this moist darkness. It flies
through the
weather and advances into our scope of visibility.
A FLASH of lightning erupts and it illuminates the sky. We SEE
the approaching entity as it hovers before ne?
It's a man.
It's a man, plus.
It's a SUPERHERO,
gazbed in an elastic dark-grey outfit - a
faded RED CAPE extends
behind him, thrashing against: the wind and
rain,
This Superhero (30). unshaven. Disheveled. Worn. A face
chiselled with mileage,C)
In the eyes, we can see his soul. Intense. Fierce. An exposed
nerve, snagged in a fish hook.
- He hangs in the air, tired, rain-soaked, pissed-off.
He stares down at the earth below and he beholds the saturated
visage of SHEEPSHEAD BAY, a seaside Brooklyn neighborhood.
And from the bowels of his very soul, this Superhero belches a
thunderous ROAR, He pivots in the air and dives toward land.
He slices through the downpour, arms extended, body erect,
engulfed in the dimensions of his cape.
The ground approaches, fast. He accelerates as if to embrace it.
Velocity sucks up all remaining space and there is IMPACT.
An EXPLOSION as he rips through the street surface, penetrating
the asphalt - head first. Debris and concrete spew from the
ruptured orifice as he disappears inside.
There is an expulsion of subterranean pressure and it launches
nearby manhole LIDS from their spots - they bounce and CLANG
down the street like loose change.
The rain continues its onslaught.
INT. APARTMENT - NIGHT
Rain sloshes against a kitchen window. Where the sink is. Not
far from the kitchen table. Where the LONGFELLOW Family sits,
dinner before them.
HORUS (35) leans over his plat
man of diminutive frame, bespe
low fat milk.
eating his meal, Here idles a
acled, placid - as harmless as
He sits opposite MARY (30), frenetically appropriating food. A
feet ee uty entwined in maternal angst she is estrogen with an
attitude.
A meek little AARON (8), slouches between the folks - a BLACK
EYE tattoos the left of his face. Aaron stares at the damn
plate, finding no humor in eggplant.
MARY
The principal did nothing. Like
schoolyard terrorism is no worse than
being tardy. What's the matter with
education? Back when, you could go to
school and learn about Betsy Ross and:..
mollusks and... not get stabbed on the
way home.
(MORE)