Morea ate Es YT CU Ld em aed ROR ume)nental Information -1 Transposition 2. Ranges and Sound Characteristics mental Tools and Techniques -1 Tensions -2 Anticipation and Delayed Attack 3, Reharmonizing Approach Notes Voicings -1 Five-Part Soli Voicings -2. Five-Part Spreads -3. Five-Note Soli Voicings -4 Exercises 1 Scales 1-1 Chord Scale Theory 1-2 Forming a Chord Scale 1-3 Avoid Notes 1-4 Notation and Labeling of Chord Scales 4-5. List of Tonal Chord Scales 4-6 List of Modal Chord Scales 4-7 Exercises v rn 7 19 24 28 32 37 aL a3 48 49 61 63 4 ChorPART II: Modern Jazz Voicings 5 Voicings in Fourths 5-1 Characteristics 5-2 Five-Part Voicings in Fourths 5-3. Four-Part Voicings in Fourths 5-4 Three-Part Voicings in Fourths 5-5. Exercises 6 Voicings in Seconds (Clusters) 6-1 Characteristics 6-2. Five-Part Clusters 6-3 Four-Part Clusters 6-4 Three-Part Clusters 6-5 Using Clusters 6-6 Exercises 7 Voicing with Upper Structure Triads 7-1 Characteristics 7-2 Six-Part Upper Structure Triads 7-3 Five-Part Upper Structure Triads 7-4 Four-Part Upper Structure Triads 7-5 Three-Part Upper Structure Tri 7-6 Uses of Upper Structure Triads 7-7 Exercises 8 Writing for Six Parts 8-1 Basic Six-Part Writing 8-2 Six-Part Spreads 8-3 Six-Part Tutti Writing 8-4. Six-Part Voi 8-5 Six-Note Voicings in Fourths 8-6 Six-Part Spreads with Top Five Notes in Fourths 8-7 Six-Part Clusters 8&8 Exercises 70 n 16 80 85 93 95 97 99 103 109 M1 113, 114 115 116 119 123 125 126 127 128 129 130 131