ass Clinic Thomas ¢ the last 15 years the growth in sand interest in the bass bone has been significant. A a member of the symphony tra for over 150 years, it has fonly recently that the bass bone sound has been taken age of in stage bands, con bands, chamber music ensem: fand as a solo instrument strict use of cello, string and tuba materials for the trombone student or pe is no longer tolerable, as Hiterature for the bass trom does exist (although mostly porary) following list consists of ad works conceived for the ftrombone. It does not include ments or transcriptions. A Jamount of French music pub. flor bass trombone (Leduc) fn omitted because I believe works were originally writ tuba. ‘works appearing in this se list are representative of the accessible and recommended lure for bass trombone. Read- terested in additional listings tks for the instrament should request, plus $1.50 to cover eating and mailing charges, amas G. Everett, 9 Prescott Cambridge, Massachusetts el: Canto 1 — Four Con r Solo Bass Trombone his work exploits many facets Bass trombone, including its Bd declamatory qualities. Based Ie row freely used thro n pedal G to high B> Bauires Muster congue, glissan Been F and B? trombone, cup vet-ione mute). Written for vere, this is one of the best Hi the literature, Grade VI rice Faulkner, Contributing Editor Solo Literature for the Bass Trombone Everett 5s for Ba Andris An excellent fourmovement. work using strings in both accompanying and solo roles. Piece requires low B lissandos, mute, and range fi tained pedal G to high B>. Grade V Bariller, Robert: Hans De S — forbass trombone and piano; Leduc A French piece dedicated to Paul Ber ard. Declamatory style with lyrical ection in 5/8 alternating with 2/4, the bigh A, and requires some technique in ‘moving triplet section (chromatie and arpeigio). Grade 1V Bartles, Alf Dedicated to. minute work is par Brass Solo Series. Elegy is in a slow singing legato style ranging from pedal A.up to high A. Requires good breath control, Grade IV Brown. James E.: Impromptu ~ for ‘bass trombone and tape (1970): Brown Commissioned by ‘Thomas Everett the piece is for solo bass trombone in terrupted by three sections of taped sound. The pre-ecorded tape sounds are made from trombone, fate, piano and electronie sounds, The tape and trombone toy at counterpoint and at times fashion something clser in style to @ recitative. The work consists of changing meter, feeling of acceleration and ritard (5 against 3 followed by 3 against 2 etc), wide skips, requires a straight mute and a range from pedal G to high G?. Tape operator is needed. Grade VI Carles-Mar Introduction et Toccata trombone and piano; Leduc French Conservatory piece in differ: cent tempos. Contains trigger BE Grade 1V Castéride, Jacques: Fa ertante for bass trombone and p A French contest piece dedicated to Paul Bernard, this isa major work with changing meter, turns and a. range from trigger C to high G. Contains trigger BE Grade V Sea aa ap) TRUMPETS enter Pettey tt Petrie ee) for all Brass Instruments OTT BRASS and REEDS oe Oya Cee ery re ees iced at 395.00 (including eae] Reena ean red Dene te ee Oe an and discover Schilke’s suc cess in developing a pro fessional grade trumpet at Pees BUlaeror eon See ore mead ET PEO PELL) PLEASE SEND: Mouthpiece Catalog Nome came eH warmest 63