BY FRED SOKOLOW ‘The Recording Guitar and Vocals—Fred Sokolow ‘Sound Engineer and Other instruments—Denis O'Hanlon Recorded at O'Hanlon Recording and Music Services: SBN 0-b34-0014-0 HAL*LEONARD® CORFORATION "Goto sob HL LeenAA® coreonAon ‘eta amr Scind an ans Psd Ne part ih pubesten may be oprosices an om oy any maar ‘auto pr wren prmeionol he Ph HVLINSFRETBOARD AN AD RI 10 37 bp} SOODOOOOOO #10 #1 ® a 0 CONTENTS INTRODUCTION HOW TO READ THE FRETBOARD DIAGRAMS NOTES ON THE FRETBOARD Tips on how to learn them, THE MAL sALE Understanding intervals. TWO MOVEABLE MAJOR CHORDS Barred E and A chords, root notes, blues progressions, VARIATIONS OF THE TWO MOVEABLE MAJOR CHO! ‘A shortcut to learning hip blues chords. ‘THE IIW-¥ CHORD FAMILY Using moveable chords to play 12-and 8-bar blues, and boogie licks. THE F-D-A ROADMAP Using three major chord fragments to follow a chord through its inversions. FIRST POSITION BLUES BOKES Playing blues solos and tunes in the first few frets. Moveable patterns for soloing up the neck ‘THE THIRD AND FOURTH MOVEABLE BLUES BOXES ‘More moveable patterns for up-the-neck soloing. MOVEABLE TURNAROUNDS AND BACKUP LICKS A moveable lick played on the first and third strings, and more turnarounds, BOOGIE WOOGIE LICKS: THE MAJOR PENTATONIC SCALE ‘Two sliding scales and how to use them for blues rifls USING THE PRACTICE TRACKS