Recorded by T.S. MONK on CHANGING OF THE GUARD (Blue Note COP 0777 7 89050 28) GUITAR (rhythm section) oreo Tntemposwingd=cemy KELO ese ates Intro E19) AT09) Bb7(13) Ebmaj7 Meus. f D745(49) Db7#5(49) C785(49) g. Bbnd 7b) Fm7(11) D7AS(#9) G7HS(b9) eg Abmaj7 Dbmaj7 Dm? Bp4* 749) g @ Fn Bbm7 /h> —— Gm0b5 JE Edin? 709) Fo Bbm9 A709) ‘Abmaj7—-G7(49)— E749) AT(H9) EE Gu? cb) ©rn Bom? = /Ab Gm7bS—/F_— Edm? s f' FI C7(b9) Fo 7 Bbm9 AT(b9) Abmaj7 —- G7(#9)——sE7(#9) Alsus C7sus Cb7sus Bb7sus A169) —_-Bb703) Ebmaj7 a 5 to 2 a perfect ths Copyright© 1957 enawed 1985) SECOND FLOOR MUSIC : ‘This arrangement copyright © 1993 SECOND FLOOR MUSIC ‘engraved by Osho Endo iageinU SA" Al Rights ReservesGUITAR (rhythm section) page 2- Kelo cole (rhythm section) page Ora what Bet cants ORME cain cre) ‘Fa EE s Bbm? = A7(b9)_— Abmaj7_ G7(#9)—-E7(#9) anc49) bar Db7 BbmT EMT Abmg pb Gm? c7b9) ® Fm Bint al Gm7b5 Gatbs. Edim? ——C7(b9) & T. solos continue FI - or to background 2] Fm a BbmT A109) Abmaj7 Gms C7049) a [Ro bockgomnd i] T] background on cue st chor of hom soloist) Gm7b5 C719) Fm@ Bbm7? = /Ab G75 /E 1 FE Edim? C7(b9) Fm K Bbm7 —A7(b9) Abmaj7 G79) E7(#9) A749) Abm7 ® Db7 Bom? Eb7 Abm7 & ZF FF = oS v co v ‘Db7 G7 c1(b9) Fo ® Boa? /sb— GmTbS /E Edim7 = C7(b9) FmGUITAR (rhythm section) page 3 - Kelo back to) for next soloist FE B Bbm7 A1(b9) — Abmaj7 Gm7b5 C1(b9) * [2] packground on cue (last chorus of Piano solo) © Fn Bom? a> Gus /E Edim? —_C7(b9) ¢ Solo** FL Fa val Bbm? A769) Abmaj7? —_G7(49) E149) AT(49) ® Abm7 Db7 Bbm7 Eb Abm9 Db7 Gn7 e109) Ho. Fm Bbm7 7b Gm7b5 /F Edim? = C7(b9) Me F Fo a Bbn7 ATG.) ‘Abmaj7 Gu7bs C7(b9) te 3 |5.1, Johnson's solo* (orchestrated) @ Fa Bbm? Jab Gus /F Edin? 3 (FD) Bbm7? — A7(49) Abmaj? G7(#9)—— E7(#9) ATS Abo ps7 Gm7 e749) C7069) ie + as recorded on MILES DAVIS/ VOLUME TWO (Blue Note CDP 7 81502 2) ‘there is no Piano