Aires Andinos PDF

EXPRESION MUSICAL LA NOBEL
TARMA - LIMA - PERU
Dirccion - Guia AIRES ANDINOS POR: NILTON CALDERON TORRES



  Lento  A
                
    
f p pp
      
  

        
  p
f f
         
 
f p
          
     
   
 
   
   
f p pp
 
        
f pp
p
    
   
f p  pp
q=86 Andante
8 B C
         

            
 mf
   f     Condor Pasa
           
  
       
 
     
f    


        
 
p
             
  
    
p
f 
                
     

p 
13    
       
   



             
                                      
                         

p
 
              
           

     
                   
  
      
         
           
  
direccion
2
17 D  3    
            
          

 3    
                        
 
f

        

                      
 
f       
                                 
      

      
                        
f
   
      
           
                 
f  
E           

22
       
     
f
                                 

    f
       
             
 
  
f    
     f    
 
              
 
f
   
     

       
f
              
       
   
              
f  f        
26              
    
   
                                                
 
                   

 
       
        

                
     

                    
direccion
3
30    
        C
A la
  y Sigue
                                               C
A la
  y Sigue
3
          C
A la
        y Sigue
         
        C
A la
y Sigue


                 
    
C
A la
y Sigue
 
    
C
A la
               
   
y Sigue
F

35     
     

f
                                 
 
f
       

f
                       
 
f
     
       

 
        
f
        
           
                     
G 
39     H    I
        
                         
 
     
 
ff mf
                         
              
  
ff mf
   
                            
            
    
           mf
   
              
ff mf
         
   
                              
f mf
      
          
             
        
f           mf
direccion
4
   J   

45
                     
        
mf
                 
 
       
  
mf
            
                   
   mf
                   
                   
mf

                                             

mf
F A7 F A7 Dm 
       
                                       
F mf
53           K  
                     
       
 f f
                         
         
f f
              
                         
f   f
                 
                 

f
                           
       
    
 
f
 F A7 Dm
                     
                f  
mf
61  
                 

                     
  
                                       
           
                  
               

                      
           
f
  
                        
f          
direccion
5
70 
  
 
            

       
 
  
 
                   
     
                    
            

                       
                      
    

      
                     
Lh=85
77                
             
    
 
  f
     
          
 
     
 

   
     
  
f
      
                   
        
 
      
f
          
             
      
f
      

      
                  
 
f
        
                
 
 
        f
M q=85
86   Andante          
  
    
       
  

                 
          
 mf
      
          
mf
 
   
   
                 
                    
mf
   
                            
mf
     
            
    mf                  

NILTON CALDERON TORRES - 988084442
direccion
6

93
                               
      
mf    
                                             

    
mf
      
    

     
mf  
                          

         
mf
                                     
       
mf
                   
          
 
  

     
   mf
102    
       
                 
   
      
                

    
           
            
             
               

                         
           
          
         
 

            
 
         
N  
         1.
116
   

         
mf
                     
       
 
mf
       

  
            
    
                           
  
mf
 
                                           
mf
 
                      
       
 mf       
direccion
7
(3 veces)

130
  
2.                   
      A la
Y Sigue

 

fpf
   
         A la            

     
Y Sigue
       (3 veces)    
  
A la
   Y Sigue              
              
              A la      
 Y Sigue
   
        A la

Y Sigue
              

   A la
               
Y Sigue
            
 fpf        
   

143               
     1.2.

     
                          
   
                         
      
            
        
           
 
                                     
                       
 
   
         
156 O
 3.                 
  
 
  
        
                 
 
          

     
  
   
                   
 
             
       
            
 
                    
 
             
 

                    
    
                     
            

TARMA - LIMA - PERU
1º Clarinet in Bb AIRES ANDINOS


 A POR: NILTON CALDERON TORRES
 Lento              
    
f p pp
7 B
         

 
      
f

12 C q=86 Andante      
               
  
 
mf
16 
      D
           
 
 
3      

20          
        

24 E                   
   
   
f
29     


      

A la
y Sigue
C


35 F  G
 






          

f ff

H I
40        
                  
   

 
mf
45          
  
             
   
51 J            
           
       
 
mf f
  K  
58
                         
      

f
2 1º Clarinet in Bb
71    
  
               
  
L h=85
77        
  
          
    
f
M q=85 Andante
84


    
 
                  
    
90        

 
   
99         
         
               
mf
111          N
               
         
mf
124        1.
    
     2.   
 A la 
  Y Sigue
136           
(3 veces)
               
    
   
fpf
         1.2.
  
148
   3. 
     

159 O
                 


      
  
TARMA - LIMA - PERU AIRES ANDINOS POR: NILTON CALDERON TORRES
2º Clarinet in Bb A
 Lento 
  
                
f p pp
7 B
         

 

    
f

C q=86 Andante
                    
12
  
  
mf
D
16 
                    
 
3
                 
20
     

24 E         
 
          
   
f
29
    
        A la
y Sigue
C

35 F  G
   
              

f ff
H 
40   I
              
   
            
 
mf
45  
                
       
51 J  
                            
  
mf f
  K  
58
                         
      

f
2 2º Clarinet in Bb
71
     

    

                 
77
    Lh=85
       
                 
f
84 M q=85 Andante
          
    
   
          
mf
                           

90

   
99 
                   

  
         
mf
N
111

         
          
         
  mf
124        1.
      2.
   
         A la 
Y Sigue
(3 veces)  
136
    
              

   
fpf
148         1.2. 3.
       
  
   
159 O
        
            

     
1º Alto Saxophone A soli recitado  
 Lento       

   
f p f
7  
       B
        
   
    

f
12 q=86 Andante   
 C    
  
 

                          

 
p
D
          
16 
                     
  
f
20 3
                        

f
24 E
                                    

27
                                    

30
                                    

33 F
           A la C 
  y Sigue
f
36
                                

39 G H I
                          
      
  
ff mf
J
44
  
             

           
  
mf
1º Alto Saxophone
2
53  K
           
                         
f f
60
  
                         
70
                                        
 
   
76    
                     
 
 
   

L h=85 M q=85 Andante
83
            
             
   
f mf
92                                           
 
98           
                   
   
mf
    N
110
 
            
         
      
mf
124
        1.   2.
  A la   
            Y Sigue 
   
fpf
(3 veces)
137
                           
   
150
        1.2.  3.          
               

160  O
          
            
  

 
TARMA - LIMA - PERU AIRES ANDINOS
2º Alto Saxophone POR: NILTON CALDERON TORRES
A
   Lento
        
f p
pp
9 B C q=86 Andante
 
        
                   
f p
14
                           
           
f
17       D   3   
        
              
21 E
                            
 
f
25
                                    
        
28
                                    
            

                                  
31
     
A la C
y Sigue
35 F
                                    
    
f
38 H
G
                            
 
        
ff
42 I

             
          
mf
50 J
              
       
         
mf f
2º Alto Saxophone
2
K
57
                 
          
f
65
                    

  
   
     

73
                                       

 
79 h=85
L      
      
            
f
M q=85 Andante
86
                                
    

mf
95
              
     
                    
 
mf
102     
                     
 
115 N
      
         

  
               
mf
128 (3 veces)
1.
 2.
A la       
                Y Sigue 
       
fpf
140
                            
 
153 1.2. 3.      

     
                  

161 O
   
            

        
Tenor Saxophone
 Lento A
        
 
f p pp
B
9 C q=86 Andante

     
   

         
    
f p
14
                             
      
D
17 
                 3   
        
f

21 E
   
                   
f
25
                                    

28
                                    
            
31

                                  

A la C
y Sigue
G
35

F
                     
 
f ff
41 H I
    
    
                 

mf
49 J
                
       
          
f
mf
56 K
         
             
    
 f
2 Tenor Saxophone
63
   
            
 
      
72

  
   


                        


     
78 L h=85
     
    
  
         

f
M q=85
85
         Andante 
                          
 mf
94 
  
                       
          
mf
100        

             
   
113 N
                      
          
mf
126 (3 veces)
1. 2.
                    A la          
    Y Sigue 
fpf
138
                 
            
151 1.2. 3.
         
                        

160 O
            
          
       
TARMA - LIMA - PERU
1º Trumpet in Bb
AIRES ANDINOS POR: NILTON CALDERON TORRES
 Lento 
 
A    B
   
      

f p f
C
12 q=86 Andante
                   
 
p
D
16
            
    
       
f

20
                     
    
f

24
E
        
              
f
28
        
              
F
32 3

   
 A la C     
 y Sigue
f
G H
38        
                      
    
 
ff
42
I
                     
      
mf
47
J
           
                   
 mf
54
K
            
                         
f  f
2 1º Trumpet in Bb
60
  
                        
66
              
 

 
      
72
   
       
77
             
           
L h=85 M q=85
83

           Andante 
               
f
95         
  
                 

mf
109
              
          
N
120
    1.   2.
A la  
(3 veces)

              
 Y Sigue 
fpf
138
                
            
150 1.2. 3.

    
          
   
161
O
    
         



          
2º Trumpet in Bb POR: NILTON CALDERON TORRES
  Lento A  B  
        
   
f p f
12 C q=86 Andante
                   
 
mf
16
D
              
        
  
f
20
                         
 
f
24
E
 
                    
f

28
                     
 
32 3 F

     A laC     
 y Sigue
f
38
G H
                           
 
ff
42
         I     
                
mf  
47
J
         
                         
 mf
54
K
           
                           
f  f
2 2º Trumpet in Bb
60
    
                     
66
          
   
        
72
   
       
77
         
               
  
Lh=85 M q=85 Andante
83
             

             
f mf
95       
  
      
       

  
mf
109
                 
     
     
N (3 veces)
120
    1.  2.
   A la           
      Y Sigue 
fpf
138
         
 
  
       
150 1.2. 3.

         
         
161
O
   
              

     
 
TARMA - LIMA - PERU
3º Trumpet in Bb
   Lento A  B 
        
    
f p f
C
12 q=86 Allegro         
  
        
p
D
16             
 
                
f
20               

              
f 
24
E

           


   
   
f
28

           


   
   
32 3 F

      C
A la
y Sigue
    
f
G H
38        
                      
    
 
ff
42
I
              
   
mf
           
47
J
    
                
       
    mf
54
K
        

                          
f  f
2 3º Trumpet in Bb
60
  
                            
66
       
                   
73
  
              

78 h=85
    L    
       
          
 
f
M q=85 Andante
85
         
  
     
    mf
99
   
                        

    
mf
N
111
       
             
    
(3 veces)
129 1.  2.

    
A la

            
   Y Sigue   
fpf
141
 
          
                
153 1.2. 
 3.

                

O
162  
 
             
       
1º Trombone POR: NILTON CALDERON TORRES
Lento A        
  
                 

f p pp
B   
7
     
           
    
  
f
12 C q=86 Andante
                          
    
p
   D
17                          
          
f
  
21
         E  
          
           
   
f f
25          
          
F
30
           
   
        A la
y Sigue
C
f
G
36
   
                    
  

ff
    H
    
40  I
  
                       

   
mf
45 J
                 
              
 
mf
52      
                           

K
59
                      
  
f
2 1º Trombone
66                 
             
73  
                      

81 L h=85
            
  

            
f mf
87 M  q=85Andante           
                               
 
               
94
 
              
  
mf
103            
             

115
             N      
          

mf
126
   1.     2.   A la  

                 
 Y Sigue
fpf
137 (3 veces)
                
         
148
             1.2.        3.
        

158

O
          


              
 
TARMA - LIMA - PERU
2º Trombone
Lento A          
  
             

f p pp
7   
 B  
               

 
  
f
C
12 q=86 Andante
                          
    
p
D
17
        
                         
 
f

21
       E
 
          
           
    
f f
25  
     











    
       
   
30 F
       
                   A la C
y Sigue
f
36 G
                 
          

ff
H
40   I
                                 
 
mf
45 J
                               
     
 
mf
52
                                 
   
59 K
                    
  
f
2 2º Trombone
66  
                            
 
73
                        
 
81 h=85
L
      
       
   
           
f
M
87 q=85 Andante
                               
              
mf
94 
                                   
        
mf
103
   
                                  

115  N
                            
   
mf
126 1. 2.
                          A la     
  Y Sigue
fpf
137 (3 veces)
                            

148
                                  
1.2. 3.
 
O
158             

             
  

1º Euphonium POR: NILTON CALDERON TORRES
  Lento A
           
f p pp
9B C q=86 Andante

     
        
     
p
f
14   
        
         
        
   
 
f
18 D
                      
 
       
 
23 
        E

    
      
f f
27

      
  
31 F
 
           A laC
y Sigue

f
 
                
36 G
         
    
ff
H
41 I
          
                           
  
mf
46 J
           
                   

mf
52
     
                                  

59 K
             
           
f f
2 1º Euphonium
67

  
         
                 
  
74
   
                      

82 L  h=85
         M q=85Andante 
  
  
                  
f mf
88

                    
94 
               
                  
mf
101

                       
112 N
                                 
            
mf
123 1. 2.
      
                                  

134 (3 veces)
 A la             
   Y Sigue             
fpf
145 1.2. 
     
               
         
156
  3.  
   
         
  
163 O
  
          

       
TARMA - LIMA - PERU
2º Euphonium A
   Lento    
       
f p pp
B C
9 q=86 Andante 
     

                
f p
       
14
     
                   
 
f
D
18
            
                   
 
f
23 E
        
    
      
f
27

       
   
31 F
 
         
 A la
y Sigue
C 
f
36                G      
  
           
       

f
41 H I
          
                    
           
mf
46 J

                                    

mf
52
 
                                      

59 K
         
               
         
f f
2 2º Euphonium
67

                   
            
74   
  
         
           
L h=85 M
82
             q=85 Andante
                       
f
  mf
88

                  
94 
   
                                     
mf
101

                       
112 N
                              
            
mf
123 1. 2.
 
                                
 

134 (3 veces)
 A la                  
   Y Sigue 
fpf
     
145 1.2.
                           
 
  
156
  3.  
   
     
      
163 O
  
         

       
Tuba Bb A
   Lento   
    
f
 p  pp
C q=86 Andante
9 B   
           
  
     
     
f p
14           
                 
   
   
f
D
18       
                        
   f
23 E
         
          
f
     
27

     
  
31 F
    
 
     
  A la C
y Sigue    
f
36
       G
                 
         ff
       
41 H I
          
               
         
mf
46 J
    
                               
     
mf
53 K
              
                      
  
f
60
  
                
     
f
   
2 Tuba Bb
68
  
                             
75
          
   

  
              
L h=85
q=85 Andante
83 M
            
                    
f mf
 
89
           
                
   
   
96 
         
                            
   
mf
107
   
  
     
       

    
  

120 N
1. 2.

             
              
       
mf
133 (3 veces)
  A la                     
   Y Sigue 
fpf          
146 3. 1.2.
 
                        
       
158 O
            

        
         
Bass in Eb A
   Lento
        
f  p  pp
9 C q=86 Andante
B   
   
     
           
f    p 
14
        
   
    
  
      
 
     
f
18 D
           
                    
  
23 E
       

         
f f    
27

    
31 F

   

   A la
y Sigue
C    
         
f
36 G
                        

         ff        
41 H I
         
  
 
         
                
  mf
46 J
    
    
      
                       mf   
53 K
 
                               
         
mf f
60
   
                
f          
2 Bass in Eb
68

    
                           
75
  
           

                
83 h=85 M Andante
q=85
L
       
 
  
  

                 
f mf  
89
 
                          
  

96 
    
                                 
  mf  
107
     
      
            


120 N
1.2.
      

      
                   
mf         
133 (3 veces)
A la   
      Y Sigue 
                 
fpf
         
146 3. 1.2.

                      
     
     
158 O

                 
              
Bass Drum 
   
A
Lento
 B       
  
 
  

f p f
12 C q=86 Andante Condor Pasa

        
  
    
    
   
p
D
16
      

              
   
f
20  E Tiempo de Rock
  

               
f f
25
                          
29
                          
F
33
      A la
y Sigue
C              
f
38 G H
 
                     
ff
42 I

                         
mf
49 J

                           
f
56
K
  
                      
f
2 Bass Drum
63 
                          
f
71  
                      
L h=85
79    
   
             

f
M Andante q=85
86                    
   
    
mf
92                
                   
99 
                       
 
 
mf
111
N
            
                  
          
mf
124      1.    
2. 
                  
(3 veces)
135         
A la                         
 Y Sigue 
fpf
147         1.2.   3.

                       
O           
158 
                
Bass Drum 
  

Lento


A  B             

f p f
12 C q=86 Andante
        
  
    
    
   
p
D
16
      

              
   
f
20  E Tiempo de Rock
  

               
f f
25
                          
29
                          
33
F
     
A la
y Sigue
C              
f
38 G H
 
                     
ff
42 I

                         
mf
49 J

                           
f
56
K
  
                      
f
2 Bass Drum
63 
                          
f
71  
                      
L h=85
79    
   
             

f
M q=85 Andante
86                    
   
    
mf
92                
                   
99 
                       
 
 
mf
111
N
            
                  
          
mf
124     1.    2.
 
              
(3 veces)
135         
A la  
 Y Sigue                      
fpf
147         1.2.   3.

                       
O           
158 
                
AIRES ANDINOS
TARMA - LIMA - PERU
POR: NILTON CALDERON TORRES
Drum Set
Lento C q=86 Allegro
A  B 
    
   

                
    
f  p
 p
 f charles
   

   
 
f p
13
               

    

    

                   

17 D
 soli
         
        

    

f                
      

21 E Tiempo de Rock
 
               

        
f
                                  
 
f
25
       
                
                   

29
       
                
                   

33 F
  
                  
 A la C
y Sigue f
               
 
38 G H
    
                                              
ff
               
               

ff
42 I
               
        
mf
                                               
       
2 Drum Set
48
J
       
                          

                  

 
 
57
K
       
                  
f
                          
67
             
                      
                      
 

75 Lh=85
     
                   
  
f
              
             
f
M
84
   q=85 Andante
                               

         
   mf
                 
92  huayno 
                                 
            
mf 
            

mf
N
109  1.
                                
            
mf

                 
 
mf
similar
131
 2.             (3 veces)  
similar 1.2.

    
       
 
A la 
Y  
  
Sigue  
             
fpf
156 O
3.
  
        
                        
   

 
                                
   

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EXPRESION MUSICAL LA NOBEL

TARMA - LIMA - PERU

Dirccion - Guia AIRES ANDINOS POR: NILTON CALDERON TORRES

1º Clarinet in Bb AIRES ANDINOS

90        

                           

12 C q=86 Andante Condor Pasa

                  

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