MILONGA

(DE «24 PIEZAS SUDAMERICANAS»)

A Juan Ruano JORGE CARDOSO

= 56
3 3
2 2

4 4
5 6

3
2

4 4
6 6

3 3 3
2 2 2

5 4 5 4 5 4

3
2

4
6

3
2

4
marcar el bajo
24 Piezas Sudamericanas, p.2
 C.II

2
2

2 2
4 2
5 3

2 2
2 2 2

C.III C.I
2 C.I

2
2

C.III

2 2 2

C.VIII
3 1
2

3 5
4
5 5
5
6
24 Piezas Sudamericanas, p.3
 2 C.III C.II C.III

4
5

C.III

C.I 3 2

C.II

5 4 3

C.V C.III

D.C. al
y Fin FIN

5
Pak, Tae-yun (HiTEL ID: thilbong)
1995. 1. 15. Sunday 24 Piezas Sudamericanas, p.4
 MILONGA (OPCIONAL)

(DE «24 PIEZAS SUDAMERICANAS»)

A Juan Ruano
2ª GUITARRA JORGE CARDOSO

a m i a a m i a
C.III
p a m i p a m i
= 56

C.I

C.III

24 Piezas Sudamericanas, p.5

p i m p m i p m

C.III

C.I

24 Piezas Sudamericanas, p.6

 C.III

C.I

2 2

2 2

2
2 2 2

C.V C.X

D.C. al
y Fin FIN

Pak, Tae-yun (HiTEL ID: thilbong)

1995. 10. 31. Tuesday 24 Piezas Sudamericanas, p.7
 F
These twelve Studies are relatively brief but each is focused on one or more
musical and/or technical objectives:

 – slurs (left hand ligados).

 – arpeggios of various kinds.
 – rapid changes of texture and velocity.
 – juxtaposition of three versus four.
 – contrary motion.
 – mainstream jazz ‘inequalities’.
 – fourths.
 – rapid alternation of compound slurs with staccato chords.
 – harmonics, both natural and ‘artificial’.
 – legato versus staccato lines.
 – downward ‘bending’ of pitch, expressivity, and unfamiliar key.
 – rapid alternation of barré chords or harmonics with slurred
octaves, and irregular changes of metre.

Fingering is always a deeply personal matter; some of that in this edition may be
‘unexpected’—but it is that arrived at (after long consideration) by Antonio de
Innocentis, the dedicatee of these Studies, who produced a finger-perfect home-
recorded CD of them about ten days after receiving the scores!

Metronome markings are suggested averages, not intended to be rigidly adhered

to. The essential thing is that the spirit of the music itself should be maintained.

N
Roman numerals following ‘C’ represent barrés at the indicated fret, their ‘depth’
is defined by the associated vertical brackets.

Roman numerals alone indicate that notes are to be played at the normal places
in the position they define.

Dotted curves indicate left hand slurs (ligados),

Finger numbers connected by thin lines represent continuation of the finger

along the same string, without portamento.

Note-heads connected by thick lines (in No.) indicate marked portamenti.

Only the first octave of each pair is to be struck.

J W. D ()

TPS -040
 For Antonio de Innocentis

Twelve Studies
for Guitar
Fingered by Antonio de Innocentis John W. Duarte
Op. 140 (2001)
q = 168 -I-
Allegretto cIII
2 4
0
 
           1     
      
   1
 1   0 3 2 3 2
0 3

2 4 cII 2 4 1 21
2 3 2  0
4
0 3 4
      
            
  

    
 2 1 3 2      
3 2 3 4 3 4
5
3 4 2 4
cII
4 3 3 2 4 4
2
  1 2
  0   0 
8
      1
     
                  
  
  2 2 0

2 2 4 0 1 2 1 1 2 3 
    2 4 0 3
0
12 1 2 1 2 4 2 2

          

 
  
        
     
 3 1
    3 3 1 3 3 1 3 3

3 4 1 3 3   1 2 4    1 2 4
1 4  1
16
                    
              
 
 2 2
 
3
  3 2 1 2 3 2 1 2

vib.
3 0 2 

4
   2
0 
20
   4 
      
4
  
                        
 4 2 1 0 3 1 0 3 1 1
     1
0 3
4 a tempo 4
   
cIII  
24
  4
 
poco

rit.
       
                       1   
 
 
  1 2 3 3 2

4 4  
 cVIII   4 
   2 
28
1    
    
    
   2             
 2
1 3    
 
© Copyright 2001 by Richard M. Long, International copyright secured. All rights reserved.
Unauthorized copying is an infringement of the law. Printed in U.S.A.
TPS -040
 -II-

q = 172 at least
Prestissimo
  3 2 1       2 3 2 3 2 0 4   
            
    3
 4
4 3 0 3
4 1 0 1
3 2 1 4
f

cI
3 2 4 3
   2 3  3  3  3
4 3 4 2 1
               
          
4 1 4 3
 0 4 0 1 3 1 0 4 3 0 2 0 0 1 0 4 2

8 3 2 4 1 4 1 4 2 0 4 4 0 0
  
                              
 4 1 2 0
p sub. f sub. p sub.

12 0 1 0 2 2 1 4
3
          3          
        
 f sub. p sub.
1 3 2
f sub.
1

4 4
 3   2 1 1 2
15
3            
          
 4 2 1 4 1 2 4 p sub.
a m i a m i a m i a m i

   
17

                      
 4 3 0
f sub.

poco rall.
                          2 0 1
19

      
 4 1 0
p sub. f sub. p sub.

TPS -040
22

A tempo
       
    

      
 
 
 
f

 cX
 
25 
        
3
3         
2 3 3 4   
    3 2 1 4 4 3
 4 3 0 4 0 3 0 0 0 1

cVIII
            2  3             
28 1

 4 1
2 3
 4 1 2 4 0 3 1
p sub.

cVI
                                     
31


 2 4 3 2
0 1 2 2 3 2 0 4 2
f sub. p sub. f sub. p sub.

35 
cVII
 
 
cVIII
cIX


cX

   
    
3
         
          
 4 3 2 4 1 3
2
 f

3/2/1 Correct Fingering?

38
Slurs?
 3 1 3 4 
1  
 3 2 1 0 43 3
  
2
                
     54 0 4 1 0
3 1 2 4 1 4 1 3 4
p sub. p i a p i a p a m i a m i a m
apoyando
f

TPS -040
 - III -
X4 3
q = 120
  0 4
Amabile
2 4 31   1 3 2 0 3 2 0 3 1
  3   2    
 
     
    
1
 3 0
vib. cVI
3 3 4
4  1 2 4
         
2

4
0 0 4 4 1 0 0
      
     
       
            
 1 0

3
 1 3 1 2 1 0
4 1 3 4 1 3 1 2
4 1
0 4 1 0 54
65
4
cVIII 3 3 cV

              4 cIV cV
8
               
4
               
        4 2 0 1 4 4 0 
 
  
 3 2 2 0 2 1
2 23 3
0 3
cI 00 cIII 21 cV 1
12  0  Is the 4 on A correct?      3 
4

  
    
  2  
  
2
 
  
 4   
  4 2  4  1                         
3

  1  4 4 103 4 3 1 0 2 0
3
2 2
2 0
2 0 5 ??
p sub. mf sub.

43 cII 4 2 1 4 4  23  1

16
3 2  
1
       3             
  
  
 2    0
3 1

4 3 3 1 4 2
  

20
0
  4
  
          0              
 1 0

1
 

III
     4  4 2
  
2

 2  
cI
            
23
   4 
              
3  3 
 1 1 

4 2 3
rall. poco a poco
27 2 4 0 1 1 4 cI 4 2
             
4 4 0 3 2
 vib.
   3    
    
 1 23   
4 2 1 0
3 1
1 0 3  3
3 0 3

TPS-040
 - IV -
q = 63
Tempo giusto 3
3 4
f 4 1 3 
        
 
              
mp
3 0 0 2 1 3 0
3
3 4 0 4 cIII
cI p 0 2 1
 0
5 0
 4
   3
      
    

           0 3
f
0 1 3 3
5 3

2 3
3 2
1 4 4 2 4 3
9
  3 f 0 0
 4


            
 4 0   
 3 53 2
1
 mp     3
3
3 0 1 3
3
4 1 2 4 cVI 4
3
0 cI 3 0 3
13
 0     0 
      4

mp
 
     
  2  3    2
 3
4

f 5
3 0 1 2 3
6
4 3 4 cI 3
17     0
1
4

   
           
 2 0    
3 mp
3

f 3 3 3
3
 
21
    
    
                

p
25
   
         
   
    


 f  
3 3
3 3
senza rall.
cI
4 4 0 4
3
3 4 0 1
4
3
29
    2
      
    
         0 
 3 3
0 1 3

mp 3 5 3
3

TPS -040
 -V-
q = 172 ca.
Prestissimo 0 2 4 0 2 0 3 1 0 3 3 0 1 3
3 0 1
    
                       
4 3 1 4
 0 4 1 2 1 4 1 2
0 4 2 3
f 5 4

   1 0 4 0
4 cII 1 0 4
          0
5
0
0
                2 2
       
   
   
        
 2 0 0  
0 3 3 0
 3 2 3 0 2
3 1
p f p

   2 0 4
2 2 0 0 2 3 0 2
4
               4 2
11 2
             
0 2
             1  3  1
 4 4 0 1 4 1 3 0
0 4
f

4 2 0 a
4a    cIII 4 2 cV 4 4 2 1 4 2 1 4 4
                        
16 2 1

                
3 1
 1 0
1 0 3
3
p
3 0
2 2 1 f
p i p i
1 4 cVII
1 2 3 4
2 1
4 2 0
a m
2 3
4 3 2 3
        0 3 2
    1
20
      0 4
      
         1         
 0
3 2 0 2 0 0 4 1 3 0 0 4 3
p i
cII 0 3 4 1 0 4 cI
4 0 1 0
24
             1 4          0
   
    1  2     
3 2 1 0
 0  2  3  0  2 3  0
4 p
3

28 4         1.
    2                        
                   
 
f p f

1 
2.
cVII 2 4 4
33
           
                 
  4 3 3
 4
3

TPS -040
 - VI -
q = 104
With a relaxed swing 0
4 a
0 0
3 1 0
1 2 0 3 04 3  3
2 3 0 4 0
 32 4 3 4
   
   
           
    
      
      3 
 3 3
2 1 0 2 0
2 3
0  
4  1 4  4 0 2
4 1 3 4  0
   0      
4
                  
  
    0 3 2 0   0 3  3
2 3 3
3

3   2 0
4 2 1
0 1
1 4 2
 2 0 4 1 1

8
                4       2
        
     
 0 3 0  2  3  4  0  1 3
0
 3 0 2 
3 3

1. 2. 4 32
 1 4 3

3
2 3
 
3  4  0 3
   
12 3
   
       
      
 1  0       2 1 2
2 3
1

2 4  4
3
15 
 
3
    3
2 1   3   3
               
     
1 1 4 1 1 4  
3     21   

 3 3 0 3 3 2 3 1 3 
5 2

cI
    4   3   3  
3
       
19 3

            
     2 
     
 31 4
0
      


3 3 3
    
3
  3   3 
23

2 1
     2  1          
3 3

 
                       
 24 31 41 02 31 41 02 31 3 2 dal
al 
e poi Coda
 Coda
  2 3 4
2
3
27
 0        
      
               
    

          0 
 3 0 4
3 0 2 2 1 4 2 2
#
Pairs of eighth notes (e e) are to be played slightly unevenly (with a gentle lilt) as q e

TPS -040
 - VII -
h = 104
Allegramente
cVII 4 2 cIV 4
   24
3
   3
1
4
2 0 4
40 0 2
            0 0   

 
3
         
   4 1 1 3 3
f 5 6 5 2 3 4

4 4 4
3 3 3 cIV
4
23     
21
 0 2
 
5
0
        

 1  1 
      
  0 2
4
0 4
0 0 f
3 p

cIV 43 2
3 cVII cV cIII cVIII cVI
0 3 31 3
0
    0
 3 3
 
9 3
         

 3 2 1       
 4
5 4 4 p f

4
00 
3 4 4
3 4 esitante
13
       
3 
  00 3 4 a tempo

     
3

  
 1           
 
 4  
3
43 4 cII 4 cIV 2
 3 43 2 4 2
17
         1   1    24 00
       
    
    1   3 
      4
3
mp

cV 4 cVII4 cIX 4 cX
4 2 4 32 4 a tempo
4
   
               
      
21

     
1

 poco rit.
 
f

   
25
   
     
        

     
 
p

cIV cVII senza rall.

00
4 31 2 3
29
           2
  1  4
 
  
     
   f   5 
f

TPS -040
 - VIII -
4 4
q = 132-138 3 3
Poco giocoso   cVI

4  33
2
3 2
 3
 31
42    52
  4
  2   
  
                
       
     0  1 

4 4
cIV 3
 
   

31 3 2
 1
2
2   4 1
       3           

5

        
  1      
 41  2
5

4 4
3 4
  3 3
 21 02 3 4 4
3 4
3
2
 3

4
2

4
2

        
     
8                    
                 

1    
 0 4 0

3
1
 13  3 0 1 31 4
12
      4  
3      2

                     
0 
 0 3       1   3  23    41  
1  4 4
2 24 5

4 4 4 4

4
 3 4 3
         
15
   
                  



  3 3
  2 2 1  3      
1 1 0 1 1
2
1

5
6
cIX
4
4
3  4 1  04
    1
   
    
4
3 
  
18
  
   

 
        2    
1 1 2
1 6
TPS -040
 - IX -
q = 80
Tranquillo XII
 4 VII
1 IX XII 2 XII  VII

2 2
     
  1   4   4   1
    
 IX XII XII VII
6=D

XII 2 4 1
2 1 VII
 4
   
4 2 4
3
    4        
  1
 4  4  1     
1 
 VII XII XII VII VII

6 VII
IX XII 6 VII
6
 
1  1   1 4   3
1
1
 4  1  4
4  4   
     
 XII IX 5
4

      
         
   
9
 
      


A tempo where?
13 cIII

1
453 6 3  H.8va 1 4 4
4    1  0  3
   1 0
    4

 6 0
 
12
   
   4           
4 3 3 4
 poco rit. XII V 2 46 2
VII 3
2
0

1. 2.
4 4 1 0 21
15      
3 1 0     1 4        
  
  
  4         
4 2 0   3
 
 2 4 2
3 0  0  alvibrando
loco D.C. al

where is the fine?
TPS -040
 -X-
q = 96
  2  4 3
Andante 0 3
 4   
   0  4         
4 1
          
     0       1
 3 3 
 2 0

2 1 4 4
4
1
 4  3     
4
    0   1 
             2
      
 
 0            

 3   3     3 2 0 
  0
  4

7 2  3  4 2  3  04 0
 
           
    
   
 
 3  1 1          0  4
 
3 2 
0
 

2  4 
10 4 4 2
4 2 4
   
         
   
  0      
 1 3        3   1  
  
1 0
  1
 

4 3
4 3 2 2 2
         
4 4 4 4 4
13
 2   2  
       
 1     3    
2
 3 
 1

2  1

16
4
1 2
3

4
            
             
                
     

 1  0    
0
   

20
          
                    
              
            
   
poco rit.
 a tempo
4  
24 1 3 4 3 2
3 0 3 1 2 4 1
           3
        
23


    
   
 0
3 0 cIV
0
1
   
6  
Play legato all quarter- and half-notes and bracketed passages containing them.

TPS -040
 - XI -
q = 60
Largo, con dolore e liberamente
cVII cVI
4 2 3  4
0 3
3 2
1
 4
2
cVI 4 4
   
4 2
          4 2
   
      
        
3 
      
 2
 2
3 16

cVI 4 2 3 1
4 1
2
4 4       21 0 2
4 0 4 2

      
5

         
          0    3 
2
2  3
 1
0 1  1
2

cIV cIV cII cI

0 4
 4 4
9  4    
       
       
     3
                  
 2  3 1 0 0 3 2 2  3 2 4 2 3 4
1
3

I3 0 0 0
2 0 1
4
   
13
 0 3
        
                   2 
 0 1
       3 3
3 4
4 2
0 1 2

4
cI 02 cIV

cI 2
34
 3
16
     4 
  
 
        
 
  2 4 0 2
 0 3
3 1 1

1
2       2
   
18
      2
      

        
    
       


0 1 3 H.XIX
4 5 1 34
43 2 4
 
1

22
        poco rall.
         
 0
23 2 1 4 0 2 3    
3 4 62 2


1 Put finger on A , push sideways far enough to produce A , THEN pluck and allow to return to A.
2 as for 1 - G to A


TPS -040
 q = 152
- XII -
Energico sempre ( )
 41 2  
                    2 

        
              
     
   
cV   
4 
                    
                
  
       

 
H.XII
 
H.VII

          4       
          
7
         
                 
       
6 41 5 41
cIII
 
4 1
         41 1      
        
11 1
                     
     

 41 1 cVI
14
                          
                       
     
    
cVII
  poco rall. 
17 
     
                 
          
  
           
 

   
   
               
20
      
          
             4    
   6
 
       41 1
24
           
              
         
     
        
 
H.XIX
            
28   
                  
         
         
      

TPS -040