HERE | GO AGAIN by B.Coverdele GUITAR: More of a pop number than heavy metal, this track needs a guitar sound with a lighter warmer tone and less distortion in both the backingand the solo. The guitarist should be extra conscious of the support he is giving to the vocals. There ate fewer backing patterns than in the other ttacks, so make the most of each note. BASS: For the most part a simple 8 beats to the bar bass line S © none) (© (Kb) : You can use a piano voice fr the basic colouring here, with an added stings voice forthe aght hand chords, a soft eds in which the bass player, ike the guitarist, is supporting the vocals rather than creating a big sound. With such a simple umber, strict timekeeping in sync. with the drummer is of Course all the more important, DRUMS: Apart from the power needed in section IB, the ‘pop feel of this track requires the drummer to have a lightness of touch throughout, notably in the hi-hat playing. voice for the top med, and in unison with that. an octave above, Forte left hand bavs in, tr a stings voice slockenspiel voice, 0 — A6 ° © (one) 6 c wl fone) ° 6 ° Clone) Glen) Gfon8) ee | @ (Kb): The same mot asthe into. witha Kb): The unison glockenspiel accents @ (Kb. « Bingng the stings voice in at his sharp clear piano-only backing. Sound very etlectve here Brant in he repeat of ection ah 3 new felourto the music 3 ——@