Grandy Project #67

Transcription: A. Lederman

Growling Old Man (Dm/D Reel #1)

# 2 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ nœ œ œ œ œ œ nœ œ œ œ
A D D C C D Dm C Dm
& 4

C œ~
# D œ œ œ œ œ œœ œœ œœ œœ œœ œœ œ œœ œ œ œ n œ œ œ œ œ œ œ œ œ
œ œ
D D Dm C Dm
œ
C
&

# œD œ œ Dœ œ œ œ Cœ~ œ œ Cœ œ œ œ Dœ œ œ Dœ mœ n œ œ œ œ œ œ n œ œ œ
C Dm
&
Dm Dm C C C
# 3 2
B

& œ bœ œ œ nœ œ œ nœ 4 œ œ œ n œ œ œ œœ œœ œ œ 4
F F G D C D D D
# 2 œ œ œ n œ œ œ œ œœœœ . 3 œœœœœœœœœ
1.

.. 41 œ œ œ œ
3

& 4 nœ œ œ œ . 4

FORM:
First two repetitions as written, 3X through each part.
3rd X - 4X through each part
4th X - 5 times through each part
5th X - ends after 3 A parts

CHART - like FORM above

D / C / D Dm C Dm 3X usually

Dm / C / / F G C D (D - extra beat on 2nd phrase) 3X usually

True minor key tunes are rare in this tradition, but not so rare are tunes which can't make up their mind, shifting between F and
F#, or just aiming somewhere in between.

The timing between pairs of 1/16th notes is often 'short-long,' i.e., reminiscent of that heard in the Shetland Islands.

Bowings: As always jsut a suggestion of what he does sometimes. Every time through is a little different.