Net.

art Per me Cosic, Vuc 2001 MGLC 3COS/a/b

The Optical Unconscious Krauss, Rosalind E.Massachusetts Institute of Technology

/ MIT Press 1KRAU

Game On; The History and Culture of Videogames Barbican Art Galleries 3BAR
Video ZERO Performing the Body Tenenbaum, Ilana 3TENE

A Decade of Webdesign 3STED

Back to the Canon:

The Photographic Portraits of Claude Cahun
(catalogue??)

video:

????? ???? layst, Ifat ?????? Video / Poetry ???? ?????? ????? ???? ?
??? ?????? ???? ?????? 8/9. ?????? : ?'??? ???????, ???? ????, ??? ???, ??????,
??? ????, ??? ?????, ?????? ???????, ????? ???????, ???? ????? Video/Poetry Com
pilation (392) The image has become a central aspect of new forms of experiment
al poetry. Observation has joined the process of reading as a tool for comprehen
ding the work. In an opossite process, in the works presented in this collection
, joining the practice of observing (which is the central means of preceiving) t
he works is that of reading, which becomes central to the understanding and inte
rpretation of the works. Words, letters, marks and subtitles (and not only trans
lation) that appear in the movie and whose role in the movie, aestheticzally and
content-wise is central, open and additional channel for viewing video works. A
video film as text is the point of departure of the collection. The collection
was created through a process of reading-watching and selecting those works that
invite the observer/reader to understand actively, searching for the lost poeti
cs, which appear in a different way in each of the works. 2002 2'01''
????? IL 329

?????? sala manca group ????? ?? ???? Jean-a ????? ???? ?????? video
poetry, ???? ?????? ???? ?????? 8/12 Video/Poetry Compilation (392) The imag
e has become a central aspect of new forms of experimental poetry. Observation h
as joined the process of reading as a tool for comprehending the work. In an opo
ssite process, in the works presented in this collection, joining the practice o
f observing (which is the central means of preceiving) the works is that of read
ing, which becomes central to the understanding and interpretation of the works.
Words, letters, marks and subtitles (and not only translation) that appear in t
he movie and whose role in the movie, aestheticzally and content-wise is central
, open and additional channel for viewing video works. A video film as text is t
he point of departure of the collection. The collection was created through a pr
ocess of reading-watching and selecting those works that invite the observer/rea
der to understand actively, searching for the lost poetics, which appear in a di
fferent way in each of the works. 2002 2'57'' IL
329
??-??? ??? Ben-Tur, Tamy ?????? ????? The Hitler Sisters ????? ??
???? ?????? "?????? ??????" ?????? ???? ???? from the DVD: The Zionist Ventri
loquist - A compilation of video hits (Curator: Roee Rozen) (390) The Zionist Ve
ntriloquist brings together Israeli video works based on pop, rock and other mus
ical tunes. All of the featured works employ practices of doubledvoices, such as
drag, karaoke, puppet mastering, mash-up and dubbing. These are performances th
at relish the pleasures of singing and dancing, even as they bind them with paro
dy and deception, self-contradiction and simulation. This collection, then, is b
oth a compilation of artworks, a lopsided sequence of music clips, and an ongoin
g reflection on the voice as a hybrid 2002 6'00' IL
390 The Archive
????? ????? Landau, Daniel ??????? ???? For Your Eyes Only (???, ??
???, ????, ????, ????) 2005 9'30'' None IL 464
L

????? ???? Cnaani, Ofri ???? The Dungeon ????? ????. ???? ?? ????
?? ????? ?????? Patrol, ????? ???? ??? ????. ?? ?? ????? ?? ????? ????? ???? ???
??????? ????? ?????. ??? ??????, ??????, ?????, ??? ????. (???, ????, ????, ???
??) 2003 2'37" None IL 548

????? ???? Cnaani, Ofri ???? ????? Death Bad ????? ?????? ???
??? ????? ????? ????? ??????. ????? ?????? ?? ?????? ??????? ???? ???? ??? ?????
?? ???? ????. ???????, ???????????? ????????? ?????? ??????, ??? ??? ?????? ????
?, ?? ??????? ???????. (???? ?????????, ??????, ?????, ??) 2005
9'00'' None IL 548

????? ????, ??? ???? Hurani, Khaled + Segal, Miri ???? ???? - ??????? ????
?????? ????? ????? The Road to Gaza ????? ?????? ??????? ?? ?'??? ??
???? ????? ???, ?????? ?????, ????? ?? ???????? ?? ?????? (???? ?? ?????) ??? ??
??? ????? ????? ???? ???????. ????? ???? ?????? ?? ???? ?? ??? ???????? ?????? ?
??? ?????? ?? ?????, ?? ??????? ??? ?????. ??????? ????? ??? ???? ?? ?'???, ????
? ?? ????? ?Arabic, ?????? ?????? ?Hebrew ????? ?????? ?????? ????? ?? ????? ???
??, ?????? ????????. The sound installation by Khaled Hourani and Miri Segal,
describes Hourani's experiences while crossing the Gaza-Ramallah border. The in
stallation sets out to convey the situation of the Palestinian people doomed to
silencing, blindness and isolation. By separating Hourani's voice, as he reads t
he text (which he wrote) in Arabic, and splitting the Hebrew translation, the in
stallation attempt to convey a sense of social, cultural and 2006 60'
Arabic Hebrew, English IL 585 People, Land, State

???? ??? Agassi, Nelly ?????? ????? Video Works ???? ?????? ????
?? ????? ??????? ???? 2006 1'37'' None IL 603
A

?????? ?????? Azoulay, Ariella ?? ??? ????? When Night Falls

??????? ???? ???????? ??? ??? ????, ???? ???? ???? ?????? ??????? ??????? ?? ??
???? ?? ???? ????. ????: Why don t you say it? ??: ?? ?? ?????? ?????: ???? ?????
. ????? ????????. "?? ?? ??????" ???? ??????? ????? ??? ???? ????? ??????? ????
???? ?????? ?????? ????? ?????? ??????? ????? ??????. ??????? ???? ???? ?????? ?
??????? ?? ????? ?????? ????????. 2005 17'
IL 652 The Archive

??? ??? Getter, Tamar ??????? The Blind girl ??????? ??? ??? ???? ????? ?????
???? ???????? ???????? ??? ?????? ????? ???? ?? ??? ?? ???? ????? ???????. ?????
, ??? ????? ?????? ??? ?????? ????? ????? ??????? ????? ???? ???????. ???? ????
????? ?????? ??? ?????????????. ?????? ??? ?? ???????? ???? ??????, ???? ???????
??? ?????? ???? ??????. ??? ??? ?????, ??? ???????? ??? ???? ?????? ?????? ???
????? ???? ?????? ????? ???? ??? ??????? ???? ??? ????? ??? ??? ???????. ???? ??
???? "????? ?? ???????????? ????" : ???? ????? ????? ?? ???? ????????? ?? ??????
????? ????, ???? "????" ??????????? ?? ????? ??????? ??????????? ??????, ???? ?
???? ????? ?????, ????????????, ???????? ????? ?????????. 2002
6' IL 653 The Archive

???? ??? Katzir, Ron ????? Der Golem ??? ???? ??? ????\??????
?? ?????. ????? ???? ?????. ????: "?????? ???????" ????: ???? ?????.
2004 1'55" IL 654 The Archive

????? ??? Cytter, Keren The Friends Series; Raz & Natalie
Courtesy Noga Gallery for Contemporary Art. Keren Cytter is born in Israel but
lives and works in Berlin, Germany and Amsterdam, Netherlands.
3'00'' IL 663
Cytter, Keren The Friends Series; Tal & Naamah
3'47'' IL 663
Cytter, Keren French Film 6'11''
IL 663
Cytter, Keren War & Peace 5'00''
IL 663
Cytter, Keren Disillusioned Love 2
5'10'' IL 663
Cytter, Keren Nothing 8'24''
IL 663
Cytter, Keren The Dates Series 21/4/04
3'30'' IL 663
Cytter, Keren The Dates Series 21/5/04
2'15'' IL 663
Cytter, Keren The Dates Series 2/6/04
3'15'' IL 663
Cytter, Keren The Dates Series 1/7/04
2'30'' IL 663
Cytter, Keren The Dates Series 21/7/04
3'30'' IL 663
Cytter, Keren The Dates Series 17/8/04
3'00'' IL 663
Cytter, Keren The Dates Series 17/10/04
3'20'' IL 663
Cytter, Keren My Brain is in the Wall / The 15th of December
5'50'' IL 663

?????? ??? Tzukerman, Anan ???-???? ???? / ??????? ????? Subtext Film
????, ????? ????? ????????? ?????? ???????, ???? ??'??? ??????? ??????????, ???
????, ????????, ????? ?? ????????. ??????? ????? ????? ????? ???? ?????? ??????
?? ????? ?????????? ?????? ???????. ??? ???? ??????, ??????, ?????? ?????? ?? ??
? ????? ????. ???? ???? ?? ???? ?????? ????? ????????, ?? ????? ?????? ?? ??????
? ????? ??? ??????? ???????? ?? ??? ??????- ??????? ???????? ??????? ?'??' ??? ?
????. (????? ????? ?', ?? ????????) (?????-????????-???????) The screening pr
ogram, "Judaism, Israelism, and Messianism" revisits the image of the "diasporal
" orthodox Jew in the wake of various images disseminated in the media during th
e Disengagement (pull out from the Gaza Strip) days. Prior to the Disengagement
it was commonly held that the New Jew is the mutation currently dubbed "Israeli"
. During the plan's implementation, however, it became clear that this was not s
o; the image of the revisionist pioneer or rugged intellectual has not replaced
the images of the diaspora Jew. The ideology that stands behind the religious na
tional movement, the secular national movement, reveals that Zionism, like Shabb
ateanism, is but another messianic movement which, in its present incarnation, o
ffers redemption through the land and through nationalism. Works offer different
views on a world of faith, messianism and xenophobia. 2005 21'01'' Hebrew
English IL 669 The Archive

Provost, Nicolas Papillon d'Amour Found on the Net

herlands Media Art Institute sample compilation, "Single Channel Works, Installa
tions, 2004 I" 2003 4'00'' B 689 Montevideo

???? ?? Yanor, Lee ??? ?? ???? Coffee With Pina An intim

ate dialogue with famed German choreographer Pina Bausch (b. 1940). In 1993, at
the Mistral café next to the Théâtre de la Ville in Paris, filmmaker Lee Yanor met Pin
a Bausch for the first time. They have stayed in touch for twelve years. This fi
lm revolves around two of those meetings, one in 2002 in Paris and the other in
2005 in Wuppertal, the home of Pina Bausch and her company. "It looks very chaot
ic but somehow it makes sense," the choreographer remarks to the director in the
rehearsal studio, where she is dancing segments from her solo Danzon. The dance
is continually interrupted, which allows the director to seize the emotions tha
t arise from the silences, the conversations, the laughter. A medley of images-a
café, water fountains, rehearsal studios, industrial chimneys, railroad tracks, e
ndless forests, and polar bears dancing underwater-blend into danced excerpts fr
om Agua and Rough Cut, forming a stream-of-consciousness panorama of the world o
f Pina Bausch. 2006 52' French, German English IL 722

?????? ????? Avrahami, Yochai Rocks Ahead The appe

arance of this no man's land resembles a kaleidoscope that contains an endless a
valanche of objects and landscape elements, creating the effect of an abstract v
ision: the landscape is strewn with objects pertaining to times of war and calm,
and to various forms of neglect, desertion, control, restriction and intrusion.
Remainders of abandoned vehicles, construction materials, sheep bones and water
ing and plumbing pipes are scattered on the ground. Traces pertaining to archeol
ogy, botany, politics, strategy, geography, architecture, consumption and sanita
tion create a scene that is at once threatening and pastoral. This work focuses
on two sites that are located between Jerusalem and Ramallah. Situated on eithe
r side of the Qalandia checkpoint and the nearby separation wall at the symbolic
core of the Israeli occupation of the West Bank these sites appear detached fro
m both their surroundings and from one another. To the west of the wall is the a
bandoned Atarot\ Qalandia Airport runway; to its east is the quarry at the foot
of the refugee camp. The proximity of these two sites, the separation between th
em, the symbolic inversion, their physical interdependence and functional opposi
tion are the main inspiration for this story. The process is based on collecting
objects and taking photographs in these two sites. The points of view are those
of a visiting tourist, an investigator and a spy, who must reckon with fear and
desperation. The focus on the city's periphery derives from a sense of both fea
r and curiosity, and involves courage, trust, suspicion and sublimation that con
front this endless process of collapse. The deserted remainders of this chaotic
reality are transformed into fossils cast in insulating and calking materials an
d dust from the ground. The manner in which the objects are replicated resembles
photocopying in terms of its immediacy and degree of precision. The footage res
embles news images; both its contents and the manner in which it is filmed have
a quality that awakens suspicion, relating as it does to checkpoints, a military
robot, aerial photographs, a lynch, censorship, clandestinely shot photographs
and espionage. The authenticity of the locations is the result of instability, c
onstant uncertainty and additional limitations. The film includes footage filmed
in the original sites and in alternative locations, as well as satellite imager
y (from Google Earth) and additional footage shot in a studio. The story tries
to undermine the complex urban order by following an itinerary that contradicts
the existing trajectory. The quarry contains constantly shining piles of contemp
orary fossils casts of frozen movement from which emerge creatures at different
evolutionary stages. As in Ezekiel's Vision of the Dry Bones, the fossils materi
alize and coalesce, emerging from the quarry as new creatures. The more develope
d fossil creatures emerge from the quarry and move on to its negative counterpar
t the airport runway. The fossil's journey starts optimistically with a new lif
e of wandering, as if at pasture, and continues with further evolutionary develo
pment and optimistic inventions, yet this serene existence is disturbed by a for
m of behavior that reduces the fossils to their original, crude state.
2006 8'12'' - - Israel 751 Liminal Spaces

Segal. Miri Just a Second, Life Miri Segal and her assis
tant Iris Domany went on a journey to the new continent of Second Life. They arr
ived without ever leaving their home. In the new world lies a promise of a fresh
start, you can fly there, create and rejuvenate. The concept of space in this w
orld generates a new psychogeographic perception, a different relation to the bo
dy and a new form of intimacy. In this realm an immediate projection is formed a
nd followed by amplification of emotions. One can love at a click of a button, b
ut inevitably one discovers that the grip of first life won't let go. 2007
28' English Israel 820 S

????? ??????? Public Movement ??? Ceremony Video documentat

ion of an action; Intimadance Festival, Tmoona Theatre, Tel Aviv. July 5th, 2007
. Public Movement explores the political and aesthetic possibilities residing i
n a group of people acting together. The movement operates in public spaces, stu
dies and creates public choreographies, forms of social order, overt and covert
rituals. Among Public Movement's actions in the past and in the future: manifest
ations of presence, fictional acts of hatred, new folk dances, synchronized proc
edures of movement, spectacles, marches, inventing and reenacting moments in the
life of individuals, communities, social institutions, peoples, states, and of
humanity. It is a representative group, a selected team of artists, with the pro
spect of becoming a mass movement. Public Movement was founded in November 2006
by Dana Yahalomi and Omer Krieger. 2006 19'00'' IL
852
Bartana, Yael A Declaration Found on the compilation, "We ar
e All Army" curated by Galit Eilat. 'A Declaration' depicts a man rowing at
sea and arriving at a rock where he replaces the proudly waving Israeli flag by
a young olive tree. This action takes place at Andromeda s Rock, a rock in the Me
diterranean in front of Jaffa s harbour. The protagonist shows similarities with t
he first Israeli pioneers from propaganda films, strong and muscular, dressed in
a white shirt and ready to toil the land. Only, this time the pioneer denationa
lises the country. One of the questions that 'A Declaration' asks is: what effec
t will it have when one national symbol is replaced by another? 2006
7'31'' Hebrew English IL 930 Compilations

???? B'Tselem Life in the Caves B'Tselem is the

Israeli Information Center for Human Rights in the Occupied Territories. This v
ideo is part of the compilation, Shooting Back; Palestinians Documenting Life und
er Occupation. 2006-2007 4'00'' Arabic English Palestine 946
Activism

My Dad's Strip Club Part-time Prisoner When the British

government proposed that prisoners should work part-time, My Dad's Strip Club t
ook notorious ex political prisoners to Wilkinson's, who use prison labour for t
heir products, to see if they have any part-time jobs going. www.mydadsstripclu
b.com Found on the DVD - 13 Experiments in Hope - 13 videos of creative actions
, interventions, tactical media, pranks and other activities that fall outside o
f and in between the spaces of culture and politics, resistance and creativity,
presented by the Laboratory of Insurrectionary Imagination (lab of ii). Featuri
ng: 0100101110101101; Conglomco; Clandestine Insurgent Rebel Clown Army; Laborat
ory of Insurrectionary Imagination during the European Social Forum; My Dad's St
rip Club; The Assembly Against Permanent War; Reverend Billy and the Church of S
top Shopping; Richard Dedomenici; The Space Hijackers; The Vacuum Cleaner; Yoman
go. The Laboratory of Insurrectionary Imagination (lab of ii) is a network of c
ulturally and politically engaged artists and activists. This DVD brings togeth
er documentation of culturalresistence and creative interventions, imaginative a
cts that create hope and liberation despite capitalism. www.labofii.net
1001 L

Rosen, Roee The Confessions of Roee Rosen The Confessions

of Roee Rosen begins with the artist s announcement that he is about to die. He di
savows a career replete with lies, scandals, and fake identities. However, his c
onfession are delivered by three surrogates all foreign female workers residing
in Israel who deliver the monologues in Hebrew, a language they do not speak. Th
eir monologues are based on Rosen s life but are simultaneously plausible as state
ments a foreign worker might make. Tackling such charged themes as the exploitat
ive representation of the Holocaust or scatological fantasies, the confessions c
onstitute a peculiar speech act in which the speakers ignore what they say.
2008 60'00'' Hebrew English IL 1025