Malek Alloula//Louis Aragon//Jean Baudrillard//
Walter Benjamin//Nicolas Bourriaud//André Breton//
Katrina M.Brown//Bonjamin HD. Buchloh/ Johanna
Burton//Deborah Cherry//Douglas Crimp//Thomas
Crow//Guy Debore//Georges DidkHuberman//Mercel |
Duchamp//Paul fivard//Okwat Enwezor//RobertFisk//
Gustave Flaubert//Jean-Lue Godard//Jean Pierro
Gorin Isabelle Graw//Johan Grimonprez//Boris Groys//
Raoul Hausmenn//Barbara Kruger//Shertie Levine//
Lucy R, Lippard//Sven Litticken//Cildo Melzeles//
David A. Mollor//Kobona Mercer//Slobodan Mijuskovic//
Laura Mulvey//Michael Newman//Miguel Orodea//
Richard Princo//Jorma Puranen//Retort//Lucy Soutter//
Jo Spence//John Stezaker//Susan Stoops//Elisabeth
‘Sussmamn//Gone R. Swenson//Lisa Tickner//Reiko
‘Tomit//Jett Wall//Andy Wathol//John C. Welchman//
nA
Appropriation,‘Whitechapel Gallery
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Documents of Contemporary Art
In recent decades artists have progressively expanded the boundaries of te
they have sought to engage with an increasingly pluaiie environment
‘Teaching. cating and understanding o art and visual culture ate kewise no
longer grounded in atonal zstescs but cented on sgn ideas, topce
and themes ranging from te everyday othe unceny, he peyeaanalyial
the poiical
The Document of Contemporary Art series emerges fom ths context. Each
sume focuses an 2 specif subject or Dody of writing tat hasbeen of ey
Inflvene in conterporay at interatonly lite ad introduced by ashlar,
st etc or curate each ofthese souee books provides acest paality of
‘ices and perspectives defninga significant theme or tendency.
For over aentuy the Whiechapl Gallery has ofareda pale patlorm for
set and ideas. Inthe same spn. each guest editor rerceets a tine yet
‘verse approach athe han oneiststional poston or school of shout
{and bas conceived each volume o address not only a protesional audience but
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