THE BEST INJAZZ FROM Wenka ys album iat steeper sit of revelations and hts RUSH & HUSTLE fs something new under he omes Contad Downbeat, eee WENDELL HARRISON THE CLARINET ENSEMBLE RusHanusTiE. woD20 he Lavin jazz moverent 48 taken root in such likely paces a8 Detroit here planistcomposer Pamela Wise displays hocough understanding of he idiom on SONGO FESTIVIDAD, inclusion of Gonzale ws A good choice, His trumpet work on the Wise composition HASTA PAMELA WISE ‘fearing ory Goal Wendl rion 'SONGO FeSTIVIDAD; wooo Jctirinet Emerbie 18 piece big bans. Clarinet Ensemble ith Charles Tolliver WENDELL HARRISON FLyeY NIGHT WeD170 Featuring Kirk Ligsey, Doug Hammond _| & Cecil MeBee [HAROLD MeKINNEY ja WWENDELLHARRISON bur |somErHING FoRPOPS weD200 a tabu ‘Amstrong WenHlalRebirth Inc. Forondeingconct NORTHCOUNTRY. DISTRIBUTORS _ Cadence Bulg Redwooit NY 13679USA (315) 287 2882 =f 315)287-2860 For Bookings & Management contact Lowi “Pops TRANSCRIPTION by Trent Kynaston oshua Redman’s tenor sax solo on the Ornette Coleman tune “The Turnaround,” from Redman's album | Wisk (Warmer Bros), is standard blues in C, transcribed here in the tenor key'of D. As with many of Redman’s solos, the seven choruses presented here are very musical, high- ly motivic and masterfully developed, derived from Coleman's composition, like the frst three notes of Redman's solo, which come from the last three notes of the melody. This lick returns with regularity after the first chorus (in measures 18, 23, 31, 32,36, 72,74, 78, 79, 82 and 83, to point outa few) ‘A second prominent theme is derived from the turnaround of the tune. This 53241 minor-scale line is heard first in bar 15, and then is more highly developed in the opening sec- tion of the fifth chorus, starting in measure 48 Redman plays a wide variety of influences and styles throughout the solo, These range from an opening lai back style reminiscent of Dexter Gordon, to cleanly articulated doubletime lines ala Sonny Stitt, to a more contemporary approach as demonstrated in the metric ‘modulation used at the beginning of the rd and fifth choruses. Finally, as with any study of solo tran scriptions, you must listen to the recording in orderto truly investigate, appreciate and enjoy the creativity, subtleties and integrity of the artist. Check it out! | Joshua Redman’s Tenor Sax Solo On ‘The Turnaround Joshua Reman lon an irteratonly copied at tatncatie! muse and jz sashonet. he a pt tora tought ape ort Aveta Sot and Catal Amenia A a potssor of asi at Vota Michigan Unversity, he teases stxoghane ae Ie ‘her Sues depart ard prio asa mane fhe ‘Westen iz oar a ete ey cove Pea puoised mers conposibons, books afd aces ar ‘cay epee at rusian recog tonghot world fo a oa Wrancrptn oo, Kat ‘So appexed on nomarows orgs.Let us show you a new SLANT on buying a great horn 1111 Whether you are a “Pro”, a student, or somebody who just wants the best possible horn available. st guarantee and service in the industry, USA HORN should be yor odwind & Brass | Here are just a few of our policies that make us your best source om purchased you are givan a choice of a new “Gig bag” or a Vintage case. In most instances, after one year of ownership, we will REPURCHASE any Selmer saxqphone bought from us _at the o1 oe urchase price towards a te or “Pro” to “Collector's! 3. You will also start rect UN THIS DOG EAT DOG WORLD IT IS GREAT TO FIND A BUSINESS WITH THE HIGH INTEGI JESSIE DAVIS-4Concord recording artist. Hear Jessie on his latest hit album *High Standards”. munsect To marEcTon OF CURRENT CONDON 8 MANTELANGE AT TE Tak OF TRADE i ; ares