Bb Bye-Ya

on Thelonious Monk's Columbia recording "Monk's Dream" (1962)

Charlie Rouse
E¨7 B¨6 E¨7 B¨6
  
                 
  
5 A¨7 B¨6 G¨9 D¨7¨5 E¨6 E6 F6

             
     
    
9 E¨7 
B¨6 E¨7 B¨6
     

[8vb]

         
   

   
13 A¨7 B¨6 G¨9 D¨7¨5 E¨6 E6 F6

                        
     
17 B6 B¨6

        
  
            
   

      
21 C#-7 F#7 C-7 F7 B-7 E7

 
 
             
 
  

25 E¨7 B¨6 3 E¨7 B¨6
      
                
   


29 A¨7 B¨6 G¨9 D¨7¨5 E¨6 E6 F6
    

                
       
33
  
   
        
    
   
     
    
37

     
   

   


41
  
        
[8vb]

   

      
   

         
45
       
       
  
transcribed by Jamie Breiwick for jamiebreiwick.net
2 Charlie Rouse's solo on "Bye_ya"

49
    
                      
  
53
 
                  
       

57
          
         

  
61
        3
      
          
    
65
             
         
 
     
69 3
   3
                       
         
 
73

                     
 
    
77
    
                          
     
81

                    
     
85
  
                            

89
  [8vb]

            
  
93
        3
     
                         

transcribed by Jamie Breiwick for jamiebreiwick.net