Digital Paper Trail

1. Messaris, Paul. The Role of Visual “Literacy” in Film Communication. Nov. 1987.
EBSCOhost, login.ezproxy.net.ucf.edu/login?auth=shibb&url=https://search-ebscohost-
com.ezproxy.net.ucf.edu/login.aspx?direct=true&db=eric&AN=ED287186&site=ehost-
live&scope=site

2. Williams, Stanley D. “How Filmmakers Connect With Audiences.” How Filmmakers

Connect With Audiences, Movie Outline, www.movieoutline.com/articles/how-
filmmakers-connect-with-audiences.html (Links to an external site.)Links to an external
site..

3. A friend who works at skystorm production https://skystorm.com/ (Links to an external

site.)Links to an external site.

4. Gilje, Øystein, and Linn M. Groeng. “The Making of a Filmmaker: Curating Learning
Identities in Early Careers.” E-Learning and Digital Media, vol. 12, no. 2, Mar. 2015, pp.
212–225. EBSCOhost, login.ezproxy.net.ucf.edu/login?auth=shibb&url=https://search-
ebscohost-
com.ezproxy.net.ucf.edu/login.aspx?direct=true&db=eric&AN=EJ1061652&site=ehost-
live&scope=site.

5. Renée, V. “Watch: How Filmmakers Make Emotions Visual.” No Film School, 26 Oct.
2016, nofilmschool.com/2016/10/how-filmmakers-make-emotions-visual. (Links to an
external site.)Links to an external site.

6. How color helps movie tell story https://ideas.ted.com/how-color-helps-a-movie-tell-its-

story/

7. How filmmakers use color to set mood https://digitalsynopsis.com/design/film-movies-

color-psychology/

8. How score affects (other strategy)

GREEN, JESSICA1. “Understanding the Score: Film Music Communicating to and
Influencing the Audience.” Journal of Aesthetic Education, vol. 44, no. 4, Winter 2010,
pp. 81–94. https://eds.b.ebscohost.com/eds/detail/detail?vid=8&sid=2e8bdffb-ef2b-489c-
b2eb-d532d3359ca0%40pdc-v-
 sessmgr02&bdata=JnNpdGU9ZWRzLWxpdmUmc2NvcGU9c2l0ZQ%3d%3d#AN=555
26870&db=hus
9. Movie colorization
https://www.jstor.org/stable/431036?seq=1#metadata_info_tab_contents

10. Power of color https://www.filminquiry.com/power-colour-storytelling/

11. Block, Bruce A. The Visual Story : Creating the Visual Structure of Film, TV and Digital
Media. Amsterdam ; Boston : Focal Press/Elsevier, c2008., 2008. EBSCOhost,
login.ezproxy.net.ucf.edu/login?auth=shibb&url=https://search.ebscohost.com/login.aspx
?direct=true&db=cat00846a&AN=ucfl.029434268&site=eds-live&scope=site.
12. FLUECKIGER, BARBARA1. “A Digital Humanities Approach to Film Colors.” Moving
Image (15323978), vol. 17, no. 2, Fall 2017, pp. 71–94.
https://eds.a.ebscohost.com/eds/detail/detail?vid=0&sid=5abc817e-cf78-4156-b870-
3e2e2b19c74a%40sdc-v-
sessmgr03&bdata=JnNpdGU9ZWRzLWxpdmUmc2NvcGU9c2l0ZQ%3d%3d#AN=131
179190&db=asu

13. https://www.youtube.com/watch?v=aXgFcNUWqX0

14. “A New Colour Consciousness: Colour in the Digital Age.” Convergence: The Journal of
Research into New Media Technologies, vol. 9, no. 4, Winter 2003, pp. 60–76.
https://eds.b.ebscohost.com/eds/detail/detail?vid=12&sid=2e8bdffb-ef2b-489c-b2eb-
d532d3359ca0%40pdc-v-
sessmgr02&bdata=JnNpdGU9ZWRzLWxpdmUmc2NvcGU9c2l0ZQ%3d%3d#AN=128
13198&db=fah

15. https://www.youtube.com/watch?v=tILIeNjbH1E

16. How to use colors in filmmaking https://www.thehurlblog.com/how-to-use-colors-in-

filmmaking/

17. Understanding audience https://www.independentcinemaoffice.org.uk/advice-

support/how-to-start-a-cinema/understanding-audiences/

18. Target audience https://www.filmmakingstuff.com/define-your-movies-target-audience/

19. Sin City (2005) / Schindler's list (1993) or The Matrix (1999)
20. Importance of color in Sin City
https://visualrhetoricspring2012.wordpress.com/2012/04/23/importance-of-color-used-in-
sin-city/

21. Mad Max (2015) (movie) or Saving Private Ryan

22. Grand budapest hotel (2014) (movie)

23. Grand budapest hotel color style https://movietime.guru/the-grand-budapest-hotel-a-

dissection-of-colour-style-60203b3eab13

24. Finding your audience https://nofilmschool.com/2017/05/find-audience-your-film-5-

simple-steps

25. Foss, Bob. Filmmaking : Narrative and Structural Techniques. Los Angeles : Silman-
James Press, 1994., 1992. EBSCOhost,
login.ezproxy.net.ucf.edu/login?auth=shibb&url=https://search.ebscohost.com/login.aspx
?direct=true&db=cat00846a&AN=ucfl.027965394&site=eds-live&scope=site.

26. Pribram, E.Deidre. Emotions, Genre, Justice in Film and Television : Detecting Feeling.
New York : Routledge, 2011., 2011. EBSCOhost,
login.ezproxy.net.ucf.edu/login?auth=shibb&url=https://search.ebscohost.com/login.aspx
?direct=true&db=cat00846a&AN=ucfl.PDA003716489&site=eds-live&scope=site.

27. Visual storytelling http://dslrguide.tv/visual-storytelling/

28. How to make audience feel https://www.worldnomads.com/create/learn/film/how-to-

make-your-audience-feel-something

29. History of film https://en.wikipedia.org/wiki/History_of_film

30. “How Color Grading Can Help Storytelling by Enhancing or Changing a Mood.”
PR.Com (Press Releases), 2016. EBSCOhost,
login.ezproxy.net.ucf.edu/login?auth=shibb&url=https://search.ebscohost.com/login.aspx
?direct=true&db=edsgbe&AN=edsgcl.442953830&site=eds-live&scope=site.

31. Making my own video, color grading with different colors to change tone / mood.