Frank O. Gehry
Guggenheim Museum
Bilbao, 1991-199lect works of ar rther
he maiceenance of permanent col
The Gur
tic Mose i Bibaa
cated this general development sep
sib chin of institutions under the
seis ofthe Guggenteim Museum in
New York, Bilao becomes the tet sie of
ites Poesy Gogg
ns death her pe
vate muncum in Wnice revered to the
per hovse in New York in 1976
Director Thomas Kren beg to ct
further expansion of ambi o yet other
cites 1989, he feted che water in
Salebung and fer Hans Hollen’ operate
eects hewn fom a rocky
‘i fled go materi, Krons moved on
to open a temporary branch of th
Guggeabein in Bedin and id he
sroundwork fran fied mse
Bits
The “modern” ies of developing:
eae becca tc
considered in light of dhe innate comer
vation of mteune—and di
simple. fwncum ate indeed the uns
Bele: ok wars oriy a ogi xo:
of confining works of ar 0 the place
where they have found «permanent
home, more often than not asa mater of
periodically rotated, shown in changing
a
precisely calibrated one a tha, by whic
that define ther opestion throughout the
These expeditions forthe Guggen
‘ici Moseum in Bilbao
sole in i achitecarl co
1991, Thomas Kees ivited four architects
to Billso-—HLans Hollen, Arat foe
Himmel, and Frank Gehry
sking them to sketch out thee ess for a
novel purpose
His choice of architect was trpered
by his previous experiences with museum
pect ad dhe way hee arches had
of conceiving of them i. teens of their
Alimos wo decides eater, the open
ing ofthe Beaubourg muscu in PaisPinot st
2 he own
3 tout oul
rn toe po
Sch an
he advent of mseur that owe
their idemiy lew to permanent collections
than eo vicerl impact Compare co
an “azrft-catier of ear the B=
ourg berthed the idea of the“mnision,
{el culure”n one ofthe nepsctod
precincts of Pars, piying ap ie purpone a
an traction forthe uniniiated a wells
sophisticated its, Je a Lex Halles wer
ce the place where the bougeoiie
‘went for oysters and came at mid
night, he new call rors now ids
i mecea among collections dedicated vo
{nds design fl, vido ata
spectacular roftop view of Pais thrown
in for good measure
Ever since dhe Beaubourg opened in
7,
pea ep ett iS
red to stand the test a adequate repo
tories of art but they are alo expected 10
acta catalytic agents of wba eanorma
Gehey’s projects for dhe Wale Disney
f
are both located in what had become
ncort Halland the Moseum in Bilbo
eae ateeie
places sored by
trafic and made seers, riser by
major ght lines, but acking in any cleat
manifestation of character The compro=
nse condos of Both ios ae aap
near foe the comple crcametansss
ander which the Bikao commision was
precipitate by the regional and municipal
government in negotiations with dhe
CGuggenheion Museum ig New York
Sueh grand projec asthe Bilbao
Ggenbeim place extra burdens on the
train ination of the museum,
on onc find
new ways of iancing themes, dey
resort the kind of gambis with whieh
Phineas Tylor Barras fled his circus
tents The exagaeation ofthe pubic stun
of museunns—noe in all eee dependent
fo new bugs though racy acon
plished without temas ao led to
iewportant changes in thir architect
character, New museums fequie 2 grand
ann ever more impressive public presence,