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Guión Classical Moods

Adagio; Peer Gynt; Festival Rondeau; arr. James Scerri Worley


Las cuatro estaciones (Otoño y primavera)

   Adagio
A
    
q = 55
              
3
Flute              

p mp espress.

       
3
Clarinet in Eb
                         
p mp espress.
     
3
   
Clarinet in Bb 1                        
p mp espress.

               
     
Clarinet in Bb 2
p mp

  
3 espress.

  
Clarinet in Bb 3
p           mp espress.

     
          
Alto Saxophone 1      

p mp
3 espress.
Alto Saxophone 2               
p mp espress.

             
                
Tenor Saxophone
p mp espress.
     
  
      
            
   
Baritone Saxophone

  
p mp espress.
3
      
        
Horn in F
p mp espress.

    
      
         
Trumpet in Bb 1
p mp

  
3 espress.

 
Trumpet in Bb 2
          

p mp espress.
                             
Trombone   
p mp espress.
      
 
    
          
       
Tuba


p mp espress.

                            
11

    
Fl.  
3

3 f
        
cresc. poco a poco 33

                       
Eb Cl.

     
cresc. poco a poco
   3      3           
f
 
Cl.   
3 3

 
cresc. poco a poco 3 f
    
Cl.                  
f
cresc. poco a poco 3 3 3
              
               
Cl.
cresc. poco a poco
f
     
                   
A. Sax.

f
 cresc. poco a poco       
3 3 3
A. Sax.                       
cresc. poco a poco f
         
    
            
T. Sax.

 
cresc. poco a poco
      
f

                 
B. Sax.
 

cresc. poco a poco f
3
  
3 3
Hn.                             

cresc. poco a poco f
     
Tpt.                  
f
cresc. poco a poco 3 3 3
              
               
Tpt.

  
cresc. poco a poco
         f
Tbn.                 

 
cresc. poco a poco
      
f

Tba.
                    
cresc. poco a poco f
2

        
B
        
  
  
 
21

Fl.   
         
                   
      
rit.
Eb Cl.        
                
                
rit.
Cl.   
        
rit.
      
Cl.
rit.

  
Cl. 
       
rit.  
           
A. Sax.     

rit.
    
A. Sax.        
rit.
    
 
  
T. Sax.
              
     
 
rit.
            
B. Sax.
    
  

rit.
        
 
Hn.
rit.

          
Tpt.      
rit.

  
Tpt. 
       
  
  
rit.
             
Tbn.
       
    

  
rit.
            
Tba.
    
 rit.

                                  
28 Allegretto Pastorale q. = 60

Fl.     
                                 
cresc. mf
Eb Cl.     
                        
mf        

cresc.
   
Cl.  

mp cresc. mf

        
Cl.  

mp cresc. p

     
     
Cl.
p

cresc.

mp
        
A. Sax.   
mp p

cresc.

A. Sax.           
mp cresc. p

        
T. Sax.      
 
mp p

 
cresc.
B. Sax.           
  
mp cresc. p

       p    

Hn.

 
cresc.
        
Tpt.


cresc. p

     
     
Tpt.

      
p
    
cresc.

Tbn.     


mp p

  
cresc.
Tba.           
mp cresc. p
3

           
35
C
              
Fl.
   
          
p mp cresc.

           
Eb Cl.
      
         p mp
           
cresc.

Cl.        
p mp
        
cresc.

Cl.                            




mp p mp cresc.

    
        p     
Cl.
   
           
p
                    
mf cresc.
  
mf
A. Sax.     
mp p mp

cresc.

              
    
A. Sax.
mf p mf p cresc.

           
  
T. Sax.
p p
 
cresc.

     
     
B. Sax.

 
p p cresc.

  
        



Hn.
p p
 
cresc.

Tpt.                                 


mp p mp cresc.

       
      
Tpt.
mf p    
     
mf p cresc.
      
Tbn. 
p p cresc.
 
       
     
Tba.


p p cresc.

 
D
44
                                              
Fl.     
f f
                      
cresc.
                        
Eb Cl.     
f
                     
f
 
              cresc.
Cl.       
  
f f

cresc.
          
      
    
Cl.
mf f cresc.

   

  
           
 
Cl.

    
f
     
      
mf cresc.

A. Sax. 
       
mf f

cresc.

             
 
A. Sax.
mf f cresc.

      
            
T. Sax.

mf f
  
cresc.
 
             
    
B. Sax.

 
mf f cresc.

         
   
Hn.
mf f 
   
  
    
cresc.
             
    
Tpt.
mf f cresc.

   
  
  
           
Tpt.

 
f
     
mf cresc.

          
   
Tbn.

 
mf f
 
    
cresc.
        
    
Tba.
 mf f cresc.
4

  
       
   E
    
53

           
  
Fl.


            
ff f p ff

          
   
Eb Cl.

     


ff f p ff
        
Cl.            
  
ff f p ff

                               


 
  
Cl.
ff p f p ff p

Cl. 



 

    
              

    
ff mp f p f p p ff mp
         
A. Sax.                      
 

      


      
ff p f p ff p
     
A. Sax.      
ff mp f p f p p ff mp


              
        
T. Sax.
p p p
      
ff f ff


B. Sax.
                   

ff p f p ff p

      
  
        
   
Hn.
p p
  
ff f ff

  
p
                           
 
  
Tpt.
ff p f p ff p

Tpt. 

 



                 
mp 
       
ff mp f p f p p ff
Tbn.
                   

       
p f p p

 
ff ff
Tba.
                   
ff p f p ff p
5

        


F
   
65

Fl.                

    


f p ff p mf
      
         
Eb Cl.
   
      
f p ff p mf
   
                 
  
Cl.
f p ff p mf
         
                     
Cl.
     
f p ff p mf


       
           
Cl.

 
p mf
     
f p f p p ff
   
A. Sax.                    
f p ff p mf

                    
  
A. Sax.

f p ff p mf
f p p
     
T. Sax.
        ff  p   
mf
 f p
B. Sax.
    

 



         
 
f p ff p mf

                  
Hn.
ff p mf

 
f p
            
                     
f
Tpt.
p ff p mf


                   
Tpt.
p mf
 
p ff
  
f p f p
                 
  
Tbn.
ff p mf

f p

                     


Tba.
     

f p ff p mf

            
            
     
77 Maestoso q = 86

    
Fl.
 
     
mp f
              
              
  
Eb Cl.

       
                     
mp f
   
Cl.     
      
mp f
   
Cl.                          

   
mp f

  
   
      
              
Cl.

   f
      
                
    
       
A. Sax.


mp
   
f
  
    
       
    

A. Sax.      
   
f

                 
T. Sax.
  
   
f
    
      
B. Sax.
           
    
f
       
 
              
    
Hn.

      
f
   
Tpt.            
            

   
mp f

  
   
       
            
Tpt.

    
 
f
             
   
Tbn.

  
f
    
     
    
    
   
Tba.
f
6

    
G
                     
87

               

 
Fl.

      


mf
                  
    
p
         
 

 
Eb Cl.

                        


mf

       p
      

Cl.
 
mf
             
p
Cl.             
         
mf f
    
               

      
Cl.

  
                     
mf f
  
     
A. Sax.   
mf f
      
A. Sax.        
        
  

mf f

           
T. Sax.
       
mf f
 
 
            
B. Sax.
   

mf f
       
               
  
Hn.
mf f
                    
Tpt.                          
mf f
 
             
Tpt.
           
mf f
            
Tbn.       
mf f
 
  
         
     

Tba.


mf f


H
95
                   
Fl.             
  
  

  
mp f
                 
cresc.

            
  
Eb Cl.

  cresc.
          
      
mp f
      
Cl.         
  
mp f
    
cresc.
        
Cl. 

            
mf f
 p mp
              
  
        

Cl.
  
  
mp
    
    
mf f
 p         
A. Sax.     
mf f
  p mp
     
       
A. Sax.             
mf f
 p mp
        
T. Sax.
           
f
 p mp mf
   
            
B. Sax.    

f

p mp mf
           
  
         
Hn.

mp  mf f
 p
     
        
  
    
Tpt.
   
mf f
 p mp
             
  
        

Tpt.
mf f
 
p mp
               
Tbn.   
f
    
p mp mf

             
Tba.    
p mp mf f
7

    
I
                             
103

                
Fl. 
mf
                          
Eb Cl.       

                
                                    
mf

Cl.            
                
mf
   
Cl.                    
mf
 
          
        
               
     
Cl.

            
       
       
mf
        
A. Sax. 
mf
     
A. Sax.   
 
    
         
 
          
mf

T. Sax.            
 
   

mf

 
        
B. Sax.
       

mf
   
                                
Hn.
  
                
mf
   
Tpt.                    
mf
 
                   
                  
Tpt.
mf

Tbn.
           
 
    
mf

  
         
Tba.       


mf

 J
                                
     
111

    
Fl.
  
cresc. 
                    
f

                 
    
  
Eb Cl.
cresc. 
                        
            
f
      

Cl.    
            
f
      
cresc.

Cl.             
f

cresc.

      

   
 
  

 

 
 
     
Cl.

         cresc. f
         
A. Sax.              
f
     
    
cresc.

A. Sax.                


     
f

cresc.

         
T. Sax.
        
f
 
cresc.
  

B. Sax.              


f

    
 
cresc.

                  
  
Hn.

   
f
    
cresc.

      
Tpt.  
         
f

cresc.

      

    

  

 

  
 
  
 
Tpt.
f

cresc.
         
Tbn.        
f

cresc.
   
            
Tba.   
cresc. f
8

                               
119 Allegro

Fl.                

                      
f mp
         

rit.
Eb Cl.             
         rit.                          
f mp
   
Cl.        
           f mp

                         
rit.
Cl.         
 
f mp
 
rit.
     
              
    
Cl.

        
f mp
           
   
rit.
A. Sax.
     
      
f mp
 
        
rit.

         
A. Sax.


f mp
 rit.

                              
  
T. Sax.


f mp
                       


rit.
        
B. Sax.

  f mp

  
rit.
           
Hn.
             
  f mp
                      
rit.
          
  
Tpt.

 
f
 
rit.

          
 
Tpt.   

      
      
f
              
rit.
Tbn.          
      
f mp
          
  

rit.
Tba.            


rit. f mp

   
K
                
 
127

Fl.                  


                    
f mp

Eb Cl.                  

f
                    
mp

Cl.                       


f mp
        
Cl.                      
f mp   
           
                              
Cl.
   

f
        mp

A. Sax.               

f
       
A. Sax.       
       
f

T. Sax.                                                          

f
 mp
                             
B. Sax. 

f mp

   
                                    mp
 
Hn.
f
        
Tpt.           
f
        
Tpt.           

                                                          
f

Tbn.

        


f mp
      
Tba.
            
f mp
9

 
135
L M
Fl.             
 
                                    
Eb Cl.         

f
                                   
mp  
f

Cl.        
f mp f

        
 
Cl.

        

 
Cl.

                     
A. Sax.     

mp f
                     
A. Sax.     

 
mp f

T. Sax.                            
f f
                      
B. Sax.
      

f

        
 
Hn.


Tpt.         

Tpt.         

Tbn.
             

                       
Tba.
  
   


f


N
143
 
Fl.        
            
                                
f
   
Eb Cl.   
  f          
       
mp

Cl.                            
 
mp f

Cl.        
f
       
Cl.   
f
  
A. Sax.        

    
f
  
            
A. Sax.

      
f

T. Sax.                
mp f
          
    
B. Sax.
  

mp f

   
         f           
Hn.
mp

Tpt.         

Tpt.         

Tbn.
              
mp f
         
 
Tba.          
mp f
10

      
      
         
Allegretto

151

                    
Fl.

     
mp f

Eb Cl.                                      

               
mp f

Cl.                             

     
mp f

                    
Cl.
   
mp   f
  
                                    

Cl.

  
mp  
f

                         
A. Sax.

               
mp f
    
                
A. Sax.     


mp
 
f

     
      
        
T. Sax.

    
mp f
   
   
 
        
B. Sax.

 
mp f

                     
             
Hn.
    

mp f
 
Tpt.                       


f
 
         
          
Tpt.

   
f

Tbn.
                     
   
mp f
       
           
Tba.
 

mp f

     
O
                                      
158

          
Fl.    
p f
                           
Eb Cl.                      
  

                        
p

f
                      
Cl.      
p f
      
Cl.                                            
 
p f

                          
Cl. 
                
p f
            
A. Sax.                     
        

  
p f
    
                              
      
   
A. Sax.
 
p f

    
                   f        
  
T. Sax.
p
    
B. Sax.                                

p f
 
Hn.                
             
f
      
Tpt.                             
f

             
Tpt.               
f

Tbn.
                

                 
p f

                

                

Tba.

p f
11

 
P
                                         
165

            
Fl.

                  
p f p
                   
Eb Cl.                    
                                        
p f p

              
Cl.

p f p

                          
 
                 
Cl.
  
p f p
     
         
Cl.                               
p f p
                                       
        
A. Sax.
 
p f p
                            
A. Sax.          
   
 

 

p f p

       
               
            
T. Sax.
p f p
  
   
               
             

B. Sax.

 
p f p

Hn.                              
f

Tpt.                               
f
      
 
       
            
Tpt.
f
        
Tbn.                            
p f p
     
                              

Tba.


p f p

       
Q
                          
172

Fl.    



f
                       
Eb Cl.            





                                
f

Cl.    



f
                                 
Cl.   
f

             
Cl.
                   
f
        
                 
     
 
A. Sax.

f
         
                
     
 
A. Sax.

f

     
                  
T. Sax.
f
   
B. Sax.           
  
      

f
  
Hn.           
     
 
f
                     
Tpt.   
f

          
Tpt.
         
f
      
  
Tbn.                
f

                     
  
Tba.
f
12

                               
177

Fl.           
   
ff
      
rall. e cresc.

                             
Eb Cl.
    
      
ff
                      
 
rall. e cresc.

Cl.           

      
  
ff
            
rall. e cresc.

          
Cl.      

ff
  
rall. e cresc.
      
Cl.           
          
    
ff
  
rall. e cresc.

                    
A. Sax.
   
    
ff

rall. e cresc.
      
A. Sax.        
     
     
ff rall. e cresc.

  
                       
T. Sax.


ff

  
rall. e cresc.
 
B. Sax.                     
 
ff
  
rall. e cresc.

             
           
Hn.
  
    
          
ff
      
rall. e cresc.
       
Tpt.        

ff
  
rall. e cresc.
      
Tpt.                      
ff

rall. e cresc.

Tbn.
                          
ff

  
rall. e cresc.
  
Tba.
                     
ff rall. e cresc.
Alto Saxophone 2

Classical Moods arr. James Scerri Worley


Adagioq = 55 Adagio; Peer Gynt; Festival Rondeau;

  
Las cuatro estaciones (Otoño y primavera)
3
         
p

A

9 3

            
mpespress. cresc. poco a poco


16
3 3

                   
f

B
   
21

       
 
rit.

 
28 Allegretto Pastorale q. = 60

            
mp cresc. p

C

36

              


mf p mf p

42
   
         

cresc.
  mf

D
           
49

    
f cresc. ff V.S.
2 Alto Saxophone 2

E
    
      
56

       
mp f p f p p ff


64

            


         
mp f p ff
f p p
F

72

            
p mf

   
q = 86
     
Maestoso

   
81

     
  
f

  
86
 
    
         

G
           
91

     
 
mf f p mp
H
      
97

         
 
mf f


102

                
  
I

107
 
                  

mf
Alto Saxophone 2 3

             
111

      
cresc.

J
  
115

              
f

                
121 Allegro

        
rit. f

      
125

      


mp

K
                             
129

 
f

 
L
  
133

     
mp

M
  
141

                
 
f


144 
  
 
 


4 Alto Saxophone 2

N
     
149

  
f mp

           
153 Allegretto

             

f

                   
157

      
p

O
         
161

    
              
f

         
165
     
         

p f

P
    
169

                 
p

Q
   
173

                      
f

  
177

              
 
ff


180
    
    
   
rall. e cresc.
Tenor Saxophone

Classical Moods arr. James Scerri Worley


Adagio q = 55 Adagio; Peer Gynt; Festival Rondeau;

    
Las cuatro estaciones (Otoño y primavera)

              
p

7
A
             
mp espress.
  cresc. 
 pocoa poco   

14

    



   
  
    f

21
B
      
           
rit.

27  Allegretto Pastorale q. = 60


           
   
mp p
cresc.

35
C
        

p p

42

        
        
cresc. mf f

49
D
 
    


   
 
V.S.
cresc. ff
2 Tenor Saxophone

56
E
        
  
     
p f p ff

64

    
         ff 
p f
 p

72
F
           
p mf

81
  q = 86
Maestoso

           
   
f

G

88

          
   
mf


94

        
      
f p mp mf
H

99

           
f
   
I

106

          
 
mf
   
J

113

          
    
cresc. f
Tenor Saxophone 3

  
120 Allegro

       
     f
rit.


125

        
   mp
  
K
  
129
 
                  
f


132

       


mp


L

136

                    
f

M
       
142

       
f


146

                
mp
  
N

149

        


f
 mp


153
  
Allegretto

             
f
     V.S.
4 Tenor Saxophone

157

         
          
p
161
O
                      
f
165

      
 p
              f

P
169

                      
p
174
Q
        
  f
            


178

                  
ff rall. e cresc.
Baritone Saxophone

Classical Moods arr. James Scerri Worley


Adagio q = 55 Adagio; Peer Gynt; Festival Rondeau;
 
     
Las cuatro estaciones (Otoño y primavera)

    
       
p

A
7
      
          
    
mp espress. cresc. poco a poco

14
     
           
 
f

B
21
    
           
  
rit.

  
27 Allegretto Pastorale q. = 60

 



 mp          
cresc. p

C
 
35

     
  
p p


   
42

     
 
cresc.   mf

D

49
    
          

f
 
cresc.
 ff V.S.
2 Baritone Saxophone

E
     
56

             
p f p ff


64

             


p

f
 
p ff

F

72

       
p mf
    

   
q = 86

Maestoso
 
81

        
    
  f

G

88

            
  
mf


94

               
f p mp mf
H
 
99

         
   
f

I

106

    

      
mf
   

J
 
113
 
           
cresc. f
Baritone Saxophone 3

       
120 Allegro

          
  
rit. f

  
125
    
      
mp
K
                   
129

   
f

  
132
    
      
mp


L
     
136

               
f


M

142


4 Baritone Saxophone

    
146

            
  
mp

N
 
149

      


f mp

        
Allegretto
      
153

     
f

 
157

                   
p

O
 
161

                     
f

 
165

      
        
   
p f

P
          
169

         
   p
Q

     
174

             
   f

178
  
                 
ff rall. e cresc.
Horn in F

Classical Moods arr. James Scerri Worley


Adagioq = 55 Adagio; Peer Gynt; Festival Rondeau;

   
Las cuatro estaciones (Otoño y primavera)
3
          
p

9
A
3
             
mpespress. cresc. poco a poco

16

       
3 3

              
f

B
21

    
        
rit.


28 Allegretto Pastorale q. = 60

 
       p     
 
cresc.

36
C
    
 
p   p

43

             
 
cresc.   mf f

49
D

   
cresc. 


   
ff
  V.S.
2 Horn in F

E
56

    
         
p
f   
p
ff

64

              


p
 ff
f p

72
F
      
p mf
       

  
q = 86
Maestoso
 
81

    
       
  f

  
86
        
       
G
91

               


  
mf f p mp
H
 
97

           
     
mf f


102

               
  
I

107

   
                 
mf
Horn in F 3

  
111

                
cresc.

J
   
115

   
        
f

121
  Allegro

        

    
rit. f         

125

   
                     
mp

K
129

          
f            

132

  
    
mp

 
L
136
M

4 Horn in F

146

               
mp    

N
149

 
  f                 
mp


         
153 Allegretto

      
    f


 
157

               
f


O

162
 
                   

P
                      
168

 
f


Q

                 
172

 
  
f

178
 

           

        
 
ff rall. e cresc.
Trumpet in Bb 1

Classical Moods arr. James Scerri Worley


Adagioq = 55 Adagio; Peer Gynt; Festival Rondeau;

  
Las cuatro estaciones (Otoño y primavera)

       
p

9
A
   

               
mp 
espress. cresc. poco a poco

 
14

        
   
f

21
B
          

rit.
   


28 Allegretto Pastorale q. = 60


          
 
cresc. p

36
C
                    
    
mp

             
41

       
p mp cresc.

mf

D
47
     
             

f
 
cresc. ff V.S.
2 Trumpet in Bb 1

55
E
                    
p

f
 
p

 
62

              
        
ff p f

 
67

      
 
p ff p

74
F
                     
mf

78

           
 
mp

    
q = 86

Maestoso

82

   
      
  
 f

    
86

             
     

G

                   
91

  
mf f

        
95

          
p mf mp
Trumpet in Bb 1 3

H
         
99

           
 
f

I
     
105

   
                 
mf

   
110
          
  
  
cresc.

J
  
115

        
      
f


121
 Allegro
  
              
rit. f


K
 
125

               
  
f

131
 
                   

  
L M N
  
136 All

 
4 Trumpet in Bb 1

                       
155

 
f


O
                  
159

 
f

  
 
164

         

f


P
                
169

    
Q
  
                       
174

 
f

                 
178
     
     
ff rall. e cresc.
Trumpet in Bb 2

Classical Moods arr. James Scerri Worley


Adagioq = 55 Adagio; Peer Gynt; Festival Rondeau;

  
Las cuatro estaciones (Otoño y primavera)
3

          
p

9
A
3
          

mpespress.
 
cresc. poco a poco

16
3 3
                    
 
f

21
B
   
      
rit.  


28 Allegretto Pastorale q. = 60


           
 cresc. p

36
C
      
 mf p       
mf p

43

       
 
cresc.   
mf

49
D
        

f
   
cresc.
    
ff V.S.
2 Trumpet in Bb 2

56
E
    
             
mp f p f p p ff

64

    
 
mp           
f p f p p ff

72
F
           
p
 mf

   
q = 86

81 Maestoso
 
   
       
 f
  


86

       
       
    
G

91

  
            
mf f p mp
H

97

               
 

mf  f


102

    
            
 
I

107

     
     
mf      
       
Trumpet in Bb 2 3


111

   
              
cresc.

J

115

       

       
f

 
121 Allegro
     
                
rit. f


K
 
125

               
  
f


131 
                   

  
L M N
  
136 All

 

155

                  
    
f


159
O
        
         
f

164 
   
      
4 Trumpet in Bb 2

168
P
               
      
f


172
Q
           
 
          
f
178
     
          
        
ff
  rall. e cresc.
Trombone

Classical Moods arr. James Scerri Worley


Adagio q = 55 Adagio; Peer Gynt; Festival Rondeau;

              
Las cuatro estaciones (Otoño y primavera)

      
p

A
7
              
       
mp espress. cresc. poco a poco

14
      
      
     
f

B
21
   
              
 
rit.

         
Allegretto Pastorale q. = 60
  
27

      
mp p
cresc.
C
  
35
       
p p

   


      
42

    
cresc. mf f

D
49
       
         
    V.S.
cresc. ff
2 Trombone

E
  
56
                
p f p ff

64
                
   
p f p ff

F
       
72
 
    
p mf

     
 
   
q = 86
Maestoso
 
81

     
  
f

G
   
88
       
   
mf


94
           
  
f p mp mf
H
 
99
          
  
f

106
I
          
     
mf

J

113
          
   
cresc. f
Trombone 3

      
Allegro

120
             
rit. f

125
                           
mp

K
                      
129


f

132
                            
mp

 
136
L M
      
   
mp

149
N
                     
f mp

         
Allegretto
      
153
   
f


157
                    
p

O
  
161
   
                
f V.S.
4 Trombone

       
165

             
p f
P
  
169
  
                  
p
Q
            
174

       
f

  
178

                
ff rall. e cresc.
Tuba

Classical Moods arr. James Scerri Worley


Adagio q = 55 Adagio; Peer Gynt; Festival Rondeau;

      
Las cuatro estaciones (Otoño y primavera)

      
       
p

A
7
       
         
    
mp espress. cresc. poco a poco

14
    
      
       
f

B
21
   
            
 
 
rit.


27 Allegretto Pastorale q. = 60

   


 
 mp         
cresc. p

35
C
       
  
p p

   
42

     
 
cresc.   mf

D
49
       
         

f
 
cresc.
 ff V.S.
2 Tuba

E
  
56
                
p f p ff

64
                
   
p f p ff

72
F

        
p mf
    

  
q = 86
Maestoso
 
81
       
   
  f

88
G
       
       
mf

94
           
   
f p mp mf
H

99
          
   
f

106
I
        
       
mf

J

113
          
   
cresc. f
Tuba 3

      
120 Allegro
   
          
rit. f
125
      
        
mp
K
                      
129

f
132
       
     
mp


136
L
                     
f


M
142

4 Tuba

146
                
  
mp

149
N
                    

f mp

        
Allegretto
      
153

  
  
f


157
                    
p

O

161
 
                   
f

       
165

        
   
p f

P
         
169
           
   p
Q
     
174
           
   f

178
   
                 
ff rall. e cresc.
Clarinet in Bb 1

Classical Moods arr. James Scerri Worley


Adagioq = 55 Adagio; Peer Gynt; Festival Rondeau;
    
          
Las cuatro estaciones (Otoño y primavera)

  
p

A
         
7 3

           
mp espress. cresc. poco a poco

13
                      

3 3 3

       
B
         

20

   
f

     
    
24

       
rit.

                 
q. = 60
Allegretto Pastorale

28

    
mp cresc. mf

                   
 
33

C
          
37

       
p mp cresc. V.S.
2 Clarinet in Bb 1

                        
44

 
f

                      
49
D

f cresc.

          E    
 
53

       
ff f p

61
     
     
ff

f

       


   
68

   

p ff p

F
                  
74

  
mf

78
          
 

mp


 
                     
q = 86

Maestoso

82
 
   
f

                         


87


Clarinet in Bb 1 3

    


G
 
91

     
  
mf
p

          



95

     

mp cresc.

  
H
       
99
 
    
f

                   
103

   

I
                      
107

   
mf

    


                   
111

    
cresc.

  
J
          
 
115

   
f

             

119

       

rit.

                   
123 Allegro

   
f mp V.S.
4 Clarinet in Bb 1

K
   
127

              
f

                
131

   
mp

L
135
                  
      
f

                 
139

 
mp

M    
         
142


f

                   
146


mp

              
N

149

    
f mp

     
Allegretto
  
153

 
          
    
f

             
157

   
p
Clarinet in Bb 1 5

                  
 
159


f

O
                      
162

   

165
                      
            

p f

P
                 
169

    
p

                  
 
172


f

Q
                      
175

   

178
                      
           
ff rall. e cresc.
Clarinet in Bb 2

Classical Moods arr. James Scerri Worley


Adagioq = 55 Adagio; Peer Gynt; Festival Rondeau;

  
Las cuatro estaciones (Otoño y primavera)

       
p

9
A
   

               
mp 
espress. cresc. poco a poco

 
14

        
   
f

21
B
          

rit.
   


28 Allegretto Pastorale q. = 60


          
 
mp cresc. p

36
C
                    
    
mp

             
41

       
p mp cresc.

mf

D
47
     
             

f
 
cresc. ff V.S.
2 Clarinet in Bb 2

55
E
                    
p

f
 
p

 
62

              
        
ff p f

 
67

      
 
p ff p

74
F
                     
mf

78

           
 
mp

    
q = 86

Maestoso

82

   
      
  
 f

    
86

             
     

G

                   
91

  
mf f

95
      
             
p mf mp
Clarinet in Bb 2 3

H
   
   
99

      
f

   
103

       
     

I
           
107

        
mf

                
111

    
cresc.

J
     
 
115

         
f

       
120

           
 
rit.


123 Allegro

                       
f mp

K

127

                          
f


131

    
 
mp V.S.
4 Clarinet in Bb 2

 
L M N
  
135

  
 f

   
151

 
               
mp

  
Allegretto
                
154

  
f

                   
158

      
p f

O
                 
162
  
   

                      
165
    
      
p f

P
              
169

     
p

              
172

     
f

Q
                 
175
  
   
Clarinet in Bb 2 5

                 
178
     
     
ff rall. e cresc.
Clarinet in Eb

Classical Moods arr. James Scerri Worley


Adagioq = 55 Adagio; Peer Gynt; Festival Rondeau;

   
Las cuatro estaciones (Otoño y primavera)

              
p

A

7

       
3
         
   
mp espress. cresc. poco a poco

       
13 3

                
3 3

     
B
          
20

  
f

   
24

         

  
rit.

 
Allegretto Pastorale q. = 60

                
28

    
cresc. mf

            
33

          

C

37

           
      
p mp cresc. V.S.
2 Clarinet in Eb

                        
44

    
f

D
             
49

            
f cresc.

  
  
E

    
53

     

ff f p

   

61

     
 
ff f

  


68
  
    
  

p ff p

F
     
74

            
mf

          
78

  

mp

     
q = 86
 
Maestoso
      
82

       
  
f

      
86

                    
Clarinet in Eb 3

G
          
90

     
  
mf   
p

          
95

          
mp cresc.

H
          
99

   
  
f

     
103

                     

I

107

                         
mf



                 
111
    
      
cresc.

J
             
115

    
f


119
           
            
rit.

                      
123 Allegro

   
f mp V.S.
4 Clarinet in Eb

K

127
    
                 
f

                  
131

   
mp

L
                   
135

     
f

                     
139


mp

M             

142
     

f

    
145

                    
mp

N
                
149

    
f mp

  
Allegretto
          
153

          
f

 
157
       
        
p
Clarinet in Eb 5

  
          
159

       

f

O
     
               
162

    

                       
165


           
p f

P
        
169
    
        
p

         
172

           

f

Q
   
175

                       

178
           
                    
ff rall. e cresc.
Flute

Classical Moods arr. James Scerri Worley


Adagioq = 55 Adagio; Peer Gynt; Festival Rondeau;

 
               
Las cuatro estaciones (Otoño y primavera)

  
p

A
      
7
     
3

          
mp espress. cresc. poco a poco

                      
13

 
3 3 3

       
B
         
20

   

f

  
    
24

          

rit.

28
                  
Allegretto Pastorale q. = 60


     
cresc. mf

33
                      
 

C

37

              
   
p mp cresc. V.S.
2 Flute

                        
44

     
f

D
49
                       

f cresc.

 
  
E
53 
      
 
        
ff

f
 
p

61
      
      
ff f

       


68

       

p ff p

F
74
              
       
mf

           
78

  

mp


         
q = 86
 
Maestoso
  
82

          
 
f

                        


87

 
Flute 3

G
     
91

     
  
mf
p
95
           
    

mp cresc.

H
99
         
      
f

            
103

          

I
                   
107

      
mf

 
111
          
             
    
cresc.

J
     
        
115

   
f

               
119

       

rit.

123
                   
Allegro

    
f mp V.S.
4 Flute


K
 
127

                 
f

131
               
     
mp

134

               

 
L M N
136
           
 
f

151
   
                
mp

  
            
Allegretto
 
154

  

f

              
158

         
p

O
                       
161

         
f

                            
165

      
p f
Flute 5

P
                   
169

    
p

                     
172

  
f
Q
                       
175

    

                           
178

      
ff rall. e cresc.
Clarinet in Bb 3

Classical Moods arr. James Scerri Worley


Adagioq = 55 Adagio; Peer Gynt; Festival Rondeau;

  
Las cuatro estaciones (Otoño y primavera)
3

          
p

9
A
3
          

mpespress.
 
cresc. poco a poco

16
3 3
                    
 
f
21
B
   
      
rit.  


28 Allegretto Pastorale q. = 60


           
 cresc. p
mp

36
C
    
      p       p
mf mf

42

       
  
cresc.   
mf
 
49
D
        

f
   
cresc.
    
ff V.S.
2 Clarinet in Bb 3

56
E
    
             
mp f p f p p ff

64

    
 
mp           
f p f p p ff

72
F
           
p
 mf

   
q = 86

81 Maestoso
 
   
       
 f
  


86

       
       
    
G

91

            


     mp
mf f p
H

97

             
 

mf  f  


102

    
            
 
I

107

     
     
mf      
       
Clarinet in Bb 3 3


111

   
              
cresc.

J

115

     
 
        
f

 
121 Allegro
     
                 
rit. f


125

                     
mp

K

129

                      
f


132

     

   
mp

 
L M

136


4 Clarinet in Bb 3

N

149

     



f mp

  
153 Allegretto

                 
  
f

157

                            
p

161
O
                      
f

 
165
   
                    
p f

P
169

                            
p

173
Q
                  
          
f

  
177

   
  

  
 ff
   

180
  
       
   
rall. e cresc.
Alto Saxophone 1

Classical Moods arr. James Scerri Worley


Adagioq = 55 Adagio; Peer Gynt; Festival Rondeau;

       
Las cuatro estaciones (Otoño y primavera)

  
p

A
                  
9

   
mp
espress. cresc. poco a poco

       
  
14

   
f

B
         
21

     
rit.

  
Allegretto Pastorale q. = 60

       
28

   
mp cresc. p

C
                         
36


mp

                     
41


p mp cresc. mf

 
D
47
            

f cresc. ff V.S.
2 Alto Saxophone 1

E
        
                  
55


p f p

  
            
62

  
ff p f

   
67

      
p ff p

F
     
74

            
mf

          
78

 
 
mp

 
     
q = 86
       
Maestoso
   
82

    
f

                       
86

G
            
91

  
mf f

         
      
95

    
p mp mf
Alto Saxophone 1 3


      
H
 
       
99

  
f


                          
105
I

mf

        
110   
       

cresc.

J
   
     
115

        
f

           
    
121 Allegro

 
rit. f

      
125

      


mp

K
                      
129


f

      
132 
     


L

136


4 Alto Saxophone 1

   
139

                 
mp


M
    
142

          
   
f

N
    
149

   
f mp


153   
Allegretto

              
 
f

                   
157

      
p

O
         
161

    
              
f

         
165

          
   


p f

P
    
169

                
p

Q
           
173

        
f
Alto Saxophone 1 5

  
177

              
 
ff


180
    
       

rall. e cresc.

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