REBECCA SAUNDERS INTO THE BLUE SIX PLAYERS SCORE HIGENTUM DES VERLEGE EDITION PETERS LONDON : FRANKFURT/M. « LEIPZIG * NEW YORK,Explanatory notes: clarinet in Bb (or Eb) (cl: f > Mens = roduly tfterongue = grndualy toner one = sirtone, write pith esd. actual sounding dynamic given, find aMangiibebetacen aur and dont -armand shadows = groduat change of Manga sugested plac fr retake ct beat note: ‘The st sections of the piece were composed with the sound of te Eb crine in mind. The plce my thereto be performed on ther the Br the Bi cline! When decding penta eonsierations are ‘Saeed freon quay of tone asociated with Eb Srna Coneat ep fp Sef pre importance Tigh and loud hard ache on ED Eicapecaists may combine ee quad ot rd cB is satiation ‘bassoon (Bsn): “ede —_setone writen pith ead cual sounding dynamic ven, osama ~ ween enn FES nutipenic on given frderentl ‘" nine inbackets he fndemental is et far ‘oetone allow bas toh “= uphoniconguesip “nis, andementa heard if possible note: PIG fra ection. Eitent ecfand kan ever rok mayest tow Gf tres Findsour Wate Sngengs Gy. Creates wie ange of kangarbene glo tole «data, then a further & gers ate possible with LH thumb Piles wil ary scrotal Ehomen htinofiferent Gis foreach gesture Plas ea the flowing ia min ‘Riba Gubl) melodie line. rea ond expressive. Mat into the VC/Cb/Bsn plete ‘The upper octave ican by overlong andi pat of Ue legato ine, cello. and double bass (Ve and Cb); eed motes. har stngs bp t = vibeatoon start of note, then subito non vibrato, unless otherwise stated, f= mattesul pool, writen tne sil audibie. ‘gs — sls robxing out overtones. "bvertncs dominate sound comet wen E/FF sound tends omarion owrot bow presute + = nau aemonie ‘anima preseurebeliween sing and bow short heavy. noi’ stoke, dep in he string > Benmene I oie’ accent as above tte the nt, Uke aca entremeatclton Always fer accent - hho. = collage atte 1/2, 1/2 wood ttt with the aif the bow bu vey hes making ocd of ow srk the ingeboud very ~ ne Ear loud ar eres = lng gli is mseued. rival tone ive in backs = theopen rings = toto it = loin, ul sto bow sre, Fat of pulsation beeen Sopped x and open sng We ye 8 GH) 4 sip etna eh nrg tt — tt treme a macen spleen erg ‘de-tane Vi string. no tone - string buzzes/pulscs. = W'buzz" See mae ‘Thy Re can taCopantectntmantagat, EB pints onan ee meee Piano: ith ea peda stent peda Pianist play om te soe {Gpen para i fully fou do ot remove remove music stand and either place further back onthe fofhardboad or place At score before you Perormer needs pseu. Fugen using steers to mark the tones inside te pia. plcing A3 sore onsome kind steak 4, sy depres eye an ol dow with ed pedal - ress keys and old down with et and Boe sileny depress heys et =