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Metamorphosis Rough Draft
Metamorphosis Rough Draft
Sofia Irfan
Jon Beadle
Eng115
Forever Alone
The Metamorphosis by Franz Kafka is a tale about a young man named Gregor who
wakes up to find that he has been turned into a large insect. Over the course of the novel, we
see his own and his family’s journey into dealing with Gregor’s transformation. The text
deals with many themes and motifs, but the two that are most present in the novel are
isolation and dehumanization, which can be read as an allegory for the isolation and
dehumanization that one feels in a modern day working class environment. This is significant
Gregor was a travelling salesman before he became an insect and could no longer
work, and we can decipher from the text that he was already lonely before his forced
isolation. The isolation he felt before turning into an insect was not technically forced, but his
conditions as a travelling salesman for which he had to go from door to door, never truly gave
him the opportunity to stay anywhere long enough to form a connection. As the text states he
was, ''Travelling day in and day out…contact with different people all the time so that you
can never get to know anyone or become friendly with them... temporary and constantly
changing human relationships which never come from the heart.” (Kafka, p4-5). Even the
picture he has hanging on the wall is not of a woman he knows or has any relationship with,
rather it is of a woman that he found in a magazine. His transformation into an insect thus is
an extreme and physically visible continuation of his feelings from before his metamorphosis.
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The modern working class life does not give Gregor or his family much in the way of
socialization. Due to the nature of their dependency on Gregor and their initial reluctance to
work, Gregor’s family stays home and enjoys the fruits of Gregor’s labour, but because they
stay home, it ensures that they too are isolated from the rest of the world. Although boarders
sometimes come and stay in their house, it is for short periods of time and this fleeting human
connection is not enough for them to form any real bonds. The last real connection that
Gregor had left was the relationship he shared with his family, and even that is taken away
once his family realizes that they have no use for him any longer. There is no place in this
modern world for someone who is not a productive member of society, and so his family
shuns him. Even Grete, someone who was sweet and caring in the beginning, is transformed
into someone who is ruthless and unforgiving by the end, changed fundamentally by the
world around her that gives her no choice in the matter. Grete can no longer be the soft
person she was in the beginning, she has to be harder in order to survive in the modern world,
and by the end of the novel she decides that since there is no longer any use for Gregor, he
needs to go. This is a view that modern society often pushes; people who have no purpose
other than to leech off others instead of being a productive member of society have no reason
to exist, and should thus leave somehow, as Gregor does in the end by way of death.
Gregor’s own family would, perhaps, have shared a similar fate as Gregor had they
not changed themselves. Initially it is they who are the insects, the parasites that feed off of
Gregor’s life. Gregor is the only member of the household that works, and his family depends
on this to survive. It is not clear whether Gregor resents this, but it is clear that once the tables
are turned and Gregor is the one is need of care and attention, his family does not appreciate
or reciprocate the way Gregor had cared for them, turning on him instead.
The way that modern society values people who work and devalue those who don’t is
an issue that sociologists have been trying to understand for decades. There are now schools
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of thoughts that have considered that the model for society’s work today is not the only way
to live, and there have been ideas floated for alternatives means of existence, such as “post-
work.” Studies have shown that there in societies with less working hours and a higher basic
income, such as Scandinavian nations, have higher happiness levels. These nations have
given their population more leisure time, as well as money to spend it on this leisure, leading
When, in 1974 Britain, an international oil crisis caused energy shortage, the ruling
government announced that the nation would only work 3 days a week. There was a
noticeable difference that the citizens of Great Britain felt that the change in work days
created; their non-work lives were now much richer. The leisure activities that before the
nation was able to only enjoy sparsely, were now a part of their daily lives. Society even
became ever so slightly more egalitarian as men began helping with the household chores and
taking up interest in their wives lives (Beckett). Although most were earning less than before,
and the work days became much longer, there was also a difference in the employee
productivity levels. Since there was now time to be mentally and intellectually stimulated, the
population became at least 5% more productive, an exponential number for Britain’s usually
Kafka himself struggled with the problems of the modern work environment. After
completing his studies in law, Kafka got a job at an insurance company and was forced to set
aside his passion for writing, only having the chance to do it every once in a while. In letters
of correspondence in the year of 1907, Kafka wrote of his unhappiness with the schedule that
he was forced to work at, his hours lasting from eight in the morning to six in the evening
(Karl, p210). This theme is obviously woven into The Metamorphosis, mentioned briefly
first, “This getting up early,’ he thought, ‘makes a man quite idiotic. A man must have his
sleep. Other traveling salesmen live like harem women.” And when he thinks about how his
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boss would react if he slacked off like that, this is the conclusion he arrives at; “If I were to
try that with my boss, I’d be thrown out on the spot” (Kafka, p4-5). The strict clock and long
hours that one has to work in the modern world is a problem for Kafka, just as it’s a problem
for Gregor. Though Gregor is not able to enjoy the free time he now has after his
transformation, he probably would not have realized that not working is a good thing even if
he had been human when he was forced to stop working. The modern working environment
is dependent on people who assume that not working is the pinnacle of lazy living, always
providing the capitalist system with workers willing to buy into their way of living, which
does not see people as humans, rather small parts of a bigger machine (Thompson). It is
dehumanization.
literal insect. Gregor is turned into something that society already views him as- he is
subhuman as far as the capitalist system is concerned (Zeynep). There is no voice for the
small time workers in our society, only the higher ups get to decide our fates. Gregor cannot
even for a minute consider calling in sick, as he says, “He was the boss’s minion, without
backbone or intelligence. Well then, what if he reported in sick? But that would be extremely
embarrassing and suspicious, because during his five years’ service Gregor hadn’t been sick
even once” (Kafka, p5-6). Even calling in sick is seen as a lazy man’s way out. Gregor’s boss
goes so far as to “reproach his (Gregor’s) parents for their lazy son… for him everyone was
completely healthy but really lazy about work” (Kafka, p6). The myth that working hard is a
way of life, and that one should constantly strive to work hard is a relatively modern way of
thinking. Before the industrial revolution, history reveals that work was always seen more as
a means to an end rather than an end in and of itself. Often, labour was pushed upon the
poorer people, or else humanity invented their way out of having to do work, just as
technology is progressing at rapid speeds now to accommodate for our even increasing need
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for labour (Thompson). The industrial revolution changed the way that humanity worked
because suddenly, obedient workers and laborers were required by the hundreds and
thousands, and it would not do to have people who wanted more time for leisure when that
time could be spent working in the newly minted, mass production factories.
There are those that argue that The Metamorphosis was written far too early to be an
accurate prediction of what the modern working life would be like, but the industrial
revolution had been underway a long enough time for Kafka to understand the damage that
capitalism was causing and would continue to for the coming years. Thus, it is crucial and
significant to read the Metamorphosis as an allegory for criticism on the modern working
environment, because Gregor’s fate acts as a warning for the long term negative effects of
staying in the capitalist system. Not only is Gregor’s agency and respect as a person taken
away, but his bonds to other people are weakened too, leaving him a hollow shell of what he
once was. The capitalist system demands this of their workers, draining them of every
resource they have to offer, before discarding them as useless if they are no longer
contributing. One is given the impression that they are always replaceable, and in fact one
will be replaced should they “slack off.” This ruthless system creates people who also do not
see others as people, but only value them as much as their working ability. This is why when
Gregor’s family, his sister and father, enter the workforce, there is a shift in the way they treat
Gregor. They have purpose in society now, while Gregor does not. They are useful, while
Gregor is useless. It is a toxic way of thinking that must end in order to change the way that
humanity progresses (Zeynep). In a world where Gregor’s value was not put entirely on how
much work he could do or how much money he could earn for his family would perhaps have
made him a happier person, and he would not have had to suffer the gruesome fate he does in
the Metamorphosis.
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Works Cited
Karl, Frederick R. “Franz Kafka: Representative Man.” Boston: Ticknor & Fields, 1991.
Print.
Thompson, Derek. “A World Without Work.” The Atlantic, Atlantic Media Company, 6 Nov.
2017. Web.
Beckett, Andy. “Post-Work: the Radical Idea of a World without Jobs.” The Guardian,
Kafka, Franz. “The Metamorphosis” 1915. Arcturus Publishing LTD, 2018. Print