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(W) OPERATIC ANTHOLOGY?
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N 2 . *-"""“Gelebrated
ANY) Arias, Duets, Trios, Quartets, and Quintets
\ WA Selected and Edited by Max Spicker
Ritorno di Columelta. i (1839) V. Fioravanti La Semirami¢
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1.(1748) —C. W, von Gluck.
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Robert le Diable. f. (1831) G. Meyerbeer 7
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sea eee ae ‘La Sonnambula. i.(1831) V. Bellini
‘Roberto d’Evereux. i. (1837) G. Donizetti ‘327. Abt mon credea. |. f. oh
9A Sop, SS AIRE Slime
‘Le Roi de Lahore. f. i. (1877) J. Massenet. = ‘g: (1845)
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Le Roi Ie dit. £. (1873) L, Delibes
306, Deh eg Aoadelen, Dect, Sop.
307. Jacquet courant. Duet. Sop. and Ten,
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‘La Traviata, i. (1853) G, Verdi
\) ein Jeger inet Wate Sg Ramat (05D)
00. Angst the adoro, 1, Duet, Sop, and Der Trompeter von Sikkingen. g. (1884)
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y, Que fats, Manche tourteele. t. a race
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5 S18 ug figs Mache werteraie, Wilhelm vou Oranien. g. (1846) K. A. F. Eckert i
21 Que hey Make urea, 4 MS Won Messed ai Boge
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‘Samson et Dalila. f. (1877) C. Saint-Saéns mungen. M.-Sop.
1) 3 hon ie G Die Zauberfte. (1791) __W. A. Mozart
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\ ta! 184 W. Balto
' Sapho.f. (18st) Ch. Gounod ie Onan Lg ve
at; On iyretmmorete, Sp 3 RAs,
V7 ‘Order by of lection nts shed with Bags Addition co the al ts .
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T ‘This composition, Price, 35 cents, in U. S. A.515s Printemps qui commence.
(FAIR SPRINGTIME BEGINNING.)
from
“Samson et Dalila”
(MEZZO-SOPRANO)
C, SAINT- SAENS.
Andante.(d = 84.) dol.
VOICE.
PIANO.
temps quicommen- ce, Por- tant Tes-pé- ran - ce AUX erurs a-mourenx,
spring-time be-ginning That sweet hopeart bring- ing To all loving hearts;
Ton souf - fle qui pas-se, De la terre ef - fa - ce Les jours malhen-reux.
‘Thy breath soft and ten-der The days glad doth ren ~ der, And brightness imparts.
Printed in thet 8.4,
Copvright, 1449, by te. Schirmer
poser