PACO DE LUCIA & SEXTET

Please note that this rider is only to be used as a guideline and that neither
IMN nor the artist is contractually restricted to the terms within. We reserve the
right to modify the rider at any time. To confirm the terms of an artist's tech
rider, please e-mail us for a hard copy.

TRAVEL, HOTEL, DRESSING ROOMS AND CATERING

PURCHASER agrees to provide ARTIST'S REPRESENTATIVE with detailed directions to the

place of performance. If ARTIST gives advance notice to PURCHASER that the ARTIST is
arriving by air, PURCHASER shall, at his sole cost and expense, provide GROUND
TRANSPORTATION for ARTIST'S entourage of thirteen (13) people, plus luggage and
instruments, etc. between airport, hotel, concert, venue, and return to airport upon
departure.

Ground Transportation Specific Requirements:

One (1) Limousine/Town Car (Mr. de Lucia)
One (1) 15 passenger van (band) (available to the group from the time of arrival
to the time of departure)
One (1) Cargo van (luggage and instruments)
One (1) Large sedan (crew) is required to accommodate the crew's early arrival
and departure times.

If PURCHASER is providing HOTEL ACCOMMODATIONS, a minimum of eleven (11) single

rooms
and one (1) suite (king size bed; junior suites not acceptable) at a FOUR STAR HOTEL
are required. The rooms shall be available until the day after the performance with
the ARTIST to comply with checkout times and hotel rules. Rooms shall be noise free,
as well as completely dark, within close proximity to the venue, and CONTAIN BALCONIES
and/or WINDOWS THAT OPEN. The PURCHASER shall not be responsible for any extra
charges
during the stay of the ARTIST.

PURCHASER shall provide three (3)+ comfortable and private DRESSING ROOMS: one
(1) master dressing room (Mr. de Lucia). These rooms must be clean, dry, well-lit,
heated or air-conditioned, shall contain at least ten chairs and shall be within
easy access to clean and private lavatories which are supplied with soap, toilet tissue
and plenty of clean towels (minimum 20). Towels shall be provided for ARTIST'S use
in dressing rooms and on stage. A professional steamer (preferred) {or iron with
ironing board} is required in band dressing room.
PURCHASER shall guarantee adequate SECURITY at all times to insure the safety of the
ARTIST'S personal instruments and personal property from the beginning of load-in
to completion of load-out. During soundcheck, performance, and after show, PURCHASER
will have security backstage, on-stage, and at the mixing console. PURCHASER is held
responsible for the personal belongings and for the music equipment of the ARTIST.

HOSPITALITY: PURCHASER shall provide refreshments in quantities sufficient for fifteen

(15) persons, available from bands arrival until departure.

CREW Catering: A sound crew (three persons) will travel separately, please prepare a
good and healthy lunch (sandwiches) for their arrival ON CREW LOAD IN. A good supply
of Coffee, Water, and Soft drinks should be available at this time.

BAND Dressing Room(or Green Room):

Two liters of coffee
One bottle of quality whiskey
One liter of tea
One bottle of quality rum
One liter of milk
Two bottles of quality red, dry wine
Thirty liters of mineral waters Two cases of imported beer
Twenty soft drinks (variety)

Tray of canapŽs, dried fruits, fresh fruits, and fruit salad

Fresh milk, cream, sugar, & sugar substitute, lemon, and honey should be provided

MR. De Lucia Dressing Room:

Hot coffee, milk, sugar, fruit (variety), spoons and an ashtray.

HOT MEAL:
(Please advance the following meal with Road Manger for specific times and menu
requests)
HOT MEAL to be served exactly at BANDS ARRIVAL FOR SOUND CHECK and remain
available
through company load out
Menu Suggestions: Steak, Fish or Chicken with Rice and Vegetables, additional vegetable
side dish, etc. Meals should also include green salad, dressing on the side or
coleslaw and fresh bread and butter.

* * * No deep-fried or "fast" food please

PURCHASER shall also provide the name and address of a good quality restaurant for
after the performance, restaurant should be at open between 11pm and midnight.

TECHNICAL REQUIREMENTS

Purchaser shall provide the following band equipment at his sole expense and at no
cost to the ARTIST.

A. DANCE FLOOR: One plywood platform (8'W x 8'D x 2"H) painted black.
TO BUILD: Make the frame for the dance floor with 2" x 4"s. Place the 2" x 4", wide
side on the floor, leaving it 2" high to make the frame. Put one 2" x 4" down the
middle to brace the platform, then add 2"x4"s as cross braces. Top with two pieces of
plywood and paint black.

B. CHAIRS: -SIX (6) concert type chairs (without arms); Paco's chair MUST be 18"-
18 " high (46-47 cm.)

C. STAGE: Black Curtain Chamber or Rigid Wings

- Stage Width: 40 feet (12 meters)
- Stage Depth: 36 feet (10 meters)

D. HOUSE AUDIO:
The promoter will provide a high quality system, multiway active, this system must
produce 100 DB A at average level at the mix position. It will have a flat response
from 20Hz to 20KHz

P.A. SYSTEM - MEYER MSL 4, CLAIR BROTHERS.

Example: 1-500 people - 6000W 500-800 people - 10.000W 1000 people - 2000
people 15.000W
The mixing desk will be placed between both sound systems and in 2/3 of the venue,
NEVER under balconies and always in the same level as the audience.

If there is no area for the P.A desk, the PROMOTER will eliminate some seats in order
to have this desk in a perfect position. No exception will be made to this issue.

In Theatres or big halls, the sound system will also have "delays" to assure that the
sound will produce the same dB pressure in all the audience seats. These delays should
be speakers from the same manufacturer as the P.A. and will be rigged from the ceiling
to reach the balconies.
There will also be Front fills (a minimum of four) to assure the correct coverage for
the first rows.

F.O.H.
MIXING DESK-a 4/8/2 YAMAHA PM 4000, YAMAHA PM3500, MIDAS XL3 or MIDAS XL4
ONE (1) Equalizer Klark Teknik 1/3 octave - DN 360 (stereo)

All additional speaker systems will have their own KT EQ 1/3 octave and will go through
the desk by matrix.

F.O.H. Rack equipped with:

TWO (2) LEXICON PCM 70 {or ONE (1) LEXICON PCM 90 and ONE (1) LEXICON PCM 90}
(NO SUBSTITUTIONS WILL BE ACCEPTED)
TWO (2) YAMAHA SPX 900 or YAMAHA SPX 1000
EIGHT (8) channel compressors BSS or DBX connections systems with multi-cable
(with boxes)
CLEAR-COM system to monitor mix position

MICROPHONES & ARM STANDS:

SEE ATTACHMENT FOR LINE LIST
- THREE (3) Senheiser MD 421
- FOUR (4) Shure SM 58
- TWO (2) Shure SM 58 Beta
- TWO (2) Shure SM 57
- TWO (2) AKG 451 CK1, 460's or KM184's
- ONE (1) AKG D 112
- FOUR (4) PCC Crown
- TWO (2) Direct Input Boxes
- TWELVE (12) Articulated Arm Stands Floor Medium Size
- SEVEN (7) Articulated Arm Stands Floor Large Size

MONITOR SYSTEM: Professional quality processed and bi-amplificated sound system.

THE ONLY ACCEPTABLE MONITORS ARE (in order of preference - NO EXCEPTIONS):
- MEYER UM 1, NEXO PS 10, CLAIR BROTHERS AM 12, MARTIN LE 700 (12inch speakers -
no
exception) * * * ALL MONITORS PROVIDED MUST BE OF THE SAME MODEL * * *

- ONE (1) Drum monitor to include 15inch speakers

- TEN (10) 31 band graphic equalizers inserted not in cascade
- THIRTEEN (13) monitors minimum + TEN (10) power channels minimum + TEN (10)
different
 processor channels.

MON MIX DESK:

-Yamaha PM 4000 or PM 3000, Soundcraft SM 24, Midas XLR 250 or XLR 3 or Heritage
3000
(40 channel minimum)

MON RACK
- TEN (10) Channels of 31 band graphic equalization (inserted not in cascade)
Klark Teknik DN 360 or BSS DPR 966 Opal Drive Series
- ONE (1) Reverb Lexicon PCM 70 or PCM 90 (NO PCM 80) or TC Electronic M2000
- ONE (1) Multieffect Yamaha SPX 900 or SPX 1000
- ONE (1) Channel of Compression type DBX 160 A
- FOUR (4) Channels of Compression type BSS DPR 402
- ONE (1) Intercom station to FOH audio

F. BACKLINE
- TWO (2) Bass Amplifier Heads - SWR or EDEN
- TWO (2) Bass Cabinets equipped with four 10" loudspeakers each (No 1 x 15"or 18") -

SWR or EDEN
- ONE (1) Conga Latin Percussion LP Matador (no stand needed)
- ONE (1) Tumba Latin Percussion LP Matador (no stand needed)

G. LIGHTING: (SEE ATTACHMENT: LIGHTING PLOT USA 2001). TOTAL SPOTS SHOULD TOTAL
NO
LESS THAN 123. PLEASE FOLLOW DESIGN AS CLOSE AS POSSIBLE, ANY SUBSTITUTIONS
MUST
BE APPROVED BY ARTIST/ARTIST TECH MANAGER) ARTIST'S Lighting Director must have
full
use and operation of desk/computer during set-up and performance, use of horizon and
backdrop and legs. Backlights to be hung and not be seen by the audience.
- ONE (1) Hazer
- ONE (1) 2ft. Black Crown Row (to hide floor lights)

* * Lighting requirements subject to change * *

H. TECHNICIANS/ASSISTANTS: House technicians must be available from set-up through

performance.
 - ONE (1) monitor engineer is needed for the monitor mix. The lighting director of
the Paco de Lucia Septet needs TWO (2) house technicians who are familiar with
the house system and use of in-house desk/computer.

- ONE (1) technician who knows how to program and explain the functions of the
desk / computer. This technician has to be available during performance.

- ONE (1) technician during set-up and performance to operate house bars on
stage.