CHAPTER THREE Duets “The experience of singing one part while isting ‘another develops that sense of independence 80 es Sena to a good ensemble performer Hearing the Imonic and contrapuntal relation between your -melodic lie and another will help maintain corect 206 Intonation and shythymie precision, For adtional practic, it useful to play one part atthe piano ‘while singing the other These diets may also be ‘sed for dictationpueTs = SECTION | To be used with Section I of all other chapters “The ist six duets are restricted to consecutive seal sips 1. Flowing mf mf 2 Con moto mp crest. poco aporo decrese. poco a poco mp _erese, poco apoco mf decvese: poco a poco mp 3. Lento | Larghetto 207pq str x Thise / Diets 5. Larghetto BBB Thoush comprised mostly of sale sens. the following four dts inte intrealic ips nf the thi fourth nd ft, 2. Andante P 8. Allegretto