v 4

,, J,

SECOND HAND RO*

MY LOVE
ÏHE SOUND OFSILENCE
qRL
44
TT+AT DAY
TOMORROW
SUCI-t A CAD
THIS qOLDÉN RINQ
TI-tE MEN ÍN MY LITTLE qIRUS LIFE
HOMEWLRD BOUND
Igfrl.NERVOUS BREAKDOWN
DIE ZEÍqER DER UIIR
YOU WERE ON MY MIND
DER QON##LIER D'AMORE
TfiE BREEZEAND I
CITAKMAI NE
AEORQÍ& CN MY MIND

LES EDITIoNS INT. = BAS A R T N.V.

(À.l.c.STRENGHOLT, H.CH.GOMPERTS s GUUS IANSEN h.)
LEIDSEGRACHT II, ÀMSTERDÀM
 BARBIRA STREISAND Op C. B. S, - CORRY BROKKEN op Philips

Second Hand Rose

Orig. tekst:GRAND CLARKE (TWEEDE HANDS ]ET)
Ned. tekst :PIETER cOEMANS Mruiek:JAMES F. HANLEY

Tempo di Fox Trot

Andantino

Fa-ther has a bus-'ness Strict-ly sec-ond-hand EvJry-thingfromtoothplcks To a ba - by grancl

Each one in the farn Jlv Kicks theutrole dav- ]ong Ev-'ry-oneb dis - gust-ed Es:rl'lhing is rr-ron
VA-DER HEEEr EEr nrtbel il{ oT.GEREGELD COní| TUSSEX 0U- rE Sd'L- LEli BEtl Ix OP- OE-YOE!

? -==_.

Stuff in our
a-part-ment Came from Fa-ther§ store E-ven tliiirgs Iin wear-lng Sómooneu-ore before
Sec-ond hand+d ilog- gie Sec - ond halrd-ed cat Sec+nd hand- ed. wel-come Sec-ond hanckd mat
IAT ER BIJ sr^ÀI 0P LrGt or HA IS cLo-RrE, orrD Et Ar- oE-DAtrf,l.

riri
^
It's no won-derthat I feel a-bused Iin u'earing
I think fa-ther's head is made of vood Iïnu'earins
.AXNí

i.
I
Copyright MCMXXI by Shapiro, Bernstein & Co. Inc.
Copvrighr Reneq,ed MCMXLIX and Assigned 'r, §hapiro. Bernsrein & Co Inc. 666Fítth Avenue, New York 19, N.Y
Voor Nederland (c) 1966:LES EDITIONS INT.BASART N.V.rLeidsegracht ll.rAmsterdam. L.E.I.B. 3346
 Stc-ond hand hats- Sec-ond hand clothes- Thats why they calt -
:ec -ond hanil shoes- Sec-ond hand hose ilf the giris hand
:IEE. DE. HAI{DS JAS, _ ?íEE- DE- H^TDS BED; - ID - DER- EET TOETí?

me sec.ond hand. Hose_

seoond hand Rose E-ven our pi - an - o in the par
me theÍrseo-ond hand beaur- - E-ven my pe - ja-maswhen I dott
IIJ IIEE-DE-HAI{DS JET! ZELTS D§ TOL DIEIK XREEO VOOR EEX ruI-'!
-

\f
.)1

lor Éa-ther bought for ten cents on the d.ol

'em Have someàod - v else's
I{Ar rril vA - [tER VOOR EEll 'ni
- tials on

ï#J;J,
VER PRI(-XIE

Sec - ond hand pearls- Im v'ear-ing sec- ond hancl curls-. I nev- er get &
-\ec - ond hand rings-- Iin sick of sec- ond hancl things- I nev - er ger what
lFEE-DE.HÀTDS JElr IK BEX IAAR TTEE-DE. HATDS JEïI _- oËEr EX. I(EL DÍT6 BÀf
-.

,.
{,
lt-
sin- gle tiriug that's ne\Y Ev - en
Jake the plum-ber, hes t.he
oth-er girl- ies tlo stroll-ius thru the Bitz a
0nce u'hile
§( OOIT KRIJO IS GISTIREtr xoo zEGÍ- JATí DAI. IE VAr{
>

man I a- dore Had the nerve to tell me he's been mar - ried be- fore
glrl got my goat -_ She nudged her friencl aud said ohl look,Thereb mv old fur coat
IIU rX UTT TTEE- DE HAIÍD !lírJ rs rueí xren oE-rRourD t
-
VOORI? EERST HOUDT-. HOOR
>-
DE

Ev-ty one knows- that fin just Sec-ond bandRose-

Ev -'rv -Én" j]8i*
.lr- orf hË,,oÏ_-,![tt #Ë ,lËS_8$j,mg Hi"_

/i ri ri

Sec - ond Av- en Im wear-iirg

Scc - ond Av- err I m wear-ine
TIEEDE HEL- TTEE
rK xee enil"
IER-STRAAT HO
ari6

[l,t'-
\
 PETULA CLARK op Vogue-TREA DOBBS op Decca

N,tY LOVE
Words and Muuic by
TONY HATCII

Moderato

Piano

Dm7 G7
Refrain Hf,H ffi#B

MY LOVE than the \rarm - est _ shine,

Em

ïffi#l

sigh,
-

G7 C G7 q"
EflH ffif,q ffi ffi
deep - est- o -cean, wid er than the sky. MY IOVE

*Cb*a nancs attd diagrans guitar.

fit?.
D 2u65-il
(O CoPyri5ht MCMLXVby Welbeck Music Ltd.,25 Doomark Street,London, England
Sole Selling Agent DUCHESS MUSIC CORPORATION, a subsidiary of MUSIC CORPORAIION OF AMEAICA,
322 West 48th Stree t, New York,N.Y. 10038, in U.S.A. end Canada

Voor Nederland (c) l9{i6:LEEDS MTZIEK HOLI-AND N.V.(BASART N.V. )Leidsegracht llrAmsterdam. L.H. 1616
 DomT G7 Em
F ooo o ooo

ffi ffi ffi ffi

l!.
*r Dm7 G7
ooo
2. no.z G7
ooo
ffi
ffi ffi ffi
and there is noth - ing in yorld can ev - er MY

G7
ooo

ffi

c7 F,
ooo
ffi ffi
 C
F
ffi ffiH

Sorne-thing hap - pened to my hear t the tlay that I met Jour

Once I thought that love was meant for an-y one else but me.

some - thing t hat nev - eI fe 1t be

Once I thought youh nev - er cotne my

C
r G7
ooo
E7

ffiflq ffi ffi Fffi+i

You are al way§ on rny mind - mat ter *'hat I do, and
Now it on ly goes to show- u'ronB \tr'e all can be, for

G7
.3on' G C
oo ooo
ooo

ffi ffi ffi

ev ry day it see rn s I want you more_
MY
now I -
have * to tell you ev 'ay day.
LOVE

D. S. al Fi.ne

\
 SIi,{ö}J & CARf'U,'{KEL op (:" B, S. ""Ti'iE BACHII-CRS op Decca

T,h{ffi sffirJhw} ffitr §rE"*mN0ffi

\&'ords & Music by
PAUL SIN{ON
It{TRO. .1, lt, .t, ,o ." I

1. llel."tro darkness lnyold friend, Ï've come tc taik u'ithl'ou a -

I .a :r[ "d tn .il :d .d tË .ft :! .! l

-galn, Be-cause a vi-sion soft-ly- creep-ing, Left it's seedsutrilel was

Dm

It :d.dtl.l:- |

sleep-ing, And the vi - sion that was plant-ed my brain

F Bb

.t ln :- t-- I .d:d.d. lr

still re - mains \\tthin the Sound of Si- lenËl-

FDm C

@ Copyright 1964 by Eclectic Music Co.,New York, U. S. 4..

Co-niroítea for the world (excluding U. S. A., Canada, Mexico and So uth Anieriea) by
LORNA MUSIC Co. Ltd., 5 f)enmark Street, London, W. C. 2 .

Vosr Nederland (c) 1966:LES EDITIONS INT.BASART N.V.rl-eidsegr acht 11, Arnsterda m. L. E. i. B" 33,15
P. In rest-less dreams Iwalked a - lone r-row st reets of cob$le+tone

.d tn .n:E.! lt

'Neaththeha-lo bf 'a- street I turned my col-lar to t cold and damp

BbF
Bb

.l I - :l .t tt[' I .r :l .rrn:- l

\f,henmyeyes werestabbed bytheflash of a ne-on ight split the night

-

!1.2&3
.d I g :-

q{--a
And touched the Sound lence

/)

,rï.
 Last
-t- r- , .t, I a
.1.
{lr .1,

Si - lencEl

e'
\y
C'l

3. And in the naked ligtr! I saw

Ten thousand people maybe more
People talking without speaking
People hearing without listening
People writing songs that voices never share
No one dare
Disturb the Sound of Silence.

4."Fools!" said I ttYou do not know

Silence like a cancer grows
Hear my words that I might teach you.
Take my arms that I might reach you;'
But my words like silent raindrops fell
And echoed in the wells of silence.

6. And the people bowed and prayed

To the neon god they made
And the sign flashed out its warning
In the words that it was forming,
And the signs said "The words of the prophets
Are written on the subway walls and tenement halls
And whisper'd in the Sound of Silence."

ït
\].

lJ
'
\
 THE BEATLES OP PARLOPHONE

GIRL By JOIIN LENNON

and PAUL McCARTNEY

1. Is there ao- y- bod -y goiug to list - en to my stor - !,

- think of al the timcs I tried so hard to leave hcr,
told when she was young that pairr would lead to plea - sure,

All a - bout the girl who camc to stay, ShJs the

She will turn to me and start to eÍf t A rrd she
Did she un der-stand it whr;r thcy caid, That a

kild of girl you want so much i t makcs you sor ÍY,

p rom is - cs the earth to mc and Ibe Iieve he r,
mau nrust break his back to €arn his day of lcis u re,
I

7' n 7' t 't' V, 7'

Cm G7

Copyright 1965 for the World by

'IiORTIIERN SONGS LlÀIITED' James House, 7l-7'in, Ncw Orford Street, London, W.C.t.
Voor Nederland (c) 1965: LLEDS MfnIEK HOLLAND N.V.(BASART N.V. )rLeidsegracht llrAmsterdam L.H. 1605
lx
/\, '
 Still you àoo't r" - gret a sing - le day.
Af - ter all this timc T don't know why.
Will she st ill bc - I iuve it when he's dead.

to Coda +n

oothss (Breathe in) GIRL GIRL._ 2. When I

--;\

Eh Gm Fmz

down, When f riends are there,

fool . say look-ing good,

- (Tu u' tr tu ;, ;" ;" í,'J" ;" * í)when vou she's She

{
)
Fm7
-\r.a,
 ooh
-

GIRL._

D.X; at § Coda

+
CO DA

Fmz G?^ Gz

t())
tt
I L,"\,_
 THE GOLDEN §ARRIIIGS oP Polydor

Piano arr.:
FERRY WIENNEKE THAT DAY Tekst en muziek:
M. GERRITSEN
E G. KOOYMANIS

Sha lef,t tne be - I hear the

said to lge- ron-der rhy- it had to be- that day.-

She said and that ras easy to But why did she

--v
run & _,ray_ plray that she'11- cose baok and stay- one day
-
 walking slowly Slorly'long ny ray _ It seens- she yas

lonely Anyoners to say i{here has Bhe gon6?

- -

Where has she Eone? No heart ras e - Y6r

-

Iike mine _ that dayt ........._

-

Dal $
ul+
Coda
 SANDIE SFIAW op Pye.

TOMORROW
Org. Tekst 6 Muziek:
CHRIS ANDREWS.
Not too slow
>>>>

6
stP

To- mor-rolv, see him tO - mor-row He's qr-ri-

ond then, be him think-ing Itve been lov-ing him
-- -
-

home of-ter o qu ite some time,

-ving- lone howcon don't -woy
-o

o Copyright 19óó for the World by Glissondo Music Ltd., 4ó Moddox Street, Lonön. W.l.
\ --. Voor Nederland (c) 1966: Les Editions Int. BASART N.V., Leidsegracht 11rAmsterdam.L.E.I.B.3357.
 v
trust-ed me, know it's true
|
-- broke thot trusl, -_ I've some-one new _ ond
--

Fni6 tmi E7 DmiT

bs

mor-row there' I I be ieo rs thothe lovesme so ond he

known him two yeon- I must let him 90 though I'm
- --

lr
reol-ly been so to me.
sor - ry it's the woy it must
 z L

be. He

a
r r r" r r r rr o
D.S, ol Codo.

c t7

tmoiT

bet-ter when I tell him whot | must do contt go cheot-inl

let- tell-in' him -- I don't love him or re-
ter -of our ro-monce -
is through
- - -

Emi

'.1
\\.'
i(
 /i

don'i ike uhot MU§f o to - mor - row.

A

')rr
l\ I \l

collo voce
r-l r {=_t_ lJ-r 6
A
€È'

Dmi Fmió E7 Ami

I
 rLES BIROQU.ES' oD Eutopho!

SUCH A CAD Tekst en muziek:

GARY O'SHANNON
Piano arr.: FERRY WIENNEKE A PETER SHOTT
Medium beat
7l^7t *
-.E-L-í---l- v t-

- by oenft You

you donttlovc

IU§ICr Lcidscgracht II, Aaclerdau' I.B.1OO6

forldcopyritht O 1965r IIIPAtA - BÀS1RÍ
 I. A1l Èh. boys i! tcm fllor tlr€,L I I va baaa
2. Ev'- ry glrl Irvc kisscd Irvc bera ahacL - 1B
a
E - von ry bcst pal -- ttr ta rrll l -
4. But lf you routd aay ghat yourdrcef - ly
--
-

f;oo1 - ing B - FOUtld- öhrslna .Y - ry *lËt

off oa Ày llst llrv - rr !i.rr sr.en -
trrlorr-
rsy ïith hls gr1 - Iàfn I il,lncrd 6a loore
lovc Ea ono day - Ird f,or gGt thoso shiskr-
-

Sor - rJ tf youf fccl-lf6r Bst hurt

thrtt s your tru - lyrs latcrt rd - rl,cr -
tbtrcrcrc tfg lotla alag-í.ng thr bluae--
rcesgo I dld It öE - ty for kitts
-

REPEAI AD LIB.

S íÈ .rttr er ï Sí Àort rE I
- -
 Tt{E FORTT -\iES op Decca

THIS GOLDtrN RING By ROGER GREENA\\TAY

& ROGER COOK
Dotr Eb
.ll
:Ft lf .Fl :-.r ll

THIS GOL}EN RING,S

"f=
J'
> Eb
Bbr
:r .r lr :r .n -,r

a s arm , - THIS GOLD-EN RIN dS

gon-na buy me Place in mY ba-b

il ! 1?7 77 ra r | ? ,w? =--r- ' fr-

l.' 7 l-..-__.--f
l-l l,-
O- e -T.
Éu -,--? t-
Bbz
{l-

gon-na make quite sure that rve nev-er part' Itts so

sbz

.l :-.1 I - :Fl .n ll

fun-ày \\'hat a ring can make a girl- jist like you- Take a ridedo*ntou'n,

Eb

1)Cop-vright tgti6 for the Entire \\brld b1' \lills N1usic Ltd''
- ?(l-Dnrmrrk Sl., I.ondon. \\. C 2' M. H.202s Íll
VoorNederland(c)1966:MILLS-HOLLANDN.V.(BASARTN.V.)Leidsegrachtll'Amsterdam' t-
 Searcbin' for a rveèding gown._ Iïe got a for nry ba-
1-T;l
--

\
Bbz \
Bbz
.n' lr' .nr : .l lr' .de' :r'

by- An0 lm h think-in've-rysoon that may - be that girlrvill be ntine

Ab

{la' .t :d,' .t rd'.t :d'.r'l- :- r-

gon-na have an angeldc-vine -- And ev-ry-thing is gon-na be finc so fine.

F?

ll

THIS GOLD -EN RING have-

t
 But and love ['ll n'lake yourdreams come true.

Eb

rl

l've bcen a sav-int all my mo - ney, Itve been a-rvork-in' hard girl on-ly ."vith vou in mind

-.
sbz
D.X at Coda#
{l ., :} .t-.ll-.s:-lf :s'l

Butrve'vegotsome-thingmorethanmo - ney,\Ydvegota love thatsgon-na last- us.- It's so

.t .4.
-++++e
v
D- L .a. -L
r--f'- v r'ffi*
'rll rTrl
Ebz
nbr

OD
+ i\ l\
\\ 5
t^,
Bbma?
 { ZO GAAT HET MET MEISJES ALTJD ) M.azie k :G'i ORI-i SH-j-11' :
Crig.te}<st:lvlARY CANDY L EDDIE V,DEANE
). ed. tekst:PiETER. COEI"4ANS

Surig.'
Voice

Pi.r"
I
Moderato
Eblaaa e)

GIRLS

Verse l6L 2
SnnS"Qr slohrn ad ltb.
AbmG Bb?(r5) Bb7

It seems líke on - ly yes -ter-dug, I cun h.eur my ,ltttle girl so.y :'(D-rt,l-dy, there's o bog out-side, hía
Wrus it, reallg SO lang ,t,go She\l cotne to rte utid shed wunt to krwu,: ((f)udt- there's a boy wt.side, his

Gm7 C7(ts) Fm7 Gm C7 Fm nbz Grl7 C7(ts)

nanze Ls Bod, Ee wants to pJag dn our bach Can he, Dad-dy? Con he, Dod -dy? 0h pleastptd4g.a''
name 'is Leu, I[a wants tc cuot'y nty books Íor Cun he, Dad?- Is it att right,Dad.? tteb got freck-ltsrDad.':

m.Ab-6 Sung: Ebmaj.z c7(Ls)

THE MEN IN MY LIT-TLE GIRLS LIF'E, THE MEN IN MY LIT-TLE GIRLS

@ Coyy.ffnt 1965 by JE$IEL MUSIC PITBLISHING CO., INC., 16í9 Broadway Ncw York N.Y. tOotg I
voor Benelux (c) 1965: GOODMAN-BASART N"V.rLeidsegracht llrAmsterdam. G.8.2036
 Sung or slokea ad lib,'
B r*z/s F{z s7/e tr 21+r)

Them cotne po - ny - tail,s ond, jeans, Mg Little girl was dn her teena.

Both hands goa highe.r oltional

Verse 3 - Swingy
Sung or sloken ad. iíb'.
Ebmaj.T Fm7 Ehmaj.T Fm7 Gm7 Gb7

bog out - side.,- his nomo is to tohe- ?ne to tttp Ttruom.-

Fm7 Bb7

O - koy, Pop-sie? Eeh fire'tl be home earlg, Bejore I bnew

tirna had tl,own, tr[g, how ,n!

Verse I
Bbe A-m?(r5)AlDc7Gn7Gb7 X'm7 nbz Gm7 CTtbs)

bog out-sid,e, his narne is _frddie, Ee wo,nts to know it wa co,n go steady. Can oe, Ja.ther? Yesrfa.ther.0h!

.é
U\
 only yeaterday,

Verse ó
Slpng or sloLen adlib.
Eb- - Fm7 Sbt
,
E;b7

boy ott-sido, hie ro.rna 'k Ea asked ma iÍ owr - rg hin.

Szag..Ebmaj.7 Cíbg)

Oot something in gour ege, Dd? f boe him,Dod'" THE MEN IN MY LIT.TLE GIRLS LIFE, THE

nbz(be) Eb

MEN IN MY LIT-TIE GIRIS LIFE. / ohild, ott odolescont, o lot tg

 ah !e8., there)t

Gm7 C7(be) AmZ D7(be)

babg THE
r-\
J JJJ

MEN IN IVTV LIT. TLE GIRL'S LIFE, THE MEN IN MY LIT.TLE GIR'S

l
 ZO qÀÀT T+ÉT MET MEISJES
CIR/S
ÀLTIJD
( THE MEN IN MY LITTLE LIFE }

Orig.te}<st:IVÍARY CANDY E EDDIE V.DEAIÍE

Ned. tekst TPIETER GOEMANS MuziekGLORlA SHAYNS

I
lt Zo gaat het met meisjes altijd (2x)

t'
Ze is pas 4 of 5, niet meer
En dan, dan hoor j e rt voor de eerste ke er '
Mammie, op de hoek hè, wooflt een heel leuk Jongetje
en hij heet Jan Daan.
Mag ik straks bij hem sPelen gaan ?
Mrg tt Mammie, ia Mammie, Hè toe Mammie'
Ze gaat naar school en na een Poos
op een dag komt ze binnen en zegt heel argeloos:
Mammie, in onze klas hè rzit een aardig Joch,
zrn naam is Bram, ik gaÍ' rm vanmiddag mtn b.oterham'
Dat vind je toch wel goed hè Mammie, ja hè Mammie.
Zo gaat het met meisjes altijd (2x).
En voor je rt weet is ze al elf .
En hoor je, ach rt spreekt haast vanzelf.
Mam dtr is een mieters joch, zrn naam is Tom
en hij vraagt of ik ook op zrn Íeestje kom.
M"gtt Mam. Els en Barbara gaan ook.
Mm, kleine meisjes worden groot
en ze kruipe n haast nooit me er oP j e schoot.

En dan is het
Oh uh Moeder, drr is een aardig joch. Ztn naam is IooP.
We gaan vanavond naar de bioscooP.
Ja, we komen niet laat thuis hoor
Det vind je wel goed hè 7
Zeg, heb jij nog een paar nylons voor me ?

En dan ineens,za onverwacht, veel eerder dan J-e had gedachtl

Mam, drr is een zolder vriJ
en Hans heeft een fijne baan.
We willen in het voorj aar trouwen gean.
Wat is er Mammie, ben je verkouden Mammie.
Ik ben zo gelukkig Mammie.
Zo gaat het met meisjes altijd (2x).

Klein meisje, tiener, jonge vrouw, stralende bruid.

En, oh ja, het gaat natuurlijk nog verder.
Hallo Mams, ik heb een klein probleem
we gaan uit eten, heel chic,
maar we hebben geen oppas voor Annemiek.
Kan het Mam, oh j e bent de lief ste moeder van de hele wereld.
Daag, tot vanavond.
Zo gaat het met meisjes altijd (2x).
 SItv{ON E GARFUNKEL op C.B.S.

HOMEUZIRD BOUNI)
Org. Tekst E Muziek:
PAI]L SIMbN

Key c {l l!....rJ'!....i1 .r l

Itm sit - tin' in the rail-way sta-tiongot a

Evt- rv davts an end-less stream of
- night ÍÍl sing my songsa- gain- - I'll

{lr .t :-

tick-et for my des ti-na - tion Mm

cig-ar ettes and mag a - zlnes I\ím
play the game and pre- tend Mm
-

Em?Sb

{ln t- .f rf :f :l if

Mm 'Ona tour of one night stands, my

Mm And eachtown looksthe same to ffi€, the
Mm But all my words come back to me in

A -_z€>
--rF
- -fiJ tl-
<E
lJ,.
{E>
*
I

A7 T--/ |-/
Dm

@Copyright 1965 by Eclectic Music Co., New York, U.S.A.

Coirirolted for thè \lbrld(excluding U.S.A. Canada, It{exieo & South America) by LORNA MUSIC Co.Ltd.,
Voor Nederland (c) 1966: Les Editions Int.BASART N.V.rLeidsegrachí 11, Amsterdam.L.E.I.B.3356.
t,\
J\ \,i
 f- :f .f 1- : .n I I

suit- case and gui-tar- in hand And ev - ry step is, neat - ly planned for a
mov- ies and the íac toÍ- ies- And ev - ry stran-ger's face I see re
shades of 'med- i - oc ri - ty- Like emp- ti - ness and har- mon-y I-

Bb c

{l' :- .d' I r, :tl' t-

po-et and a one man band

mindsme that I long to be HOME - \\'ARD
need some - one to com-fort me

rvhere my thought's es - cap-ing, Home rvhere my mus -

 ics play-ing, Home, where my love- is wait-ing si - lent - ly for

.tt
llr

{19

Si - lent - ly for

{l'

-rl
Ar.
-t
,, \
 .THE ROLLII.IG STOMS op Decca.

tgth Nervous Breakdown

Oig.tekst E muiek:
MICK JAGGER E KEITH RICHARD

You're the kind of per - son you meet at dull af - fairs

xrere a child you were treat- ed broughtup right

of a crowd talk-ing much too loud run-ning up and down the stairs It seerns to me t lrat
o - ver spoiltwith a thou-sandtoys and still youcried all night your mo - ther r,r.ho neg-

you have seen too much in too few years And thoughyou- try you just can't hide your
- lec -ted you owesa mil- lion dol- lars tax Your fa - ther's still per - fect - ing rvays of

@ Copvti"nt 1966 by [irage Iu;ic Ltd. 158 Ivor Court, Gloucester Place.London. N.\\-. t
VoorNederlaud(c) 1966:LesEditionsESSEX. HOLLAND( MSARTN.V.) Leldscgrachtll, Amsterdam.8.H.205O.
by arrangement with ESSEX MUSIC Ltd. LONDON.
 eyes are edgcdu'ith tears- You
mak -ing seal - ing w&x - You Look

8l rrus 4)
to Coda$

Here it comesyour nine-teenth ner-lrous break-down

When you
 I ito dorit to work ly secms tomake mat-ters rvorse'Oh

1+++ tt

school rvhen 1'ou had that

af- ter t irat you turned your back on treat- in g peo-p le

2. You bet-ter

D. S.al O coa"
 DIE Z,E,IGER, DER, UHR,
Orig. tekstIHANS BRADTKE
Muiek:WALTER DOBSCHINS KI

Tompo dl Valse-Bolero

t. Du llsst nodr mandr màl die al - ten Brie Íe, er dtr

2. vie le sdrö - ne Bil der je ner
5. ein sam und tr§umst von 8e stern. du lebst

edldeb, wo- rln dir le Zei 8a8 te: Idl hab' d.id'
Zait. Um dlo - se wun - der ba lah IO tut es dir
heut. El - ner wlrd kom - men der didr doi nen Tràu men be-

s&IieBt die Au - gen, tràumst von ihm und vom ver - lor' nen
Du sdtlle8t dte
Du sàIieBt die
Au - gen, tràumst von
Au - gen, und dann
ihm
be - ginnt
und vom ver -lor'
Í0r didt eln nau
n0n
8S

g 1066 by Edltion hmua RolÍ Budde_ KG, Bsrlin

Voor Nederland (c) 1966: BASART-NOVATON, Leidsegracht llrAmsterdam. B.N. 1048. r\

,] i
glud. ) Doö die r
GtucI. ) Dodr die Í Zel - ger dur Uhr dre - hen nut
Glod. \ Denn dle )

Du hast nodr
Du ttthlst diö
 \t'E nVE op London.

YOU WERE ON MY MIÏ{D

Org. Tekst E Muziekr
SYLVIA FRICKER.

Medlum brtght

PIANO

l.When I woko up this moro-in' YOU ÏIIERE ON MY MIND

YOU WERE ON MY MIND, I got

wounds

@ uculxrv (unp.) by f.\f,ITf,ÀRK & SONS

@ uculxv by r.wITrARr & soNS ,") l-

Voor Nederland: Les Editions Int. BASART N.V.rLeidsegracht ll,Amsterdam' L'E'I'B'3323'

 2. So I went cor-ner esso my pa1o,

blos,

2nd time ll3.

3. But I woke up this mornin' 4. An' I got a feolin'

YOU WERE ON MY MIND Down in my shoes
And YOU WERE ON MY MIND: Said it's 'way down in my shoes,
I got troubles, oh, oh, I got to ramble, oh, oh,
I got worries, oh, oh, I got to move on, oh, oh,
I got wounds to bind. I got to walk away my blues.
5. lVhenI woke up this mornin'
YOU }YERE ON MY MIND
And YOU WERE ON MY MIND,
got troubles, oh, oh,
got wrries, oh, oh,
got wounds to bind.
 DE LtfBRA ZUSJES oP Pbi.tiPa .. f lu:re r
Ne,i iekst: GUNTER BIR}iEF
TED POWDER
ei ÀD REMY Der (Gondolied d'Amore
DE GONDoLIER D'AMORE
..
GUNTER LOOSE
Orrg. reks:
)

Gon do - riert drA - [o rs fàhrt une ins Gfiok nin-

Gon do - lier. drA - tso re Yer -trekt oB uid - der-

DC zil-vtren gtans van dui zend ster - trGnr- èan

(Ds) gon-dcJ" brengt ons naar la- gu -noor rea!
Verse

rinl 1. ) rn silb6rEIanz {eD tau aend Lioh - ter--

nacirtt 2.) (Die) Gon -de1 triigt uns zur La-

P Dn G7
C a7

rit - tc 6on-de1 en gl-trar-nu - zlek, hot zaoh - tg kabrLon Yan de

je
al Lc rcn-gen in Vctt-vu1 -linB 8aan. Ik vocl de warrnte van

gieht die reisoe Gon - de-1a da - hin. Und lei - se sin-8en die ci-
renn die Tràuns ln Er-f,iil-Iing Echn yer - sinkt die l{elt zu un §ern

Bol- v.n is als een sprookj e vol Yàh tro-Dal - tiek!

lip- penl ik kan jc kus - sen nu niet neer weer-staant

+\---z-
tar - rent rell ich uit dir ln Land der Sehnsucht bin.
PIs - Ben dass kann doch in Ve - no - dlBÍrur go - Schehtnl

G7
copyrighr (c) 196a by MUSIK \IERLAG MELODIE Froboess & Budde, Berlln.
voàr Benelux (c) 1964:BASART-NOVATO\ Leidsegraeht 11, Amsterdam. B.N. 1046
Refrein
tlo - lier

hii

brechtl

J
 Na.or motíeuen aon Ernesto Lecuona's ,,ANDAL|JCIA-
THE BREEZE AND I
AL STILLMAT\
F-ng.Tekst : EENGOUDEN MAÀhI
Ided.T*st: RED DEBROY en.dD REMY Muziek : ERNESTO LECUONA

r6 F
"r?-t*f -)-

say-ingwitha slgh
aan lut -
fir-ma-mcnt-

The brercz* and I are

f,{og nim merheb ik

l2--
{>É-,-\ i
ll
Eb-'---2, Br7 Bb7 Eb 4bm6

bloc I (r #"
To dreams we trsed to Share. :---
als nu, jukt de - ze nacht"
\
G' -!r c
lr
ry rFÉ *uÍT" §§.

ËË&e {-Y--a:- *:":

*,*&

-
[ro'", {a, "ír^ rDb'n
v7 ? ft ** --*-
C,opyright MCMXXVIII by Edward B. Marks Mtrsic Corporation
I'hr-s arraagement Copyright MCMXL by Edward B. Marks Music Corporation
Copyright voor Nederleod 195,1: Les Editions Internationales Basart N.V., teidsegrackt 11, Àrmsterdarer.
rlr
 \i-.

.Ours \ras love song that seemed constant as the moon, End-ing in a strange, mourn-
't Is of zarht- jes nE zegt, dat zij wnmc houdt, dat zijwachten -zal, oeu-

,l
.' rqry ie t *l
,.
$--
d.
II ,fft-

Fm7 gm7 p.m F*7 Eh

;7 --h o -m7
F
b \7 -hz
B'
h

f6t tune; And all a - bout fi€, they

wis trouw, Maar pu - dcn maan,'tis_ fiuufi
2t
_J

-a+ t\w+o
v4 lt-
l Tvv
|a F\--l
?ryqa
r, t?_t "í_ cresc.
-\
,,
,
3- '--.{-
-3-,
j*' j

\-r ?,
;b ' N--/lÈb6
F.b7
,

nbzL Ab6 cm Ab6 r.*z Bb7

know vou have de - oart-edwith-out me and we

'iat proSëert mij te ng'gen kan tnch
jij der
0e -
Ehy,
staan,
waan,
>
l--l-t i-q ---, È.

+-,
r\----l
\\--l
Bb
Bbe

fhsheezeand I. The I..

- ív[ijngou - dcn mca.n. Een ÍEUtn
-

rall.e &m.

f //4
7/-
 CHARI\{ATNE! Eng.tetrtca arudd
BRNO RAPEE
Ydro Loilo cr.I§Y POIJ.ACK

TEARS AND CT{EERS I I LOVE YOU SO.

SAYT..CFIAR-MAIM TFIOIrcH OLD YEARS
PRE-clous tvtr,ujRy ET, WF{EN YOU DECLARED yoUR LOVE _- AND TI{EN you

c ctuc7 cót7

TURN TO MY HEART KEEPS CALL-ING YOU. I WONDER WTry YOU KEEP ME

WENT A AND NOW EACHMGHTAND DAY. I WONDER WFry YOU KEEP ME
-
-

Gtni * Dmi el c c+ F
Copyright MCMK,ryI by Mithr Muric Inc.,Ncïr Yost
K.ith Ptogsc & Cb, Ltd for Burqc r6336tain, Irtland & C.oloica, csctuding Canada ad Austrahsia .
I"ee frÀ
Cry16[ht D52:
Kath Ptillc & Co.,LDd.Lodm)
Icctnatioelcs Basatt N.V., Lcidscgraót ll, Amsterdam. (Uy mangcmcot with
1',
 (a, .
WAIT CFLAR - M{iNE CRIES IN VAIN, -.-_ WONDER WHEN BLUEBIRDS ARE MAT -
WAiT -tr^D MAINE MY CT{AR. MAINE I WONDER WF{EN BLUEBIRDS AR.E MAT -

Cdim
rl Clrilc7 Gd c7

\,ViLL YOU COME BACK I WON-DER KEEP ON PRAY -

WiLL YOU COME BACK I WON-DER KEEP ON PRAY .

II€, WILL OUR DREAMS BE THE SAME. i WON-DER IF YOU THINK OF ME,
Il.iG, WILL OUR DREAMS BE THE SAME. I WON-DER IF YOU THINK OF MEr

nh-iO

TOO, CHAR]VLAINES wAIT-ING, TUST WAIT-II$G FOR YOU. I YOU.

TOO, IAM \,VAIT-II\trG, MY CHARMAINE, FOR YOU. I YOU.

,1\

C* F Fdim C CgC* F
tl
 RAY CHARLES op ABC-Paramount-THE RICHTEOUS BROTHERS op Pye-SHiRLITY op Relax

Lyrrc bv
GBORGIA ON MY MINI) ÀÍusic by
STUART GORRELL HOACY CARMI€HAEL
A.&litrona.l L1 rtc b;' nEG CONIiELLY.
-lÍctderato.

K-EY F lrn .r'r :Ín r- :sr, I Fr

Mel- o-dics brutg rtteuto-rtrs at ling - cr my heltrt,

rne days of hap-piness still haunt me the while,

ca..-=-lcz

Miike rtte thuik o[ Oeor-gtrt, Wt,y dirl wll eY - er ptrrt? Somt sweet day when biossoms [.rll, rd

Noth irrgcould com-parervith my Geor-

.t
glas sun- ny smile Thait is why I of - tensigh AS

Dm7 G7 c7b9 c7 c7+

al-l the worlds (l SUIIK,., go brck to Geor-gia cause that'.s nlere

Ili T be - Lrtt,t1.
dirwn the trail T roaln, Long-urg for sweetCleor-gia, be-cause it -. is my home.

Dm? G7 C7 c1e l\ ,
b9 F-l

lO'll [)c,,,",t,.1'll.I,,ndr.r.ll] (. 2 Alt Rit:hls Ros,r'r'el " htl,r'nrrltotol Co1iltryhl §lr'21'tt.

Voor Ncclerland (c) 1 966 TCONNELLY-BASART N. V. r Leidsegracht 1 1, Amsterdam. c.8.2022

by arrangement with Campbell, Connelly t' Co. Ltd', London' Ir\
cr0Àus -
lll n .s :- :m il I r :-

0cur- gia,.. Thc wholc day through,

llm :s rt :l

old sweet song keeps GEOROIA ON MY MIND. ( Geor-gia Orr }ly l[ind)

sweet a,nd cltzr moon - light

,/
,r,,1
l,/

Oth - tr arrns reach out to 0o, Oth-er eyes srnile terd-er

v
>>>>

in pcace - ful dreiuns I see tbe road leads back

Am7 i,il" Bbg

Oeor- gia, No peacc I find, Just an old swect song fËeps

it
Dm

MIND.

o9
b5 c18

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