Jenny

of Oldstones
Or Jenny's Song

                             
George R. R. Martin Sung by Florence + the Machine, Arr. N Rodi

        
In Free Time, Approx.  = 75

 


   



                      
High in the halls of the


  
 

             
              

6

          

     
kings who are gone, Je nny would dance with her ghosts; the


     

           
             
  
9

    



        
ones she had lost and the ones she had found; and the

       
   

         
             

11

      


    
ones who had loved her the most. the ones who'd been gone for


     
                  
                   

14

  
     
  
  
   
so ve ry long, she could n't re mem ber their names. they

   
     

                 
                   
  
17

         


   
         
spun her a round on the damp old spun a way all her so rrow and


     

    
                
              
20 3


                    
pain. and she ne ver want ed to leave. ne ver want ed to leave.


                 
    

         

   
    

               


25


3

 3  

        
                     
ne ver want ed to leave; ne ver want ed to leave.

      
3

3  
     
2
             

          

             
30

              

             
      
           

       
 
  

    
    
   
38

      

    
  
  
 
they danced through the day and

 
  

              
       

                 
  
42

  


      

     
in to the night, through the sn ow that swept through the hall from


     

          
                  
   
45

      

         
 
win ter to sum mer then win ter a gain 'til the walls did crum ble and

    
     

3
     
                 
               
48 3


 


                    
fall. and she ne ver want ed to leave. ne ver want ed to leave.

          
         
    
    

         rit.  
               
53


3


3


  
             
ne ver want ed to leave; ne ver want ed to leave.

     
     
3



3
     