General Bibliography: Documentary Reborn: Photography, Film and Video in Global

Contemporary Art

 Austin, Thomas & de Jong, Wilma, eds., Rethinking Documentary: New

Perspectives, New Practices (Open University Press, 2008)

 Azoulay, Ariella, The Civil Contract of Photography (Zone Books, 2008)

 Geoffrey Batchen et al, eds., Picturing Atrocity: Photography in Crisis, Reaktion

Books, London 2012.

 Bruzzi, Stella, New Documentary (Routledge, 2006)

 Chapman, Jane, Issues in Contemporary Documentary (Polity Press, 2009)

 Demos, T.J., The Migrant Image: The Art and Politics of Documentary During Global
Crisis, Duke University Press, Durham, NC 2013

 Didi-Huberman, Georges, Images in Spite of All: Four Photographs from Auschwitz,

trans. Shane B. Lillis (University of Chicago Press, 2008)

 Edwards, Steve, Photography: A Very Short Introduction (Oxford University Press,

2006)

 Elkins, James, ed., Photography Theory (Routledge, 2007)

 Hardy, Forsyth, ed., Grierson on Documentary (Collins, 1946)

 Hariman, Robert & Lucaites, John Louis, No Caption Needed: Iconic Photographs,
Public Culture, and Liberal Democracy (University of Chicago Press, 2007)

 Liam Kennedy/ Caitlin Patrick, eds., The Violence of the Image: Photography and
International Conflict, I.B. Tauris, London 2014.

 Lind, Maria and Steyerl, Hito, eds., The Greenroom: Reconsidering the Documentary
and Contemporary Art #1 (Sternberg Press, 2008)

 Michelson, Annette, ‘The Estates General of the Documentary Film’, October, Vol. 91
(2000), pp. 140-148

 Morris, Errol, Believing is Seeing: Observations on the Mysteries of Photography

(Penguin 2011)

 Min-ha, Trinh T., Cinema Interval (Routledge, 1999)

 Nichols, Bill, Representing Reality: Issues and Concepts in Documentary (John Wiley
& Sons, 1991)

 Panzer, Mary, Things As They Are: Photojournalism in Context Since 1955 (World
Press Photo/ Chris Boot, 2006)
 Rosler, Martha, Decoys and Disruptions: Selected Writings, 1975-2001 (The MIT
Press, 2004)

 Sekula, Allan, Fish Story (Richter Verlag, 1995)

 Stallabrass, Julian, Documentary, Whitechapel Gallery/ The MIT Press, Reader in

the series ‘Documents of Contemporary Art’, London 2013

 Blake Stimson, The Pivot of the World: Photography and its Nation, The MIT Press,
Cambridge, Mass. 2006.