Instructive Edition with explanatory remarks and fingerings by DE THEODORE KULLAK Author's Edition in English by Sa, (AUBERT R. PARSONS, > 2 NOCTURNES. forthe pianoforte. Nocturne B flat minor Op.9 ” E flat major : G minor Bmajor . ONS. | Gmajor 3 Fmaor € minor F sharp major, F sharp minor, 48 G minor ” F mor ¢ sharp minor, 27 Nil E flatmajor Dflatmajor 27 N82 Bmajor Bmajor 3 N4t E major Nocturne E minor Op.72 NEL. Enteral according to intenational treaty. NEW-YORK, cresyl Ms G. SCHIRMER. ae Copyright Sarmer 184. BERLIN Schlesinger sche Buds anal») NOCTURNE. ‘Th. Rullak. Fr Chopin, Op.55. N04, A (C.8.) ‘Andante.(v. = : ; 3 be fa 8a #4 % fH taetae daw Ga #faeta w Mawta & Na i —. a be fed. 4 fnein® neta ofa # ta # tae eta fa wee a ee i 7 5 Soy nies favta # land, e fa & fa #taet sem # He % rilen, . _. tempo Satine fm # fa & q a tf fa #% fa fasta e Taetae 8 faeh, & fae &) The chic subject A-B is bipartite and betrays a gloomy, melancholy mood. We may be permitted to represent to ourselves in fancy & wanderer, who goes his way solitary and sad, after taking leave of his beloved home ‘al! his dear ones. The seconéary subject is also bipartite. Its first part “Bis march-like in character, 4s if the wanderer had resolved henceforth to go on more courageously. ‘The second part °C grows steadily more passionate and excited. At © begins a fragment of the chief subjects but after a few mensures it passes over into A closing part D, in which the date for a while retains its old motive, though accelerated in pace, and abandons it only when it no longer seems able to follow the right han hurries ever more lightly and swiftly away. The last sasures, sound like; “Thank God - the goal is reached.” Corgrght Schirmer 961 5. 7290 (5) =z ga #9a#%a # Ga ee riten a tempo favfasia efasta Hie ofa © Sa etanfantarta wae hay sna ef ea #2a ef st * ad ip Be aey 2 #%a_ #%a fa #%a ef #4, #20 # 36 Ss. 7a80 05)