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FCP Editing Basics PDF
FCP Editing Basics PDF
Workshop Objectives
Become familiar with the Final Cut Pro workspace, basic editing, capturing footage,
using tools, exporting to tape, or QuickTime. Learn effective workflow and file
management strategies.
Glossary
• Non-Linear Editing (NLE)– Video editing process that uses a computer vs. linear
editing which is compiling footage from one tape directly onto another. Non-
Linear systems store footage on a hard disk rather than on a tape. This allows for
immediate access to all audio and visual content at any time and allows the
editor to make infinite changes.
• Media – Content elements such as video, sound, and still images.
• Scratch Disk - The designated folder to store all the contents (source media) of a
Final Cut Project.
• Logging - The process of collecting detailed information about the position of
clips you want to capture, in preparation for capturing them from a tape.
• Capture – The Process of digitizing audio, video, or both, by recording it into the
computer from a tape. This process can only be done in real time.
• Sequence - Video, audio and still images arranged in a timeline.
• Import - The process of bringing external source media files into Final Cut Pro.
• Export – Converting a sequence into a separate video file or other digital format.
This also refers to the process of copying footage from Final Cut back onto a
tape.
Getting Started
1. Create a folder in the User Drive labeled with your name.
2. Make sure the DV deck is turned on, and the input is set to DV.
3. Launch Final Cut in the Dock.
Window Descriptions
• Browser - Organize and access source materials such as video, audio, still images etc
• Viewer - Acts as the source monitor. Modify individual clip in & out points, filters, and
motion effects
• Canvas - Acts as the program monitor. Displays the content arranged in the timeline.
• Timeline -Displays a chronological view of a sequence of video and audio clips
• Log and Capture -select and capture clips from source tape footage
Note: Change the way FCP arranges its windows by going Window > Arrange and selecting
from the various options including custom layouts. The recommended layout is MML.
viewer canvas
browser timeline
File Management
Remember:
• Drive space is limited
• If you care about your work save it in at least two different locations (server – local
drive)
• Anyone can delete files from a server, or computer at any time
• Files are deleted regularly to free up space on the drives, and are always erased at
the end of the quarter from all lab machines and temporary storage servers
Helpful tips
• Cut down on wasting file space by capturing only the footage that will actually be
used. Do not capture an entire tape. Decide what is necessary during the logging
process by capturing short clips.
• Save often, Command + S. Final Cut can crash and lose all recent changes.
2. Name the “reel” with the same title that is labeled on the tape.
Reset the reel for each separate tape that will be used.
3. Navigate through the tape using the JKL keys on the keyboard. J
= rewind, K= pause L = fast forward. Cue the tape to where you
want to start capturing footage and set an In Point by clicking the
Mark In button. Cue up the tape to where you want to end
capturing footage and click the Mark Out button to set the Out
Point. REMEMBER TO ADD SOME BUFFER TO THE IN AND OUT
POINTS! Later, during editing, some additional footage may be
needed for transitions.
4. Click Log Clip. When prompted, descriptively name the clip and include additional
info (scene/shot/take) as desired. Once a clip is logged it will appear as a clip icon in
the Browser. The red slash on the icon means that the in and out point information is
recorded, but the actual DV footage has not yet been captured into the computer.
5. Select the logged clips in the Browser. Click Batch in the Log and Capture window. A
dialog box will open asking to capture all items, or only the selected clips. Add
Handles (1 second is recommended ) to set a length of time to capture extra
footage at the start and end of each clip.
6. Click Continue. Final Cut will now cue the tape to the first clip, and will capture clips
in real time. Press escape to stop a batch capture at any time. If capturing from
multiple tapes a prompt will ask to insert additional tapes.
ALERT: Make sure you close the log and capture window when you are finished
Basic terms
• Playhead shows the location of the currently displayed frame within a clip.
• In Point first frame of an edited section of a clip (identified by a blue marker pointing
to the right).
• Out Point last frame of an edited clip (another blue marker pointing to the left)
Begin Editing
In the Browser, with each new project, FCP will create a new sequence (timeline) called
Sequence 1.
1. Double-click one of the captured clips in the Browser. The clip now appears in the
Viewer.
2. In the Viewer adjust the In and Out points by moving the Playhead, and press i to mark
the In point, and press o to mark the Out point
3. Move the modified clip into the Timeline by clicking and dragging it directly into the
Timeline.
4. The clip’s video track and two audio tracks appear in the Timeline.
5. Playback edits by clicking on the Timeline, or Canvas. Press Home on the keyboard, and
press the Space Bar to play. Mahvalus!
Tool Palette
Selection tools
Edit, Group and Range tools
Track selection tools
Roll and Ripple Edit tools
Slip/Slide item tools
Razor Blade tools
Zoom, Hand, Scrub Video tools
Crop, Distort tools
Pen tools
Rendering
When a video clip or audio track has been modified with filters, or transitions, sometimes the
computer is not fast enough to process the changes in real time. To playback the affected
audio, and/or video, Final Cut must generate a new video/audio clip that redraws each
adjusted frame. Render files are large and can be deleted to free up space. These files can
always be re-created later.
• Render video/audio clips by selecting them in the Timeline and choose Render
Selection from the Sequence Menu.
• Or…make a selection in the Timeline and press Command + R on the keyboard.
• Option + R renders the entire sequence.
Print to Video
1. Set the DV Deck input to DV.
2. Select File > Print to Video (Control + M)
3. In the Print to Video window add color bars, slates, black and countdown leaders as
needed to the head of the program. Always put at least 30 seconds of leader on
your tape and at least 30 seconds of black at the end.
4. Check the box at the bottom that says “automatically start recording”
5. Click OK. The deck will “automatically” start recording, and the program will play 3
seconds later.
Share
1. Select File > Share (Shift+ Command + E).
2. Starting at the top drop down menu choose to save into your folder on the User
Drive.
3. From the file type drop down menu select the destination type that you want to
output to:
a. DVD – Burns a basic DVD, checking the Create DVD box will pop open a sub-
menu to adjust the settings and will ask for a writeable disc.
b. YouTube – Publishes a YouTube compatible file that will retain the same
dimensions as your source video. Check the box to enter your YouTube account
information and have it publish content directly.
c. Apple ProRes 422 – Exports a high quality large file maintaining your sequence
dimensions.
d. Quicktime H.264 – Exports a lower quality file maintaining your sequence
dimensions that is good for playing back on the internet.
• Save the Project file, batch list and any titles, stills, or sounds to a reliable back-up
medium (hard drive, data DVD’s etc)
• Delete render files and any unused clips